Category Archives: alt.country

Watch Out! Jack White & Margo Price – I’m Lonely (But I Ain’t That Lonely Yet) – 10/15/2016

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Jack White & Margo Price

The post-Garrison Keillor “A Prairie Home Companion” era commenced Saturday evening with the new host and uber-mandolinist Chris Thile filling those shoes nicely.

For the next two hours, Thile kept dancing guests Lake Street Dive’s folk-soul. He ripped through Bob Dylan’s “Subterranean Homesick Blues.”

One undeniable highlight was when guest Jack White invited Margo Price on stage to play ‘I’m Lonely (But I Ain’t That Lonely Yet) ‘ from the White Stripes’ album ‘Get Behind Me Satan.’ Along with backing band Lillie Mae Rische, Dominic Davis, and Karl (Fats) Kaplin the two turn the originally piano-driven ballad into a heartbreaking country duo weeper.

Enjoy the moment below.

Steve Earle’s Iconic Guitar Town To Be Celebrated With 30th Anniversary Deluxe Edition

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Steve Earle's Guitar Town

In celebration of the 30th anniversary of Earle’s iconic Guitar Town, MCA Nashville/UMe will release a deluxe edition of the album on CD and digital on October 14. The two-disc set will feature the classic album remastered from the original tapes by Robert Vosgien along with a previously unreleased 19-song live show recorded on the Guitar Town tour at the Park West in Chicago in 1986 and expanded liner notes. Pre-order and stream Guitar Town: 

The concert will also be available on its own as a double LP on 180-gram vinyl exclusively at UDiscover. A remastered vinyl edition of Guitar Town, cut for vinyl by Ron McMaster at Capitol Mastering and also remastered by Vosgien, was released in May along with Earle’s other MCA studio releases: Exit 0, Copperhead Road and The Hard Way.

Steve Earle’s status as a pioneer of the second wave Outlaw country movement and a founding father of alt.country and the resulting Americana movement didn’t come easy.

Songwriter sessions with Townes Van Zandt and Guy Clark provided a wet stone where Earle sharpened his craft. Later he ended up in Nashville, playing bass in Guy Clark’s band and working at a publishing house as a staff songwriter with some mid-level chart success. Few imagined the long haired gruff San Antonian would release a watershed debut that shook up the typically staid Music Row machine and introduced the “great 80’scredibility scare” that included, among others Lyle Lovett and k.d. Lang.

Released on March 5. 1986, and produced by Emory Gordy, Jr. and Tony Brown  Guitar Town fused country heart and twang with hard-edged rock n’ roll and created something startling fresh and crakeling with rebellion.

Eventually though, the album, which was inspired by seeing Bruce Springsteen on his “Born To Run” tour, was discovered by rednecks, punks and headbangers alike. Like Willie and Waylon a generation before Earle brought together disparate music factions typically not used to occupying the same space in the record store. Drawn by the universal subjects of small-town aspirations, the demise of the American dream, hard living and songs about life on the road away from one’s family spoke to them. 

Guitar Town went on to hit No. 1 on Billboard’s Country Albums chart and garnered two GRAMMY® Award nominations for Earle – Best Male Country Vocalist and Best Country Song for the album’s title track, which reached No. 7 on Billboard’s Country Singles chart. Earle, who several months before had been slogging away trying to get his break, received comparisons to such celebrated songwriters as Bruce Springsteen, Bob Dylan, John Fogerty and Tom Petty as the album became one of the most acclaimed of the ‘80s. It topped Rolling Stone’s Critic’s Poll for Country Album Of The Year and later was included in both the magazine’s 100 Best Albums Of The Eighties and their esteemed 500 Greatest Albums Of All Time lists. In their rave review, the Los Angeles Times hailed it as “one of the most endearing and exciting American debuts” in recent years, adding, “an album of this quality in a more mainstream country style would be hailed as the discovery of the year in country music.” The record, which also spawned the No. 8 Country Single, “Goodbye’s All We Got Left” as well as “Hillbilly Highway” and “Someday” is certified platinum in Canada and gold in the U.S.

