Mumford and Sons in the studio

Mumford-Sons _628x353

New Music Express posts that Mumford and Sons are currently in early studio sessions with James Ford (Arctic Monkeys and Haim) as producer.

NME says “A source close to the band commented of the sessions: “It’s very early days yet, but the sessions have been going well”. The band released their last album ‘Babel’ in 2012 and were thought to currently be on hiatus. It is not known if the new sessions are for a third album.”

Marcus Mumford, along with Elvis Costello, Rhiannon Giddens of Carolina Chocolate Drops and Jim James of My Morning Jacket, will appear on the forthcoming T Bone Burnett produced ‘lost’ Bob Dylan lyrics LP, ‘Lost On The River: The New Basement Tapes’.

The record will accompany a documentary, “Lost Songs: The Basement Tapes Continued” directed by Sam Jones.

2014 Americana Album of the Year Grammys Predictions

grammy

Grammy nominations are a few months away but the topic of performers that might be up for an Americana Album of the year nomination – meaning releases between Oct. 1, 2013 and September 30, 2014 to be awarded on Feb. 8, 201 – has been a topic on my twitter feed lately. So I’ve decided to bring the speculation here.

First thing is not to get too nuts. Yes Sturgill Simpson and The Drive-By Truckers came out with excellent releases within the qualifying dates, but they are not known names in the mainstream, therefore not on a typical GRAMMY voters radar.Sure there have been some new artists that have broken through the national media consciousness, most notably The Civil Wars and Mumford and Sons, but these are the exceptions.

Granted there have been Americana AOTY nominees that have been welcome surprises. But nods towards promising new blood like John Fullbright (2013) or out-of-nowhere nominee like Linda Chorney are rare and , so far, have yet to snag the big prize.

No, the Recording Academy Voting Members like their Americana artists like their nominees they like they like their pre-awards restaurant, known and well-respected . Risk is a four-letter word in business and the GRAMMYS are about the business of music. Sure the organization does great work in the periphery to ensure music grows and is protected as a national treasure and heritage. The GRAMMYs telecast is a cultural trade show. Only the best are on display. And in the subjective world of music “best” means “sales.”

Of course sales in the Americana world is a rain drop compared to something like a Taylor Swift deluge, but there are charts for sales and airplay available if you dig a little. And for those not willing to dig the “best” defaults to “well known.” this is not a dig, it’s the artist’s responsibility to break through the din of music sameness to gain the attention of the voter if a GRAMMY is something they desire. And really, in the world of unit sales doesn’t “known” almost always results in ‘best?”

But sometimes the “best” in our little world doesn’t make it up to the big boys. Consider the lack of a nomination for Jason Isbell’s “Southeastern.” An album that made all the Americana, and many mainstream country, year-end lists last year. I was still hearing about that major oversight at Americanafest last month.

Luckily the known entities of Americana are still a cut above most genres and therefore often have some of the best music of the year.

Below are my picks for the 5 potential nominees with my pick for winner. There are a few dark horses I believe deserve to be in the running. Again, I do not vote for the GRAMMYS, just cover the event. I have no insider knowledge and will know the nominees and winners as you do.

Rodney Crowell – ‘Tarpaper Sky’ – This is the easiest pick of the bunch, As a 2013 Americana AOTY co-winner, along with Emmylou, Harris, Crowell already has the hearts and, more importantly, the attention of the Recording Academy Voting Members.

Carlene Carter – ‘Carter Girl’ – Nominated once in 1991 for the Best Female Country Vocal Performance GRAMMY for her throwback rendition of “I Fell in Love.” Carter has recently been working hard in support of her latest including a well-received stop at a GRAMMY Museum showcase.

Willie Nelson – ‘Band Of Brothers’ – It’s hard to ignore one of Willie’s best, and best selling, releases in years. With 11 GRAMMYs under his belt and a 2010 nomination for this category, alongside Asleep at the Wheel for ‘Willie and the Wheel,’ Willie has the gravitas and the goods to snag a nomination.

