Panning for Gold – Elton John – Tumbleweed Connection

Before he became the modern equivalent of Liberace and creator of Disney Soundtracks (1994’s The Lion King with Tim Rice) Sir Elton John (Reginald Dwight to his mum) was the reigning king of 70’s adult pop. Odds were if you tuned into an FM rock or pop station  (often they were the same station as genre segmentation was less rigid back then) within 5 minutes you’d hear one of his omnipresent truckload of singles.

Riding a wave of success his self-titled album (Elton John) had brought him Elton, and his writing partner and primary lyricist Bernie Taupin, released Tumbleweed Connection in October 1970. Though neither Elton or Taupin had ever been to America many listeners believed that the album reflected thier travels there but was in reality a convincing work of Taupin‘s fascination with the American old west. Taupin was inspired by hearing The Band’s Music from Big Pink, Bob Dylan’s John Wesley Harding, and The Grateful Dead’s American Beauty and Workingman’s Dead, as well as numerous country songs such as Marty Robbins’ classic  El Paso (the song Taupin claims made him want to write songs) to create a somewhat thematically unified take on his own idea of the mythical American west. The sepia tinted album cover says it all. A picture of John on the front, and Taupin on the back, kicking back on an old western town’s boardwalk.

Tumbleweed Connection
was the first time a road band had been used in the studio, making it more the Elton John band rather than just Elton on his own, and the bigger sound comes to life immediately on the blues-rock opener Ballad of a well-known Gun, the story of a gunslinger reaching the end of the road (though I prefer the more country-rock version found on disc 2 of the Legacy edition of TC) and My Father’s Gun a moody study on a Southern son’s legacy of avenging his father’s Civil War death that builds to a dramatic finale’. Both songs feature the soaring backing vocals of Madeline Bell, Tony Burrows and blue-eyed soul diva Dusty Springfield.

Country Comfort is a bustling tune about John and Taupin’s love for the countryside complete with pedal steel, harmonica and fiddle. John re-released the song in 2001 as part of the ‘Earl Scruggs and Friends’ album released by Earl Scruggs. Earl Scruggs played banjo on the song. The song was also covered by Rod Stewart and Juice Newton.

Son of Your Father is a blues-country rouser featuring a rare appearance by UK folk duo Sue and Sunny. Where to now St. Peter? is a pleasant if somewhat goofily-psychedelic tune that seems oddly out of place on this except the narrative seems to be about a man lost in the world and struggling for direction, so I guess it sort of fits. Love Song is the only non-John/Taupin penned tune on the album. Leslie Duncan wrote and performs acoustic guitar and background vocals on this melancholy beauty.

Amoreena might be my favorite cut on this album brimming with great cuts. Taken from the name of John’s god-daughter, this great song about a young man yearning for his distant loved one is notable not only for John’s great piano riffs but also because he is accompanied for the first time by bass player Dee Murray and drummer Nigel Olsson, who would form the core of his rhythm section until their departure in 1975.

The album concludes with the Gospel-inspired slow-burner (pun intended) Burn Down the Mission. This simple, but vague, story of a poor and oppressed community that sees the narrator rising up to take action to deal out some personal justice. This is the most orchestrated and cinematic (thanks to a large measure to Paul Buckmaster’s string arrangements) of the songs contained here and John plays piano and sings with passion and fervor befitting its expanse.

For an album that spawned no singles Tumbleweed Connection stands as a testament to the musical greatness of John and Taupin, and is a heartfelt commendation of the mythical American west.  Guns N’ Roses singer Axl Rose reportedly once said he would love to own the publishing rights to Tumbleweed Connection as a work of art. I’d say this is probably the first time that Axl and my tastes are in sync.

Panning for Gold is a random celebration of classic alt.country/roots/Americana releases of the past.