Recorded at the Park West in Chicago in 1986 while on tour in support of Guitar Town, the live album is a new unearthed treasure that brims with the palpable energy and excitement that can only come from a band feeling on top of the world as its music connects with a fervent crowd. The high-quality sounding recording captures a watershed night as Earle realizes the dream he’s had since moving to Nashville at 19 has finally came true. Earle and his band – Bucky Baxter and Michael McAdam on guitars, Reno Kling on bass, Ken Moore on keyboards and Harry Stinson on drums – barrel through 19 songs including the entirety of Guitar Town, several tracks from the then-unreleased sophomore album, Exit 0, and a cover of Springsteen’s “State Trooper.” Nearly out of songs with an insatiable audience screaming for one more, Earle takes the stage for the third encore of the night with just an acoustic guitar for “No. 29.” As the crowd cheers wildly, Earle exclaims, “This has been the thrill of my life and that’s no shit.” It’s a poignant snapshot of an artist being genuinely overwhelmed that he had finally got what he was seeking, and just a sneak peek at what was to come.

https://youtu.be/_dyxvskkQwQ

STEVE EARLE – GUITAR TOWN 30TH ANNIVERSARY
DISC ONE – ORIGINAL ALBUM
1. Guitar Town
2. Goodbye’s All We’ve Got Left
3. Hillbilly Highway
4. Good Ol’ Boy (Gettin’ Tough)
5. My Old Friend The Blues
6. Someday
7. Think It Over
8. Fearless Heart
9. Little Rock ‘N’ Roller
10. Down The Road
 
DISC TWO – LIVE AT PARK WEST, CHICAGO, IL – AUGUST 15, 1986
1. Guitar Town
2. Sweet Little ‘66
3. Goodbye’s All We’ve Got Left To Say
4. Hillbilly Highway
5. My Old Friend The Blues
6. Good Ol’ Boy (Getting’ Tough)
7. Someday
8. Think It Over
9. Little Rock ‘N’ Roller
10. State Trooper
11. The Week Of Living Dangerously
12. Angry Young Man
13. Nowhere Road
14. Fearless Heart
15. I Love You Too Much
16. San Antonio Girl
17. The Devil’s Right Hand
18. Down The Road
19. No. 29
 
STEVE EARLE – LIVE AT PARK WEST, CHICAGO, IL – AUGUST 15, 1986
VINYL EDITION
 
SIDE A
1. Guitar Town
2. Sweet Little ‘66
3. Goodbye’s All We’ve Got Left To Say
4. Hillbilly Highway
5. My Old Friend The Blues
 
SIDE B
6. Good Ol’ Boy (Getting’ Tough)
7. Someday
8. Think It Over
9. Little Rock ‘N’ Roller
 
SIDE C
10. State Trooper
11. The Week Of Living Dangerously
12. Angry Young Man
13. Nowhere Road
14. Fearless Heart
 
SIDE D
15. I Love You Too Much
16. San Antonio Girl
17. The Devil’s Right Hand
18. Down The Road
19. No. 29
 
