Fresh From The Fields – Americana and Roots Music Releases – September 6th, 2019

Fresh From The Fields - Americana and Roots Music Releases

The Highwomen – self-titled

Terri Hendrix – ‘Talk To A Human’

Crystal Gayle -‘You Don’t Know Me’

Paul Cauthen – ‘Room 41’

NRBQ – ‘Turn On, Tune In’

Amy Speace – ‘Me and the Ghosts of Charlemagne’

First Aid Kit Pay Tribute To David Berman With Lovely Original + Silver Jews Cover

First Aid Kit - Random Rules
In tribute to the memory of singer/songwriter David Berman Swedish roots duo First Aid Kit has released two songs; the original “Strange Beauty” and their rendition of Berman’s band Silver Jews’ “Random Rules.”

In speaking about David Berman and their homage to his life and legacy, Klara Söderberg says: “I think a lot of people were as shocked as I was upon hearing the news of David Berman’s passing. It didn’t seem real. It left me completely devastated. So I wrote the song ‘Strange Beauty’ to try to make sense of my feelings.” She continues, “‘Random Rules’ is a long time Berman favorite of ours and a song we always thought we would record if we ever made a cover album. It holds some of the greatest lyrics ever penned and shows the genius of David Berman. We hope the songs can be some kind of comfort.”

After struggling for years with addiction Berman died by suicide on August 7, 2019, in Brooklyn, New York.

Hear the solemn and sparse “Strange Beauty” and their rendition of “Random Rules” swell as Silver Jews’ below.

Watch Out! Kelsey Waldon – “Sunday’s Children”

Kelsey Waldon

Kelsey Waldon has released a lyric video for “Sunday’s Children,” he second single from her upcoming Oh Boy! Records release “White Noise/White Lines.”

The song is a Southern-fried soul-song urging awareness, unity, and understanding and to accept each other’s differences and look for “universal truth.”

It’s a cool song and Waldon pulls it off without beating the listener over the head with an overt partisan sermon. That’s a rare thing in these times.

The first single from the album, “Anyhow,” was released in early July.

Pre-order “White Noise/White Lines.”

Watch Out! Ray Wylie Hubbard “Snake Farm” – Opry Debut

Ray Wylie Hubbard Opry Debut
Credit: Judy Hubbard

One can only wonder what the hell took so long?

Throughout his career, Ray Wylie Hubbard, like many of his contemporaries such as Jerry Jeff Walker and Terry Allen, has defied rigid country music tropes while simultaneously displaying a strong sense of honor of the past. That’s why, as a fan, Hubbard’s Opry debut on Wednesday night, July 17th, 2019 at the age of 72 very, very satisfying.

Hubbard shared the stage this special night with many artists he’s influenced; Aaron Lewis, Jeannie Seely, Little Big Town, Pam Tillis, Tyler Childers as well as his friend and sometimes collaborator Pam Tillis.

https://www.instagram.com/p/B0AJ0YPl92f/?igshid=na38scqkhujw

To my understanding, it was Tillis who was key in getting Hubbard the gig. Introducing him to the stage Tillis said:

“I want to get this next guest intro right because it’s so important to me, This gentleman I’m about to introduce you to has fans as diverse as Stevie Ray Vaughan, Willie Nelson, Waylon Jennings, Patty Griffin, Ringo Starr, Steve Earle, Lee Ann Womack … so many people know about this man and look up to him as the very epitome of a true artist, a true writer. He has influenced a generation of Texas musicians and songwriters. 55 years making music. Made is debut on David Letterman, and I said, ‘You know, Ray Wylie Hubbard, it is time that you played the Grand Ole Opry.” (Saving Country Music)

“Thank you. Thank you Pam for the nice introduction. I can hardly wait to hear me,” Ray Wylie quipped in his signature wry manner. He then slid into what has become his signature song, his Freebird if you will, “Snake Farm.”

Backing Hubbard on the stage was roots-duo Larkin Poe, and his son Lucas Hubbard and some lucky others.

Responding to our question what this moment meant to him Hubbard said “There are certain moments in time that are more powerful than others. Being present at the birth of a child, hearing the one you love say “I do.” Performing on the Opry stage is equal to one of those moments”

Share the deservedly momentous occasion moment below:

https://www.youtube.com/watch?v=nBoVE_dWKVs

Glen Campbell’s Remarkable Life And Catalog Celebrated With Box Set Due This Summer

Glen Campbell – The Legacy [1961-2017]
Whether cutting his teeth as an in-demand session musician for the likes of The Beach Boys, Frank Sinatra, Elvis Presley, Simon & Garfunkel, The Righteous Brothers, Merle Haggard and so many more as part of The Wrecking Crew, to his rein of the 70’s country charts as a solo performer few artists represent country / pop crossover success like Glen Campbell.

On June 21st Capitol/UMemn will celebrate Campbell’s incredible career with an expanded edition of his long-out-of-print, career-spanning box set (originally released in 2003.)

