Category Archives: alt.country

Miranda Lambert In The New York Times

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The New York Times has a cool write-up on Miranda Lambert. Lambert talks about the influences for her new album – “Crazy Ex-Girlfriend” – gives credit to Gretchen Wilson for opening the career door for her and is compared to some mighty company:

Ms. Lambert, 23, cites the usual outlaw influences — Waylon Jennings, Merle Haggard — as well as the well-regarded singer-songwriters Steve Earle, Buddy Miller, Jerry Jeff Walker and Guy Clark. In essence, Ms. Lambert is an alt-country singer operating covertly in the mainstream. “Dwight Yoakam, the Dixie Chicks — I think there’s a way to be really cool and mainstream, too,” she said.

Marty Stuart Announces Late Night Jam Lineup

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Country Standard Time reports – Marty Stuart will host his annual Late Night Jam to benefit MusiCares during CMA Music Fest on June 6 at Nashville’s Ryman Auditorium. Marty Stuart and his Fabulous Superlatives (Kenny Vaughan, Harry Stinson, Brian Glenn) will perform and host the unstructured marathon of live music with guest performances this year by singer/songwriter Neko Case, Muzik Mafia founder John Rich (Big & Rich), Eric Church and Ashley Monroe,Charley Pride, Pam Tillis and Porter Wagoner.

“I try never to lose sight of the fact that Nashville is considered Music City,” said Stuart. “When it is time to book the Late Night Jam, it is always my goal to make every form of music welcome. That’s why the Ryman is such a great setting for this concert. It is the Mother Church. Every year, I always feel like its the best we’ve ever had, and this year proves to be no different.”

Marty Stuart’s 6th Annual Late Night Jam has raised more than $70,000 to date for MusiCares, the philanthropic arm of The Recording Academy.

That same week, Stuart will release “Compadres: An Anthology of Duets,” which includes a lifetime of musical collaborations with friends such as Merle Haggard, Loretta Lynn, Steve Earle, George Jones, BB King, Mavis Staples and others. He will also debut an historic museum exhibit titled “Sparkle & Twang: Marty Stuart’s American Musical Odysse” at the Tennessee State Museum that week featuring treasures from the late Johnny Cash, Hank Williams, Patsy Cline, Elvis and more.

Drew Kennedy Tour Dates

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Austin singer/songwriter Drew Kennedy is making quite a name for himself with his release of the excellent “Dollar Theatre Movie” (Texas-based Sustain Records) – that features contributions from Bruce Robison, Kelly Willis, Keith Gattis and Kevin Szymanski, but by also having his song, “Bourbon Legend,” qs the title track on the most recent release from acclaimed alt-country band Jason Boland and The Stragglers.
Catch Drew on his tour of the Great State, including the historic Floore’s Country Store and Adair’s, at the dates below:

Apr 27 Spicewood, TX Angel’s Icehouse
Apr 30 Kerrville, TX Inn of the Hills
May 4 Pleasanton, TX Coughran Hall
May 6 Dallas, TX Adair’s
May 12 Bandera, TX Bandera Bar & Grill
May 18 Helotes, TX Floore’s Country Store
May 20 Ft. Worth, TX Jacks Off The Wall
May 22 College Station, TX Alfred T. Hornbeck’s
May 23 Corsicana, TX Max’s
May 24 Plano, TX Love and War in Texas
May 25 Grapevine, TX Love and War in Texas
May 26 Denison, TX T-Bones
May 27 Bandera, TX Bandera Bar & Grill
Jun 7 San Antonio, TX Rolling Oaks Sports Bar
Jun 13 Wichita Falls, TX Stage West
Jun 19 Austin, TX Austin-Bergstrom Int’l Airport (3 pm)
Jun 27 El Paso, TX The County Line
Jul 6 Brady, TX The Old Peanut Mill
Jul 14 Waco, TX Scruffy’s

Elizabeth Cook – Balls

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Balls is the boldly titled release by Wildwood, FL. native Elizabeth Cook. With singer, songwriter and ex-guitarist for Emmylou Harris’ Hot Band Rodney Crowell sitting in as producer the release has one boot astride in contemporary swagger and one firmly planted in tradition.

I’m new to Ms. Cook, but apparently she’s been around a spell and is the hottest thing I never heard of. She made her Grand Ole Opry debut on March 17, 2000, and appeared repeatedly thereafter, which is a remarkable achievement considering that, at the time, she was an indie artist with zero radio airplay.

The album kicks it off right with “Times Are Tough In Rock ‘n’ Roll” – A celebration of country music bounces along with a jaw harp boinging throughout. The song softly disses on rock music, thought with the singling out of Britney Spears I wonder if it’s really pop music that is being tarheted with this fun tune.
“Don’t Go Borrowin’ Trouble” follows with a slow-burning lament that looking for bad times leads to you just might finding some.