Jim Lauderdale – ‘I’m A Song’ – Lauderdale personifies Americana it it’s popular form as a representative of the Americana Music Association and as the acclaimed MC of their awards ceremony. He along with his musical and SiriusXM Outlaw Country co-host Buddy Miller, were nominated for this category last year for their collective release ‘ Buddy and Jim.’ He’s won 2 GRAMMYs first in 2002 with Dr. Ralph Stanley for “Lost in the Lonesome Pines” and his second for his “The Bluegrass Diaries” –

Rosanne Cash – ‘The River & The Thread’ – Cash released, what I consider, is the finest record of her career and was instantly heralded as a genre favorite. Critics from USA Today to this blog loved it. Radio loved it and, more importantly, fans loved it. Twelve GRAMMY nomination and one win for Best Female Country Vocal Performance for “I Don’t Know Why You Don’t Want Me” (1985) She’s well-known and respected in the hearts of the voters. Look for this one to win.

https://www.youtube.com/watch?v=bjMzrMeLJxw

DARK HORSE PICK

Sturgill Simpson – ‘Metamodern Sounds in Country Music’ – If there were a Nobel Prize for talent and genuineness in music Sturgill Simpson would get it for his latest. It’s a favorite across the Americana community and has perked up the ears of mainstream country music fans and blogs as well. Ideally ‘Metamodern Sounds in Country Music’ should win the GRAMMY for Country Album OTY. Hell, if Kacey Musgraves can do it why not?

Parker Millsap – ‘Parker Millsap’ – There’s no denying the buzz around this young Oklahoman. His performance at Americanafest resulted in a waiting line to squeeze in to a packed room and screaming on a Beatlemania level. And the hype lives up to the talent. Let;s hear it for the young bloods with old souls!

Nickel Creek – ‘A Dotted Line’ – Okay, Nickel Creek isn’t much of a dark horse. But after a seven-year hiatus (as a band, not as individual performers) will voters still recall their obvious greatness as they did when tehy received 4 GRAMMY nominations and won for Best Contemporary Folk Album for 2003’s ‘This Side?’

Watch Out! Shakey Graves – “Dearly Departed” on Conan

Shakey Graves "Dearly Departed"

Check this rousing performance of Austin’s Shakey Graves’ “Dearly Departed” from Conan last night.

Shakey (Alejandro Rose-Garcia) is accompanied beautifully by vocalist Esmé Patterson, who has her own new album entitled “Woman to Woman.”

“Dearly Departed” can be found on Shakey Graves newest album And The War Came

Music Review – Lucinda Williams – “Where The Spirit Meets The Bone” [Highway 20 Records]

Lucinda Williams - "Where The Spirit Meets The Bone"

It seems with every Lucinda Williams release there is a cry of “her most personal album so far.” Allow me to carry on a tradition. Williams’ latest, her 11th studio album and the first for her own label Highway 20 Records, at least appears to be Lu’s most personal to date. Or at least her most personal album she could release that reflects where she finds herself in life

Of course if you’ve been following Lu for any length of time you’re used to her pentiant for starkly honest, take-no-prisoners songs. Much like the cover of “Down Where the Spirit Meets the Bone’ each release is like a slice from her heart as it takes it’s own unique journey.

“Down Where the Spirit Meets the Bone’ stretches across two bruised and battered discs/albums, delving deeply, and with clear-eyed gaze, into the human psyche, A place that few songwriters are brave enough, or wise enough, to travel. Little on to document and share.

But this is where the good stuff is.

If there’s a theme, no overt one but a wide marking, reflected in Williams’ adaptation of a poem by her father, Miller Williams. It comes in the sparse Spanish-guitar opener “Compassion.” Williams’ voice bares the marks of a hard truths. The gliding tempo frames a simple, earthly parable – In spite of perceptions have compassion for everyone you meet, because “you do not know what wars are going on/ Down there where the spirit meets the bone.”

Other stand outs are “Protection,” a swampy-soul plea for refuge against encroaching menace. SImilar steamy style saturates the territorial tales of “West Memphis .”

‘Cold Day in Hell’ is a lovely cut from the POV of a scorned lovers’ lament of lessons learned that stops just short of the damage of bitter resentment.

Burning Bridges , with it’s jaunty beat and shimmery guitars, kicks off like a Steely Dan- style FM radio staple as a tale of regret gives way to resignation and a wash of roaring guitars.

“Wrong Number” is a sort of doo-wop book-end to her “Change The Locks” and her version of J.J. Cale’s ‘Magnolia’ gives an extra dimension of longing and carries Lu’s love of New Orleans.

‘Down Where the Spirit Meets the Bone’ is a result of a singer/songwriter crafting songs wrought from their life, not following a formula towards sales and charting. It’s an honest and sometimes brutal work, but it’s never dour as Williams describes much of the pain as a wizened observer setting markers and warnings created by a life lived.

Of course people being what they are all warnings and advice will be ignored and forgotten. And Lu will be right there with more great songs to beautifully, soulfully, remind us of what we already know.