STEVE EARLE ON TOUR
October 4 – Telluride, CO @ Sheridan Opera House #
October 6 – Boulder, CO @ Boulder Theater #
October 8 – Kansas City, MO @ Kauffman Center For The Performing Arts %
October 9 – Lincoln, NE @ Rococo Theater %
October 11 – St. Louis, MO @ Sheldon Concert Hall %
October 12 – Milwaukee, WI @ Pabst Theater @
October 13 – Chicago, IL @ Vic Theater @
October 14 – Toronto, ON @ Massey Hall @
October 16 – Boston, MA @ Berklee Performance Center @
October 19 – Philadelphia, PA @ Merriam Theater @
October 21 – Washington, DC @ Lisner Auditorium @
November 2 – Calgary, AB @ Grey Eagle Resort & Casino ^
November 3 – Regina, SK @ Casino Regina-Show Lounge ^
November 4 – Winnipeg, MB @ Burton Cummings Theatre ^
November 5 – Minneapolis, MN @ Pantages Theatre ^
November 7 – Cleveland, OH @ Music Box ^
November 8 – Ottawa, ON @ Bronson Center Theatre ^
November 10 – St. Johns, NL @ Holy Heart Theatre ^
November 11 – St. Johns, NL @ Holy Heart Theatre ^
November 13 – Halifax, NS @ Casino Nova Scotia ^
November 14 – Halifax, NS @ Casino Nova Scotia ^
November 16 – Kingston, ON @ The Ale House ^
November 17 – London, ON @ London Music Hall ^
November 18 – Niagara Falls, ON @ Scotia Bank Convention Center ^
December 2 – Annapolis, MD @ Maryland Hall For The Creative Arts ^
December 5 – New York, NY @ Town Hall – John Henry’s Friends Benefit w/ Graham Nash, Shawn Colvin, Matt Savage and Steve Earle & The Dukes performing Guitar Town

^ performing Guitar Town
# Steve Earle Solo Acoustic
% Lampedusa: Concerts For Refugees w/ Emmylou Harris, Buddy Miller, Patty Griffin, Milk Carton Kids
@ Lampedusa: Concerts For Refugees w/ Emmylou Harris, Buddy Miller, Patty Griffin, Milk Carton Kids and special guest Robert Plant

Watch Out! Ryan Adams Revisits “Oh My Sweet Carolina” on Colbert

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Ryan Adams Revisits “Oh My Sweet Carolina”

Ryan Adams took time away from his classic rock persona to revisit his earlier incarnation of roots-rocker. Taking to the Late Night stage in an intimate setting Adams turned the focus toward his 2000 solo classic debut ‘Heartbreaker.’

Adams was joined by Infamous Stringdusters and Nicki Bluhm, sitting in for Emmylou Harris, who provided harmony on the original.

Adams revisit is to shed light on the re-issue of ‘Heartbreaker,’ which had a deluxe version reissued earlier this year.

https://youtu.be/YgP1J34D8LA

Listen Up! Ronnie Fauss Covers Slobberbone’s “Lumberlung”

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Portrait of musician Ronnie Fauss, photographed in Brooklyn, NY
Portrait of musician Ronnie Fauss, photographed in Brooklyn, NY

There are few songs that move me quite as much as Slobberbone’s “Lumberlung.” I’d put it up there with Ryan Adams’ ‘Oh My Sweet Carolina’ and Drive-By Truckers’ ‘Goddamn Lonely Love’ on my ‘melancholy tales of faded love’ list

Nortex troubadour Ronnie Fauss wisely agrees. He pays honorable tribute on this fine rendition picking up the pace and little giving it an a slightly jauntier spin without losing any of the emotion-wrenching punch.

Of his relationship with the band and recording the song Fauss says “I first heard Slobberbone over the speakers at a now defunct record store on lower Greenville in Dallas. It stopped me in my tracks – I went to the counter and said “what in the hell is this?!?” The album was “Everything you thought was right was wrong today” and the song was “Lumberlung”.

I bought the CD on the spot, and listened all the way home. When I got home I went straight to the guitar that was under my bed (and had not been played in years) and started working on a song of my own. It was just my natural response to hearing Slobberbone for the first time – I had to make something of my own.

I became a superfan. I went to see them many times around Deep Ellum and other parts of Dallas…I introduced my buddies to them and they became superfans as well, we bonded like brothers at their shows. Also, I kept on writing my own songs. A few years later, I had a batch of material that I felt good enough about to record. I had read that (Slobberbone lead singer) Brent Best was recording local artists in his spare time in his home studio, so I went to see him at a solo gig he was playing at the Barley House…after a few shots of whiskey I mustered up the courage to approach him, introduce myself, and ask if he would be open to helping me make a record. He gave me a once-over and said “sure”, and that was that.

