Video – The James Low Western Front “Thinking California”

The aptly named, and visually unassuming Portland singer/songwriter James Low’s venture The James Low Western Front (Tim Huggins, bass/vocals; Dave Camp, guitar/vocals; Joe Mengis, drums) has released a video that sets the tone for their upcoming release “Whiskey Farmer.

The moody, urban look echos the visual style of Micheal Mann and follows an everyman (played by James Low) on a journey to a sunnier place (as depicted on the sign) and one of existential self-discovery.  On the surface “Thinking California” concerns the most obvious journey, the geographic variety. But as the title suggests Low evokes forlorn vocals to traverse physical geography as a metaphor for emotional and physiological climes.

The lonely western style of the song song stands in contrast to Low’s image in the video. I imagine a Stetson-sporting, dusty, bearded hardscrabble sort playing his acoustic in the back of a classic Ford truck not the invisible man shown here. I believe it extends this kind of music back to it’s folk, music for all, roots.

This is not what most people think of when the words pop-country are applied, but that’s what it is. Somewhere the ghosts of Gram Parsons and Mickey Newbury haunt the edges of the song.

You can preview the the Kickstarter-backed  “Whiskey Farmer” (out 2/21) at jameslow.bandcamp.com/album/whiskey-farmer

Jason Isbell Accuses Dierks Bentley of Plagiarism

Yesterday evening I was hanging around on the twitter machine (I’m a wild man on a Friday night!) I was watching the usual silliness pass along on the distinguished group of folks that I follow there and then I saw a post from singer/songwriter Jason Isbell that caught my attention:

“Dierks” has officially ripped off my song “In A Razor Town.” Dierks is a douchebag.”

In A Razor Town” is a cut off Jason Isbell’s first solo release ‘Sirens in the Ditch.”

There aren’t many Dierks that I’m aware of in music so my assumption was that he was accusing Nashville Capitol Records recording artist Dierks Bentley. That assumption was confirmed with subsequent tweets as Isbell called Bentley out by his full name and named the title of the allegedly “ripped off” song.

The accused song is “Home,” the title song off Bentley’s 10/10/11 release. Wikipedia states that  “The song was inspired by the Tucson, Arizona shooting that killed six people and critically injured U.S. Representative Gabrielle Giffords in January 2011.”

Isbell also accuses Bentley of possibly bringing an idea of his song to co-writer of Home Dan Wilson.

“I bet Dierks brought that idea to the table and Dan ran with it.”

Bentley took to his twitter account to address the accusation:

“@Jasonisbel “I bet Dierks brought that idea to the table and @Danwilsonmusic ran with it.” -HAHAHAHAHAHAHAHAHAHAHA! that is some funny shit!”

These things are tricky, and I was terrible at spotting copyright infringements in my copyright law class at NYU, but after listening to both songs (below) it’s a pretty amazing coincidence. If Bentley had heard Isbell’s song, and mistakenly brought it to the writers table as his own idea, he needs to listen objectively, fess up and cut Isbell in on the songwriting credits.  That’s what Miranda Lambert did when it was brought to her attention that the title song to her album “Kerosene” was strikingly similar to Steve Earle’s  “I Feel Alright.” Miranda will always be aces in my book for that.

ON EDIT: Ernie over at El Trash has a post striking similarities between Dierks Bentley song “Up on the Ridge” and Matt King’s songs “Hard Luck Road” and “Shanty Town.” there appears to be a pattern forming here.

Jason Isbell – In A Razor Town

Dierks Bentley – Home

 

 

Dierks Bentley

Worlds Collide – Taylor Swift with The Civil Wars “Safe & Sound” from The Hunger Games Soundtrack

Though her discography to date isn’t my shot of hooch I do respect Taylor Swift’s work ethic and spirit for her craft. I moved closer to the Taylor camp when I came across her heartfelt cover of Mumford & Sons White Blank Page Cover for the BBC Radio 1 Live Lounge. This morning while perusing the Interwebs I came across Swift’s cut for the upcoming The Hunger Games Soundtrack. Safe & Sound has Swift engaging one of her favorite bands, The Civil Wars, to tap into her inner Tori Amos covering what sounds like an outtake from the Civil War’s Grammy nominated Barton Hollow. Yes, that’s a a compliment. With T Bone Burnett producing the track we have full Music City/Americana worlds colliding.