Official site | Down Where the Spirit Meets the Bone

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Watch Out! Christian Lee Hutson – “Dirty Little Cheat” [VIDEO PREMIER]

Christian Lee Hutson - "Dirty Little Cheat"

Christian Lee Hutson, 24-year-old Nashville-via-Los Angeles roots singer-songwriter, has released a video for his song “Dirty Little Cheat” from his David Mayfield produced album “Yeah Okay, I Know” (Trailer Fire Records)

“Dirty Little Cheat” is a moody glitch-folk gem, or “bummer-core” as Hutson describes his sound, and the shadowy dark-hued video that reflects it fits its alienated dark heart perfectly.

Of the video’s production Hutson says “I met (director) Matt McCormack (Mack Productions) at the Valley of the Vapors festival in Hot Springs, AR after hearing of him through a mutual friend who had shown me some of his work. I asked if he’d be interested in making something for this song that was really precious to me and he pitched me this wonderful idea that plays exactly how he imagined it with his beautiful sister, Anna McCormack, who plays the bane of my existence.

We had a window of roughly 5 hours to shoot it, as I was in the middle of a tour that brought me through Hot Springs and had to drive to Fort Worth the following morning. I think my show wrapped up at 1 am so we must’ve shot the whole thing between 2 am and 7 am, at which point I hit the road. ”

Hutson has been touring throughout the year in support of his upcoming sophomore full-length release, Yeah Okay, I Know (Trailer Fire Records), including a Daytrotter session and an appearance in April at Communion Nashville, a monthly club night curated by Mumford and Sons’ Ben Lovett, sharing a bill with Johnny Stimson and Sturgill Simpson.

Hutson, who has shared many a stage with notable performers like Damien Jurado, Ralph Stanley and Father John Misty, worked with Grammy-nominated producer David Mayfield on the new album which you can buy from the link below.

Official site | Buy

https://www.youtube.com/watch?v=lf4VF3JIE2Q

Watch Out! Lucinda Williams – “Protection” on The Tonight Show with Jimmy Fallon

 Lucinda Williams - "Protection" on The Tonight Show with Jimmy Fallon

Lucinda William took to The Tonight Show with Jimmy Fallon, clad in badass black leather, to perform her new soul-soaked song “Protection.”

Lu gave a swaggering performance along her guitar-slinger the Wallflower’s Stuart Mathis. And as if it couldn’t get any better they were backed by Fallon’s house band, The Roots.

“Protection” is from her latest Down Where the Spirit Meets the Bone

Willie Nelson to Release New Album “December Day” – Due Out In December

Willie Nelson - December Day

Fresh on the heels of his June-released, chart-topping Band of Brothers June, Willie is preparing a new FALL RELEASE.
Collaborating with Sister Bobbie, and performed with his regular band, Willie release an album of original songs “December Day” set for a December release (naturally.)

Willie told Billboard.com he has “about eight or nine originals” including “Back To Earth” and “I’ll Take You Home Again, Kathleen” as well a version of Irving Berlin’s “Alexander’s Ragtime Band.”

“I’ve been waiting to put one out with me and the band for a long time,” Nelson says. “These are songs we’ve been playing for a long time. I really like working with the guys we had for (‘Band of Brothers’) and anyone else I record with, but I really wanted to do something with my band, too.”

The title , “December Day” comes from a song featured on Willie Nelson’s 1971 release “Yesterday’s Wine.”

Bloodshot Records Announces 20th Anniversary “While No One Was Looking” Compilation – November 18, 2014

Bloodshot Records Announces 20th Anniversary  "While No One Was Looking"

Chicago’s mighty Bloodshot Records has quietly been hoisting the roots rock and alt.country flag for, well as long as those words came into mainstream use.

Hard to believe that it’s been 20 years since the intrepid indy released it’s inaugural compilation ‘A Life of Sin: A Compilation of Insurgent Chicago Country.’

The music industry has gone through some pretty rough changes in the last two decades but Bloodshot has blasted along releasing some of the best the genre has to offer.

This November 18 you’ve got one more item to add to your Christmas wish-list. ‘While No One Was Looking: Toasting 20 Years of Bloodshot Records,’ a collection of 38 reinterpretations from the label’s catalog will be released.
Blitzen Trapper, Andrew Bird and Nora O’Connor, Ben Kweller, Mike Watt, Nicki Bluhm and the Gramblers, Shakey Graves, Chuck Ragan, Superchunk, and many others cover current and former acts such as Justin Townes Earle, Ryan Adams, Neko Case, Scott H. Biram, Ha Ha Tonka, Lydia Loveless, Old 97’s, Murder By Death, Robbie Fulks, Cory Branan, and more.