Glen Campbell – The Legacy [1961-2017] is a four-disc anthology reflecting his storied six-decade career chronicling his hits as well as his late-career renaissance with songs from 2008’s Meet Glen Campbell, 2011’s Ghost On The Canvas, 2014’s soundtrack to his revealing and emotional documentary, Glen Campbell: I’ll Be Me, and 2017’s Adiós, released shortly before he passed away from complications from his long, public battle with Alzheimer’s.
The box set includes a stunning 60-page booklet and updated liner notes by well-known music scribe Joel Selvin who wrote the original liners.

Opening with “Turn Around, Look At Me,” Campbell’s first single released in 1961 shortly after he moved to Los Angeles from Albuquerque to break into the music business, Glen Campbell – The Legacy [1961-2017] includes songs from nearly all of the sixty plus album’s he released in his lifetime, providing an outstanding overview of this influential, rare talent.

The collection traces his early evolution from early career bluegrass tune “Kentucky Means Paradise,” the honky-tonk oldie “Too Late To Worry – Too Blue To Cry,” Buffy St. Marie’s protest anthem “Universal Soldier” and “Guess I’m Dumb,” written and produced by his friend Brian Wilson of The Beach Boys who Campbell substituted for on tour when Wilson bowed out, to his first works with producer Al De Lory, who helped him hone his signature sound with the song that would kickstart his recording career and put him on the map: the 1967 John Hartford-penned masterpiece “Gentle On My Mind.” As Joel Selvin writes in his illuminating liner notes, “Despite a modest chart performance, ‘Gentle On My Mind’ did turn out to be the definitive record of Campbell’s career, the point where he not only took charge of his own artistic destiny but became his own creation.”

The next hit was a song that would end up being a turning point for him. “By The Time I Get To Phoenix” which both introduced a new lush sound for Campbell and a shined a spotlight on a little known songwriter from Oklahoma named Jimmy Webb. The song, which along with “Gentle On My Mind,” helped him make history at the 1967 GRAMMY® Awards by sweeping the song and performance awards in both the pop and country and western categories, was a crossover success that spent an incredible six months on the charts and catapulted Campbell to fame. It also began a fruitful lifelong partnership between the musician and songwriter that would last more than five decades and include some of Campbell’s biggest hits such as “Wichita Lineman” and “Galveston,” which kicks off disc two.

The late ‘60s and early ‘70s were especially prolific for Campbell who, in between starring in his hit TV show “The Glen Campbell Good Time Hour” and becoming a movie star opposite John Wayne in the western “True Grit” (of which he recorded the Oscar-nominated theme song) and his feature film follow-up, “Norwood,” released four albums in 1970 and three more the following year. The Legacy collection includes many of the tracks released during this period including Webb’s “Where’s The Playground Susie,” and “MacArthur Park,” “I Wanna Live” (a number one country hit), and several songs recorded with labelmate Bobbie Gentry including “Let It Be Me,” Scarborough Fair/Canticle,” and the Everly Brothers hit, “All I Have To Do Is Dream.” There’s also Campbell’s version of Roy Orbison’s “Dream Baby (How Long Must I Dream),” the sweeping Gordon Lightfoot-penned title track from his album “The Last Time I Saw Her” and a medley with Anne Murray of “I Say A Little Prayer/By The Time I Get To Phoenix.

The second half of the box set features Campbell’s trademark song “Rhinestone Cowboy,” which earned him his first number one record and became his theme in many ways, and his sprightly spin on Allen Toussaint’s “Southern Nights.” More than four decades later Campbell’s rendition of “Southern Nights” would prominently feature in the film and soundtrack to “Guardians of The Galaxy Vol. 2” introducing a whole new generation to his music. Other highlights include “God Only Knows,” Campbell’s beautiful take on Brian Wilson’s opus, “Sunflower,” a breezy #1 hit written by Neil Diamond and “Highwayman,” which eight years after recording the Jimmy Webb song, Campbell would introduce to Willie Nelson, Waylon Jennings, Johnny Cash and Kris Kristofferson. They not only used the name for their supergroup but also won a GRAMMY®.

The final disc of the collection, which includes Campbell showcasing his love for gospel and his faith with a stirring live rendition of “Amazing Grace,” and flexing his incredible guitar skills on “Classical Gas,” has been expanded to include songs from his albums released in the 2000s. Included from his acclaimed 2008 album, Meet Glen Campbell, which saw the icon tackle contemporary and classic songs, is his inspired covers of the Foo Fighters “Times Like These,” Green Day’s “Good Riddance (Time Of Your Life)” and Jackson Browne’s “These Days.” 2011’s Ghost On The Canvas is represented with a spirited take on the Paul Westerberg song of the same name while 2013’s See You There is represented with “Waiting On The Comin’ Of My Lord.”

The last song Campbell ever recorded was “I’m Not Gonna Miss You.” This touching goodbye to his family and fans co-written by him and producer Julian Raymond and recorded with members of The Wrecking Crew, is one of the many high points that round out the box set. The song featured in the documentary “Glen Campbell: I’ll Be Me,” which chronicles Campbell’s diagnosis of Alzheimer’s and his final tour, won the GRAMMY® Award for Best Country Song and was nominated for Best Original Song at the 87th Academy Awards. The retrospective culminates with three songs from Campbell’s bucket list album Adiós, recorded while fighting his disease and released in 2017 to universal acclaim: a banjo-filled take on “Everybody’s Talkin,’” country weeper “It Won’t Bring Her Back” and the bittersweet title track, which brought Campbell’s career full circle by reuniting him one last time with his lifelong collaborator Jimmy Webb.