It’ll be interesting to see how the imagined Americana gate-keepers welcome this collaboration from one of their chosen and an outsider trespassing in sacred ground. I wonder if they will heap scorn on this crass, commercial interloper or if they are just saving of of their venom for Linda Chorney.

Twang Nation Channel – Cull TV

I’m kicking the tires at a local start-up that reminds me of when MTV used to play music videos.So far it’s easy and coll to put the playlist together. I’ll be interested to hear what other folks think about and and look forward to the maturation of Cull TV as a channel for music social discovery and exploration.

Head over to the Twang Nation Cull TV channel and check it out some my my favorites from The Civil Wars, Jason Isbell, Justin Townes Earle, Conway Twitty and many more.

News Round-Up: Kathleen Edwards Video Premier | New Album January 17th

Singer/Songwriter Kathleen Edwards will release her new album, Voyageur,  January 17th 2012 on Zoë/Rounder Records. Produced by Edwards and Justin Vernon (who provides backing vocals and plays guitar, piano, organ, bass, banjo and xylophone), the ten-track album includes hilariously titled Change the Sheets, which was featured on Edwards’ recent 7” Wapusk (video below)

The album was recorded between August 2010 and May 2011 in Fall Creek, Wisconsin and Toronto, Canada. In addition to Vernon , the album includes guest appearances by Francis and the Lights, Norah Jones, Stornoway, John Roderick, Phil Cook (Megafaun), Sean Carey (Bon Iver), Afie Jurvanen (Bahamas) and Brian Moen (Peter Wolf Crier). Also featured is Edwards’ touring band— Gord Tough (guitar), John Dinsmore (bass), Lyle Molzan (drums) and her longtime friend and collaborator, Jim Bryson (guitars, keys).” Of making the record, Edwards comments, “I knew laying the foundation for this record would start with the songs. For the first time I was open to the idea of co-writing, and what had previously been an intensely private process became a challenge to see what would happen with an open mind to a different approach.”

Voyageur is Edwards’ first full-length album since 2008’s acclaimed release, Asking For Flowers.

News Round Up: Listen to the New Reckless Kelly & Lydia Loveless

  • Austin’s  The Band of Heathens will celebrate the success of their current album Top Hat Crown & the Clapmaster’s Son with a weekend of music in Denver on Fri.-Sat., October 7–8 at Cervante’s Other Side.  The shows, which will be taped for a forthcoming live CD and DVD.
  • Austin’s Reckless Kelly  is streaming their new album Good Luck & TrueLove in its entirety free on AOL Music’s “Listening Party” beginning this week. Their their 11th album is out September 13 on their own No Big Deal Records.
  • Also at AOL Music’s “Listening Party” take a listen to Lydia Loveless’ Bloodshot Records great debut album, Indestructible Machine.

Check out the lovely Toronto singer Lindi Ortega video for from her debut album Little Red Boots. The video was shot entirely on the iphone 4.

[youtube]http://www.youtube.com/watch?v=jSi_jyHmIIQ&feature=player_embedded[/youtube]

Ryan Adams – Ashes & Fire (Acoustic)

[youtube]http://www.youtube.com/watch?v=l4VGlkcBtfw[/youtube]

The greatness of last week’s cover of Iron Maiden’s Wasted Years was just the beginning. Until Ryan Adams’ new release Ashes & Fire arrives on October 11 on Pax-Am/Capitol, here is an acoustic version of the title track. This along with the first single Lucky Now and live performances from an L.A. show from April of this year. This is shaping up to be a must have.

5 Cool Kris Kristofferson Covers

One of the things about being one of the best songwriters in the world, loads of folks want to cover your work. The other night over at the Twang Nation Jamboree at turntable.fm the DJs holding forth ran with a Kris Kristofferson covers theme and it sounded pretty great. I thought I would try and track some down and post them here.