We recorded my first EP in his house in the Spring of 2008. It was very surreal to be recording with the songwriter who had encouraged me to start writing songs in the first place! It’s an intimate, stripped down recording…tracked over his linoleum kitchen floor. He would stand up between takes, go to the stove and stir something in a pot, and then return to the control board. He said he was cooking a goat. I’m proud of the record we made together, it’s called “New Songs For The Old Frontier Volume 1”.

When I was invited to pick a Slobberbone song to record for this project, I was elated. What an honor! But then a sort of creative atrophy took over. As I listened through their entire catalog in search of a song to cover, I came to realization – I could not improve on anything they had ever done. I only want to offer my own version of someone else’s song if I think I can bring something unique and meaningful to the table…but how could I improve on perfection???

And then it hit me – don’t try to do it better, just do it different. So I went back to “Lumberlung”…the first song I heard by Slobberbone in that record store more than a decade earlier, and an idea hit me. Speed it up a bit, change the tempo, bring in a banjo and a mandolin and a fiddle and turn it into a back porch picking number. Their original verison is perfect and beautiful and haunting, mine is something different.

I’m proud of how it turned out. It’s one of my favorite things I’ve ever done. I mean come on, I had about the best source material to work with that a man could ask for.’

Fauss joins Luther Dickinson and others that have recorded Slobberbone songs to celebrate the release of Bees and Seas: The Best Of Slobberbone

Ronnie Fauss Official Site | Slobberbone Official Site

The Drive-By Truckers To Release New Album ‘American Band’ This Fall, Premiers Single

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Drive-By Truckers

Drive-By Truckers have always been a band that defies convention. Their new cut, “Surrender Under Protest” from their 11th studio release ‘American Band’ (ATO Records), proves that their not about to soften anytime soon.

The Georgia-by-way-of-Alabama band has had a revolving number of extraordinary personal over their 20 years. Through it all main songwriters Patterson Hood and Mike Cooley have held mirrors to Southern life in ways that asks narrative questions while also honoring stylistic traditions.

“Surrender Under Protest” is a Cooley-penned first single from the record. A blast of guitar intros a song for these times, bracing in it’s directness confronting our growing cultural divisions.

Or as Hood describes the approach to ‘American Band’ : “This time out, there are no such (narrative) diversions as these songs are mostly set front and center in the current political arena with songs dealing with our racial and cultural divisions, gun violence, mass shootings and political assholery. Once again, there is a nearly even split between the songs of Cooley and myself, with both of us bringing in songs that seem to almost imply a conversation between us about our current place in time.

“American Band” is a rock and roll call to arms as well as a musical reset button for our band and the country we live in. Most of all, we look at it as the beginnings of some conversations that we, as a people very much need to begin having if we ever hope to break through the divisions that are threatening to tear us apart.”

The motivation to make music that matters is a natural one in roots-leaning music. But not everyone can strike a Woody Guthrie tone. There’s a risk of partisan platitudes ( think “Jerusalem ” era Steve Earle) instead of populist poetry ( think pre- ‘Jerusalem’ era Steve Earle.)  it’s a  subtle balance the “Surrender Under Protest” struggles to maintain.

“American Band” not only marks a change in tone for the The Drive-By Truckers. The band is using a photograph for the cover, an American flag at half-staff, instead of an illustration (mostly handled by the Southern-Gothic imagery of Wes Freed.)
The Drive-By Truckers premiered the new single with NPR.

‘American Band’ pre-order options are here Listen to “Surrender Under Protest” and check out the band’s upcoming tour dates are listed below.