Official Site | Amazon

Elton John – Burn Down the Mission

http://www.youtube.com/watch?v=9BSBkhRZMic#sthash.3YUOobSV.dpuf

Record Review – O’ Death – Broken Hymns, Limbs and Skin (Kemado)

New York based Gothic/Country/Punk band O’Death are named after the Dock Boggs penned song made famous by Ralph Stanley on the “O Brother, Where Art Thou?” soundtrack. Like that hauntingly plaintive Appalachian dirge “Broken Hymns, Limbs and Skin,” the third LP from O’Death, 14 tracks recollect tales of sorrow and ecstasy nearly reaching levels of a Pentecostal tent revival on a hot, sticky Summer night. If Nick Cave and the Bad Seeds were invited to contribute to the same “O Brother Where Art Thou” soundtrack it might sound a lot like this.

The release commences with “Lowtide” with its gypsy plucked violin trot that quickly breaks lose to a full runaway gallop, all cleaved through with Greg Jamie’s unnerving vocals.  Jamie intermingles British Sea Power and Brake’s Eamon Hamilton nervy wail and Pixie’s main howler Frank Black to result in something unflinchingly manic.

“Fire On Peshtigo” is a searing thrash-hoe-down that gives off as much heat as those described in the lyrics. You can almost imagine Bob Pycior’s fiddle smoking and threatening to burst into flames. “Legs To Sin” is a mountain jig that owes as much to white-hot punk as it does to old timey dittys.

“Mountain Shifts” is a woozy junkyard waltz that might tickle Tom Wait’s fancy. “Vacant Moan” starts with Gabe Darling’s slow discordant  claw-hammer banjo but quickly careens toward a wheezing, stuttering thunderous end.

“A Light That Does Not Dim” recalls The Pixie’s “Nimrod’s Son” (which O”Death covered on a 7″ single in October 2007) with all it’s primal impact and “Grey Sun” puts a fine point on the Gothic elements of O’Death’s with the refrain “hang the hardship baby, we go to sleep and then we die.”

“On An Aching Sea” is a slinky trash can sea-shanty of a poisoned marriage and “Angeline” is a sweetly aching tale of loneliness, abandonment and mortality. Like the before-mentioned Ralph Stanley’s genre of mastery, Bluegrass, there is no shortage of dark and tragic narrative in these songs.

Like their sonic brethren The Felice Brothers, Th Legendary Shack Shakers and Those Poor Bastards, O”Death takes a fever dream of music echoing from the saloons, alleys and churches across America’s past and distills it into a dark elixir of blood, moonshine and adrenaline.

O’Death – “A Light That Does Not Dim” – Roisin Dubh in Galway – 09/26/2008

[youtube]http://www.youtube.com/watch?v=nYRNk10xN6g[/youtube]

Johnny Cash Folsom Prison Show Legacy Edition – 10/14

  • Christmas is not too far away, and the perfect gift for your Country Music aficionado (ah hem) is the Johnny Cash Folsom Prison Show Deluxe Box Set. This Legacy Edition will feature a 2CD/1 DVD will feature the entire two Cash 1968 concerts from the California prison, totaling in 31 previously-unreleased tracks, including songs like “Blue Suede Shoes,” “I’m Here to Get My Baby Out of Jail,” “This Ole House” and even more duets with his wife June Carter Cash. The DVD contains footage from the shows, plus interviews with Merle Haggard, Roseanne Cash and inmates who witnessed Cash’s Folsom concerts. Also featured are liner notes penned by both Cash biographer Michael Streissguth, Steve Earle and Cash himself, which he wrote in 1999. Out October 14th via Columbia/Legacy.
  • The Prophets of Country Doom Those Poor Bastards new release “Satan Is Watching” will be available (fittingly) on October 31st. on CD and Vinyl.
  • Get over to ebay and buy up all the It Burns When I Pee goodies! Norma Jean’s panties aren’t going to be up there forever people!
  • And lastly a little video from the Americana Music Conference:

Glen Campbell – Good Riddance (Time of Your Life)

[youtube]http://www.youtube.com/watch?v=U6myTC0XdUQ[/youtube]

Ladies and Gentlemen…Ms. Rachel Brooke

You can keep your Carrie Underwoods, your Taylor Swifts, your Jewels and your Jessica Simpsons…I’ll take a beer and another song by Michigan’s Rachel Brooke.

Rachelle Brooke Covering Hank William’s Old Log Train

[youtube]http://www.youtube.com/watch?v=a3YNlIVxwWk[/youtube]