Bobby Bare croons a smooth version of Come Sundown. Nothing says heartbreak like a huge white tie.

[youtube]http://www.youtube.com/watch?v=k8JJ3ZYdwQA[/youtube]

Try and look over the full-on Nashville Sound and syrupy strings and try and concentrate on the awesomeness that is Mr. Ray Price covering For The Good Times.

[youtube]http://www.youtube.com/watch?v=s1ZKIX0ICZo[/youtube]

Sammi Smith made it a hit, bit Johnny and June makes Help Me Make It Through The Night spectacular.

[youtube]http://www.youtube.com/watch?v=df9lIfWSqTE&feature=related[/youtube]

Most people think Janis Joplin was the first to cover Me And Bobby McGee. Those people are wrong. Roger Miller was the first artist to have a hit with the song, hitting No. 12 on the US country chart in 1969.

[youtube]http://www.youtube.com/watch?v=6ko_bzuODTI[/youtube]

Yeah it’s not technically covers but the himself is being backed by the Foo Fighters on Sunday Morning Coming Down and doing The Pilgrim, Chapter 33 being backed by Elvis Costello And The Sugarcanes.

[youtube]http://www.youtube.com/watch?v=kRNYOgEbK80[/youtube]

[youtube]http://www.youtube.com/watch?v=GO3fkbRq8O0[/youtube]

 

Father’s Day – Songs for Daddy

For Father’s Day I rustled up some greats singing songs for their dads. I know it’s not an even 10 but I think you’ll like what I have. Share your favorites in the comments or just leave some memory or sentiment for your own dad. Thanks for all the great suggestion from my friends and followers in twitter.  This is dedicated to my own father Jerry Max Lane, and my daughter Isobel and my step-father Joe Herbert whose been more than a father to me in my life.

Jerry Max Lane – Swinging Doors – A snippet of a leaving and drinking song by my dad.

http://www.youtube.com/watch?v=QphvJhBKUho

Conway Twitty – ‘That’s My Job’- For such a macho genre Country Music has never been shy about it’s sentimentality. And nobody could deliver the heartstrings yanking goods like Mr. Conway Twitty.

http://www.youtube.com/watch?v=bGstAcxrl7I

George Strait – ‘Love Without End, Amen’ – King George gives Twitty a run for his money. Love Without End, Amen is Cat’s in the Cradle with a better ending.

http://www.youtube.com/watch?v=YrTidoW2Erc

Guy Clark – ‘Randall Knife’ – Storytelling get’s no better than Clark’s use of a battered knife as a metaphor for life and a conduit for letting go.

Loretta Lynn – ‘They Don’t Make ‘Em Like My Daddy Anymore’ – The ultimate daddy’s girl! The Coal Miners Daughters sings the praises and quiet grace of her daddy

Charlie Louvin – ‘See the Big Man Cry’ – The jaunty tone of Louvin’s famous “See the Big Man Cry” belies the heartache of a man that sees his boy while walking on the sidewalk on day but can’t approach him and his ex-wide due to court orders.

Reba McEntire – ‘The Greatest Man I Never Knew’ – The darker side of Loretta’s tune. A man’s quiet grace leads to isolation and alienation from his daughter.

Shooter Jennings – It Ain’t Easy – Shooter relays some wisdom on career and manhood handed down from his daddy.

Brad Paisley – ‘Anything Like Me’ – Brad Paisley is a cut above the typical Music City hat acts and his performance of this song on impending fatherhood shows as much.

[youtube]http://www.youtube.com/watch?v=ZazrQYirYLs[/youtube]

Jamey Johnson – ‘The Dollar’ – Even early in his career and with all the production sheen Johnson is a great songwriter. This is a tale of a boy that saves his change to buy time with his overworked father. An anthem to family challenges in these tough economic times.

John Prine – My Old Man – Tell ’em you love ’em while they’re on this side of the ground.