Drive-By Truckers Tour Dates:

July
13 — New York, N.Y. @ Lowdown Hudson Music Fest
17 — Alta, Wyo. @ Grand Targhee Festival

August
20 — Morrison, Colo. @ Red Rocks Amphitheater
27 — Lexington, Ky. @ MoonTower Music Fest

September
16 — Toronto, Ontario @ TURF 2016
17 — Fredericton, Neb. @Canada Harvest Jazz and Blues Festival
23 — Kansas City, Mont. @ Crossroads
24 — Minneapolis, Minn. @ First Avenue
25 — Sioux Falls, S.D. @ The District
28 — Missoula, Mont. @ The Wilma
29 — Seattle, Wash. @ Showbox at the Market
30 — Portland, Ore. @ Wonder Ballroom

October
1 — Portland Ore. @ Wonder Ballroom
2 — Vancouver, British Columbia @ Rickshaw Theater
5 — Sacramento, Calif. @ Ace of Spades
6-7 — San Francisco, Calif. @ The Fillmore
8 — Lake Tahoe, Nev. @ Montbleau Resort Casino
11-12 — Los Angeles Calif. @ Teragram Ballroom
13 — Solana Beach, Calif. @ Belly Up Tavern
14 — San Luis Obispo, Calif. @ The Fremont
15 — Scottsdale, Ariz. @ Livewire

Americana Music Association and Record Store Day Announce AMERICANA MUSIC MONTH

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AMERICANA MUSIC MONTH

Record Store Day always offers great limited edition Americana/folk/country/Bluegrass as well as other genres, but now it seems that June is all about the twang.

The good folks at Nashville-based Americana Music Association and Record Store Day have joined forces to make June AMERICANA MUSIC MONTH. More than 100 independent record stores are participating throughout the month providing free music samplers, special deals on new and classic Americana albums, and special in-store performances all month long.

Check the RSD site for participating indy record stores and chaeck back for more information.

Third Man Records to Release Dwight Yoakam Blue Series “Tomorrow’s Gonna Be Another Day”

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Dwight Yoakam "Tomorrow's Gonna Be Another Day"

It looks like Third Man Records will continue further down the Lost Highway they began earlier this year with the release of Margo Price’s breakout debut ‘Midwest Farmer’s Daughter’ with a release from a true country music icon – Dwight Yoakam.

As part of their next Blue Series the Nashville-based label/shop/live music venue will feature a true country music icon , Dwight Yoakam. Yoakam stopped by the studio with Jack White to record songs by one of Yoakam’s biggest non-country influences – “Tomorrow’s Gonna Be Another Day” (Boyce/Venet, popularized by The Monkees, as well as the flip-side “High On The Mountain of Love” written by Harold Dorman, popularized by Kenny Lynch, Charley Pride, Johnny Rivers, the Beach Boys and others.

“Tomorrow’s Gonna Be Another Day” will be released June 10th on 7” vinyl and digitally on itunes.

Hear samples below and pre-order here.

Jaason Isbell Leads Americana Music Award Nominees

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Americana Music Award Nominees
(L-R) Ethan Jodziewicz, Sierra Hull, Kenneth Pattengale, Lucinda Williams, Joey Ryan, Margo Price, Jed Hilly.
Photo by Sarah Como

The nominees for the 15th annual Americana Music Awards and Honors was announced yesterday from the historic Mansion on O Street in Washington, D.C. Aside from the odd elitism that an event from a ballroom of the luxury hotel symbolizes (the Mansion? I wonder if it’s on a hill?) it was an entertaining and fun event.

The event was streamed via Facebook’s new ‘Live’ feature exclusively through NPR Music’s Facebook page. The Milk Carton Kids — Kenneth Pattengale and Joey Ryan – were their usual droll elves. Ryan once making he connection between the event’s DC location and his vow to “Make Americana great again.” While donning a bright red cap emblazoned with that motto. It was huuuuuge.

Stellar performances by Lucinda Williams, Margo Price and Sierra Hull (who should be a nominee next year) with Ethan Jodziewicz put the spotlight on the purpose of the event – exceptional music by extraordinary musicians.