The song that begets the title, “Sometimes it takes Balls to be a Woman” is next – Like many great country songs recorded by woman it’s both boldly declarative and coyly playful. A nice shuffle and some mean guitar work by the Nashville master Kenny Vaughn drives this baby all the way home. Cook does a shout out to Loretta and Dolly just to let folks know she knows who paved the path she’s now gracefully walking.

A duet with alt.country rocker Bobby Bare Jr. on the “Amazing Grace” reminiscent “Rest Your Weary Mind” sets Bare’s woozy rasp against Cook’s pitch perfect voice blended to fine effect with acoustic guitar, mandolin and soulful fiddle.

“He Got No Heart” is a slight boom-chucka tune about some no good dude that’s done this girl no good (he got no heart/his mama forgot that part) and makes feeling bad a lot of fun.

“Mama’s Prayers” is a pious tear-jerker about mama loving her while she’s out in this mean ‘ol world that wins because of it’s sincerity.

“What Do I Do” is a great song in the vein of classic Tammy Wynette of love on the skids.” Gonna Be” is a toe-tapping song of gumption and wherewithal.

An independent sprit shines throughout this fine album. Cook has a voice that is as clear as a crystal pond and strong enough to belt out a song that leaves the Underwoods and Wreckers in the dust. It’s easy to draw a line in the country lineage from Loretta and Dolly to Elizabeth Cook.

Dale Watson Announces U.S. Tour Dates

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Texas honky-tonk troubadour Dale Watson’s brand new studio album, From The Cradle To The Grave, is set for release nationwide April 24 on HYENA Records. Watson will hit the road in May to support its release with a run of East Coast and Midwest tour dates. It will mark the beginning of a year long promotional push that will find Dale performing in all corners of the United States, as well as, Europe and Australia. If you’ve never seen Dale in concert do youself, and your buddies or your gal, a favor.

On second thought don’t take your gal, you’ll never measure up after she sees Dale do his stuff.
Dale Watson’s upcoming tour dates are:
May 11 / WFPK “Live Lunch” / Louisville, KY
May 12 / Midnight Jamboree at Ernest Tubb / Nashville, TN
May 13 / Hideaway BBQ / Raleigh, NC
May 14 / Shenanigans / Richmond, VA
May 15 / The Iota Club / Arlington, VA
May 16 & 17 / The Rodeo Bar / New York, NY (Yeah!)
May 19 / Johnny D’s / Boston, MA
May 20 / The Ale House / Troy, NY
May 21 / The Sportsmen’s Tavern / Buffalo, NY
May 22 / Beachland Ballroom / Cleveland, OH
May 23 / Martyr’s / Chicago, IL
May 24 / Club Tavern / Middleton, WI
May 25 / Vnuk’s Lounge / Cudahi, WI
May 26 / Lee’s Liquor Lounge / Minneapolis, MN
May 27 / Knuckleheads / Kansas City, MO

Trilobite – Trilobite

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Albuquerque, New Mexico based band Trilobite – a.k.a. Singer, songwriter, Mark Ray Lewis fancies himself a “fictionist”, but unlike most creative writing 101 wankers who strive to be the second coming of Zimmy Mr. Lewis has the literary cred to back it up.

He was a Wallace Stegner Fellow at Stanford and won the O. Henry and Pushcart awards for  his short fiction piece Scordatura — which featured an introductory note by Dave Eggers, and was nominated by Joyce Carol Oates. Not too shabby.

From the sound of this self-titled release Mr. Lewis has also studied the atmospheric Southern  Gothic gospal of Jim White. There is a nod to the old-school – fiddle, pedal steel, banjo,pump  organ – but then the music becomes a beautiful bastard hybrid that surprises.

Like White Mark Ray Lewis has a voice made for stories. Coaxing expression and depth out of his simple, straight-ahead delivery of dark myths. And like other great “fictionist” his stories are never obvious or staightforward, but the stories draw you in and keep you listening.

The release begins with Pumpkin Farmer, the strains of fiddle a loping cadence andbackground vocals Michelle Collins provides a cupie-doll rasp to harmony on this gem. Man of God uses a Wobbly pedal steel to lay the solumn mood which is then shards of a clawhammer banjo and draw of a fiddle and cello provide warmth to an otherwise chilly tune. The Ledge is a beautiful, haunting oblique tale of hunting tragedy. The Caves of Burgundy is almost a jangly, joyful tune until the whispered, fragmented, misaligned harmony weaves into a song of lust or death, hard to tell. Snakeriver is a bloody Texas two-step tha  sound like it’s being delivered from the bottom of a cavern and evolves into a Southwestern stew of schizophrenic music styles that still comes out sounding coherent and lovely. Samsara is a stormy piece laid over a muffled phone message like a call from the afterlife.

This is a dark and lovely slice of Americana that embraces tradition while it moves the genre in new and interesting directions.