Personally I’m looking forward to hearing Into It. Over It cover Neko Case’s “Deep Red Bells” and Kevin “Shinyribs” Russell covering Lydia Loveless’ “All the Time.” Yowzaa!

Pre-order (limited ed. blood-red vinyl is the way to go) and track listing are below.

Preorder “While No One Was Looking”

Full Album Track Listing:

Disc 1:

1. Blitzen Trapper – “To Be Young (Is to Be Sad, Is to be High)”
Originally performed by Ryan Adams on BS071 Heartbreaker (2000)

2. Chris Shiflett & The Dead Peasants – “Look the Other Way”
Originally performed by Justin Townes Earle on BS193 Nothing’s Gonna Change the Way You Feel About Me Now (2012)

3. Samantha Crain – “Cold Forgiver”
Originally performed by Ha Ha Tonka on BS207 Lessons (2013)

4. Chuck Prophet – “Dirt”
Originally performed by Andre Williams on BS185 Hoods & Shades (2012)

5. Hiss Golden Messenger – “Where I Fell”
Originally performed by Robbie Fulks on BS211 Gone Away Backward (2013)

6. Dave Davison (of Maps & Atlases) – “Things I Didn’t Say”
Previously performed by Bobby Bare, Jr.’s Young Criminals’ Starvation League on BS110 From the End of Your Leash (2004)

7. Ted Leo – “Dragging My Own Tombstone”
Originally performed by Waco Brothers on BS054 Electric Waco Chair (2000)

8. Into It. Over It. – “Deep Red Bells”
Originally performed by Neko Case on BS099 Blacklisted (2002)

9. Split Single – “My Backyard”
Originally performed by Nora O’Connor on BS116 Til the Dawn (2004)

10. Limbeck – “Sound of Running”
Originally performed by Old 97’s on BS066 Early Tracks (1995, 2000)

11. Tim Kasher – “Aspidistra”
Originally performed by The Scotland Yard Gospel Choir on BS148 The Scotland Yard Gospel Choir (2007)

12. Shakey Graves – “Happy Birthday Julie”
Originally performed by Wayne Hancock on BS080 A-Town Blues (2001)

13. Ivan & Alyosha – “My Winding Wheel”
Originally performed by Ryan Adams on BS071 Heartbreaker (2000)

14. Chuck Ragan – “Survivor Blues”
Originally performed by Cory Branan on BS195 MUTT (2012)

15. The Minus 5 – “Cherokee Grove”
Originally performed by Mark Pickerel and His Praying Hands on BS146 Cody’s Dream (2008)

16. Carolyn Mark – “Last to Know”
Previously performed by Alejandro Escovedo on BS027 More Miles Than Money (1998)

17. Daniel Romano – “Strange Birds”
Originally performed by Jon Langford & The Sadies on BS092 Mayors of the Moon (2003)

18. Charlie Parr – “Manifold”
Originally performed by Devil in a Woodpile on BS065 Division Street (2000)

19. The Reverend Peyton’s Big Damn Band – “St. Nick on the Fourth in a Fervor”
Originally performed by Ha Ha Tonka on BS145 Buckle In The Bible Belt (2007)

20. Possessed By Paul James – “I Came Around”
Originally performed by Murder By Death on BS200 Bitter Drink, Bitter Moon (2012)

Disc 2:

1. Andrew Bird and Nora O’Connor – “I’ll Trade You Money for Wine”
Originally performed by Robbie Fulks on BS211 Gone Away Backward (2013)

2. Ben Kweller – “2:00 AM”
Originally performed by The Meat Purveyors on BS091 All Relationships Are Doomed to Fail (2002)

3. Frank Turner – “The Corner”
Originally performed by Cory Branan on BS195 MUTT (2012)

4. Superchunk – “Come Pick Me Up”
Originally performed by Ryan Adams on BS071 Heartbreaker (2000)

5. KOJI – “East Jefferson”
Originally performed by Ben Weaver on BS173 Mirepoix & Smoke (2010)

6. The Great Crusades – “Fake Out Jesus” (Live)
Originally performed by The Blacks on BS 063 Just Like Home (2000)

7. Mike Watt & The Missingmen – “Up to My Neck In This”
Originally performed by Jon Langford & The Sadies on BS092 Mayors of the Moon (2003)