Alabama troubadour Jason Isbell continues his much-deserved success by leading the nominees with 3 nods for Album of the Year, Artist of the Year and Song of the Year. Lucinda Williams, Chris Stapleton and newcomer Margo Price each nominated for two apiece. Mainstream country crossover is reflected not only by Stapleton but also by Texan Kacey Musgraves

The 2016 Americana Music Association Festival and Conference is scheduled for September 20-25, with the awards ceremony being held at the historic Ryman Auditorium on Wednesday, September 21. Americana Music Association honors additional distinguished members of the music community with Lifetime Achievement Awards, which will be announced leading up to the event.

Jim Lauderdale is a natural as the proceedings host and Buddy Miller fronts the always exemplary house band.

Can’t make to to the event? Understandable, as it has sold out in recent years. But do not despair, the Americana Honors and Awards show will shown live on AXS TV and an edited version will show up on PBS at a later date. It will also be broadcast via SiriusXM Radio, BBC2, WSM and Voice of America.

South Carolina newcomers Shovels and Rope will lead the field with four nominations, followed by legendary Emmylou Harris and Buddy Miller each with three nods. I’m happy to report that a few of my choices made it on the list this year(Kelly Willis & Bruce Robison, YES!) and John Fullbright is up for Emerging Artist of the Year. Well if being nominated for the Americana Album of the year Grammy, as Fullbright was before losing to Bonnie Raitt, isn’t emerging the I don’t know what is. Dwight Yoakam’s dominance of the Americana charts earlier this year with his new release Three Pears (my review) also garnered him an Artist of the Year nod.

Here is the full list of the 2013 Americana Music Award nominees. Are your choices here?

ALBUM OF THE YEAR
Something More Than Free – Jason Isbell
The Ghosts of Highway 20 – Lucinda Williams
The Very Last Day – Parker Millsap
Traveller – Chris Stapleton

ARTIST OF THE YEAR
Jason Isbell
Bonnie Raitt
Chris Stapleton
Lucinda Williams

EMERGING ARTIST OF THE YEAR
Leon Bridges
John Moreland
Margo Price
Nathaniel Rateliff & the Night Sweats

SONG OF THE YEAR
“24 Frames” Jason Isbell
“Dime Store Cowgirl” Kacey Musgraves
“Hands Of Time” Margo Price
“S.O.B.” Nathaniel Rateliff & The Nightsweats

DUO/GROUP OF THE YEAR
Alabama Shakes
Emmylou Harris & Rodney Crowell
Lake Street Dive
The Milk Carton Kids
Tedeschi Trucks Band

INSTRUMENTALIST OF THE YEAR
Cindy Cashdollar
Stuart Duncan
Jedd Hughes
Sara Watkins

Americana Honors Prince

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Dixie Chicks - 'Nothing Compares 2 U'

“A strong spirit transcends rules.” Prince

Prince not only appeared to transcended mortality he transcended genre. So it’s not surprising that songwriters and musicians across styles took his sudden death as a call to perform reverent Prince covers to fill the void.

Roots music is no different. Though his music superficially differed from Americana and country music they saw in Prince a prolific songwriters and accomplished musician who’s entire being was defined by his art. Prince created music just as readily as the music created him. They were indistinguishable from each other.

Below I’ve collected a few live tributes in the aftermath as well as Cory Branan and Lydia Loveless superb Record Store Day 2015 purple vinyl split 7″. All are wonderful and you can feel the bittersweet joy in remembrance.

Also a video of Prince doing a Stones classic, because it’s awesome.