8. Nicki Bluhm & the Gramblers – “Oh My Sweet Carolina”
Originally performed by Ryan Adams on BS071 Heartbreaker (2000)

9. Jerry David DeCicca – “Broken Bottle”
Previously performed by Alejandro Escovedo on BS027 More Miles Than Money (1998)

10. The Handsome Family – “1000 Dollar Car”
Originally performed by The Bottle Rockets on BS212 The Brooklyn Side (1994, 2013)

11. Warm Soda – “All Grown Up”
Previously performed by Gore Gore Girls on BS142 Get the Gore (2007)

12. James Leg (of Black Diamond Heavies) – “Is That You in the Blue?”
Originally performed by Dex Romweber Duo on BS186 Is That You in the Blue? (2011)

13. Two Gallants – “Truck Driver”
Originally performed by Scott H. Biram on BS122 The Dirty Old One Man Band (2005)

14. Diarrhea Planet – “Dry Land”
Originally performed by Waco Brothers on BS015 Cowboy in Flames (1997)

15. Kevin “Shinyribs” Russell – “All the Time”
Originally performed by Lydia Loveless on BS214 Boy Crazy (2013)

16. The North Carolina Music Love Army (featuring Caitlin Cary, Chip Robinson, and Kenny Roby) – “Stick to the Plan”
Originally performed by Graham Parker on BS140 Don’t Tell Columbus (2007)

17. William Elliott Whitmore – “I Wish I Was the Moon”
Originally performed by Neko Case on BS099 Blacklisted (2002)

18. Samuel Fogarino (of Interpol) – “Liked It a Lot”
Originally performed by Charlie Pickett on BS 154 Bar Band Americanus (1984, 2008)

Watch Out! Ryan Adams: “Gimme Something Good” on David Letterman

Ryan Adams: "Gimme Something Good" - David Letterman

Entering his final year as host of the Late Show, it’s hard to imagine anyone taking David Letterman’s place as a mainstream supporter of roots music.

Ryan Adam and his and band The Shining stopped by to treat Dave and the audience with his latest single “Gimme Something Good” from his self-titled 14th studio album.

Once Adams the band were done with a rousing performance, Letterman reverted to fanboy mode — “Come on!”, “What do you want?”, “Oh my God is taht nice! Can you do just a little bit more?” An obliging Adams kicked into the opening chords as the credits rolled.

Can you recall Letterman requesting an encore? I can’t. Damn, I’m going to miss that man and how much he’s supported great music.

https://www.youtube.com/watch?v=vmglUwgtHxs

Listen Up! Sid Griffin – “Blue Yodel No. 12 & 35″

Photography by Philip Grey

‘Blue Yodel No. 12 &. 35′ has its boots in country music’s present and past.

The song’s bluegrass spirit evokes the best best of front-porch, foot-stomping rollicks. The song’s clever wordplay throws some of best hillbilly shade ever at the spurned (or spurner) and brings it into the present.

The title of “Blue Yodel No. 12 & 35″ may seem familiar. Griffin sheds some light on the song’s title and it’s spirit “Blue Yodel No. 12 &. 35’ refers to two of the great icons of present day guitar music. One is Jimmie Rodgers and the other is Bob Dylan. Rodgers was known for his gentleness even when being frank and Dylan is known for the frankness of his break-up songs so when you hear Blue Yodel No. 12 & 35 you hear a composition crossing their two lyrical styles, a song which is also sung in mid-point between their two musical styles. Why it came out sounding like one if these hip, young bearded bands from Brooklyn or maybe Texas I do not know! But the song swings spritely and with warm humour and I just love that.”

“Blue Yodel No. 12 & 35″ is from ‘The Trick Is To Breathe,’ the first solo album from Sid Griffin (the Coal Porters, the Long Ryders) in a decade. Known as a founder of today’s Americana/Alt-Country genre for his groundbreaking work Sid Griffin has never been far from the cutting edge. Few who could honestly claim to be a Godfather to the current roots music scene have made their mark in so many ways; bandleader, songwriter, instrumentalist, author of four books and broadcaster.

So why did it take a decade for ‘The Trick Is To Breathe’ to happen. ”I was waiting for the right combination of songs and the right place to record”, says Griffin, ‘I got the songs, I found the place just outside Nashville, and I found the right pickers. It was a heavenly experience”. Twelve tracks featuring ten new Sid originals, one cover song and a spoken word poem combine to equal what Sid describes as ”the best album of my long career”.

‘The Trick Is To Breathe,’ will be released on September 16, 2014

Official site