Bruce Springsteen – ‘Purple Rain’ – Multicam mix – Brooklyn – New York – http://youtu.be/ifNyqjHHCGw

Chris Stapleton – ‘Nothing Compares 2 U’ – Greek Theater, Berkeley, CA – http://youtu.be/dV_Wp4vVlB8

The Dixie Chicks – ‘Nothing Compares 2 U’ – Horsens Denmark – http://youtu.be/sHBFMjH9NFA

Avett Brothers “Pretty Girl From Annapolis w/ When Doves Cry Interlude” Chicago Theatre – http://youtu.be/DjgHfAtwMsg

Mumford & Sons – ‘Nothing Compares 2 U’ – St. Paul, MN – http://youtu.be/ay0edC0lOh4

Old Crow Medicine Show w/ Margo Price – Purple Rain – Huntsville, AL – http://youtu.be/B1JCj5EWvP4

Cory Branan – “Under the Cherry Moon” – http://youtu.be/zVtSiXiQRE4

Lydia Loveless – “I Would Die 4 U” – https://www.youtube.com/watch?v=BvYjXEiXujo

Prince – “Honky Tonk Woman” – http://youtu.be/MpHtwa8YGBU

Listen Up! Kiefer Sutherland – ‘Not Enough Whiskey’

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Kiefer Sutherland - 'Not Enough Whiskey'

The list of Hollywood actors looking to cross the divide from their chosen vocation into music has more misses (Bruce Willis) than hits (Zooey Deschanel.) Proving just because you have skills in one branch of the arts doesn’t necessarily mean those skill can in transfer to another.

Kiefer Sutherland is the latest entry into the fray. And truth be told, He’s got chops. How much chops you might ask? Enough to take a song with hackneyed tropes like whiskey and a leaving woman and aa video featuring an old hotel room (number 13, no less) and make it interesting.

Perhaps it’s that “Not Enough Whiskey” has a great throwback roots sound with organ, pedal-steel, reverbed guitar over a rimshot beat and Sutherland’s gravel soul delivery (reminiscent of Social Distortion’s Mike Ness at his twangiest)

Of the album Sutherland says “It’s the closest thing I’ve ever had to a journal or diary. All of these songs are pulled from my own personal experiences. There is something very satisfying about being able to look back on my own life, good times and bad, and express those sentiments in music. As much as I have enjoyed the writing and recording process, I am experiencing great joy now being able to play these songs to a live audience, which was something I hadn’t counted on.”

Just goes to show, Jack Bauer can do any damn thing he puts his mind to.

“Not Enough Whiskey” from Sutherland’s upcoming album ‘Down in a Hole’ , to be released later this summer — “Not Enough Whiskey” will be available on iTunes April 8, 2016.

He will also appear as a presenter on the upcoming ACM Awards and will kick off his live tour April 14th running through the end of May.

Kiefer Sutherland dates:
April 14 Milwaukee, Wis. – Shank Hall
April 15 Madison, Wis. – Majestic
April 16 Grand Rapids, Mich. – The Pyramid Scheme
April 18 Ann Arbor, Mich. – The Ark
April 19 Cleveland, Ohio – Grog Shop
April 20 Pittsburgh, Pa. – Hard Rock Cafe
April 22 Huntington, W. Va. – V Club
April 23 Cincinnati, Ohio – Ballroom at the Taft
April 24 Indianapolis, Ind – Vogue
April 26 Columbus, Ohio – A&R Music Bar
May 04 Charlotte, N.C. – Visulite Theatre
May 06 Raleigh, N.C. – Lincoln Theatre
May 08 Richmond, Va. – Capital Ale House
May 09 Annapolis, Md. – Ram’s Head Tavern
May 11 Wilmington, Del. – World Cafe Live
May 12 Teaneck, N.J. – Mexicali Live
May 14 Pawling, N.Y. – Daryl’s House
May 15 Ithaca, N.Y. – The Dock
May 16 Buffalo, N.Y. – Iron Works
May 19 Northampton, Mass. – Iron Horse
May 20 Boston, Mass. – Brighton Music Hall
May 21 Providence, R.I. – The Met
May 24 Asbury Park, N.J. – Stone Pony
May 25 Long Island, N.Y. – Founders Room
May 26 Sellersville, Pa. – Sellersville Theater
May 28 Amagansett, N.Y. – Stephen Talkhouse