Glen Campbell – The Legacy [1961-2017] pays honor to Campbell’s exceptional legacy and celebrates the timeless music of one of the best singers and musicians the world has ever known with a lovingly compiled, comprehensive collection that is a must for longtime fans and anyone who wants to learn more about Glen Campbell’s singular musical journey.

Pre-order GLEN CAMPBELL – THE LEGACY [1961-2017]

GLEN CAMPBELL – THE LEGACY [1961-2017] TRACK LISTING

DISC ONE
1. Turn Around, Look At
2. Kentucky Means Paradise (The Green River Boys featuring Glen Campbell)
3. Too Late To Worry – Too Blue To Cry
4. Universal Soldier
5. Guess I’m Dumb
6. Burning Bridges
7. Just To Satisfy You
8. Less Of Me
9. Gentle On My Mind
10. Crying
11. By The Time I Get To Phoenix
12. Tomorrow Never Comes
13. Hey, Little One
14. I Wanna Live
15. Turn Around And Look At Me (New Version)
16. The Legend Of Bonnie And Clyde
17. Let It Be Me (Glen Campbell & Bobbie Gentry)
18. Scarborough Fair / Canticle (Glen Campbell & Bobbie Gentry)
19. Wichita Lineman
20. Dreams Of The Everyday Housewife
21. Reason To Believe

DISC TWO
1. Galveston
2. Where’s The Playground Susie
3. If This Is Love
4. True Grit
5. Try A Little Kindness
6. Honey, Come Back
7. One Pair Of Hands
8. All I Have To Do Is Dream (Glen Campbell & Bobbie Gentry)
9. Everything A Man Could Ever Need
10.It’s Only Make Believe
11. Pave Your Way Into Tomorrow
12. MacArthur Park
13. Dream Baby (How Long Must I Dream)
14. The Last Time I Saw Her
15. I Say A Little Prayer / By The Time I Get To Phoenix (Medley) (Glen Campbell & Anne Murray
16. The Last Thing On My Mind
17. I Knew Jesus (Before He Was A Star)
18. I’m So Lonesome I Could Cry
19. Houston (I’m Comin’ To See You)
20. Bonaparte’s Retreat
21. The Moon’s A Harsh Mistress

DISC THREE
1. Rhinestone Cowboy
2. Country Boy (You Got Your Feet In L.A.)
3. Arkansas
4. Don’t Pull Your Love / Then You Can Tell Me Goodbye (Medley)
5. Southern Nights
6. Sunflower
7. God Only Knows
8. I’m Gonna Love You
9. Can You Fool
10. Highwayman
11. Somethin’ ’Bout You Baby I Like (Glen Campbell With Rita Coolidge)
12. Any Which Way You Can
13. I Was Too Busy Loving You
14. Faithless Love
15. A Lady Like You
16. The Hand That Rocks The Cradle (Glen Campbell With Steve Wariner)
17. I Have You
18. If These Walls Could Speak
19. Unconditional Love
20. She’s Gone, Gone, Gone
21. Show Me Your Way (Glen Campbell & Anne Murray)
22. Only One Life
23. Somebody Like That

DISC FOUR
1. You’ll Never Walk Alone
2. People Get Ready
3. Amazing Grace
4. Lean On Me
5. Times Like These
6. These Days
7. Good Riddance (Time Of Your Life)
8. Ghost On The Canva
9. Waiting On The Comin’ Of My Lord
10. I’m Not Gonna Miss You
11. Everybody’s Talkin’
12. It Won’t Bring Her Back
13. Adiós

John Prine Joins Todd Snider On The Ryman Auditorium Stage

John Prine & Todd Snider | Illegal Smile
Screen grab via YouTube – Kimberly Lord

Over the Easter weekend the Jester King of Americana, Todd Snider, surprised his audience at the historic Ryman Auditorium by inviting John Prine , one of his musical mentors, on stage during the encore.

The longtime friends traded verses on the 1971 classic, “Illegal Smile,” an unintentional weed anthem of sorts perfect for the 4/20 revelry.

Of the song Prine sqys “I have to confess, the song was not about smokin’ dope, It was more about how, ever since I was a child, I had this view of the world where I can find myself smiling at stuff nobody else was smiling at. But it was such a good anthem for dope smokers that I didn’t want to stop every time I played it and make a disclaimer.”

Todd Snider with John Prine – “Illegal Smile”

Record Store Day 2019 – Americana and Roots Music Picks

Spring has sprung and for some antiquated reason we lose an hour of sleep, pollen lays waste to the weakest among us, people lay in fields Of bluebonnets just begging for a snake bite and the smell of vinyl hangs heavy in the air.

You might very well be asking yourself “Did I just read that right? Vinyl?”

Yes, indeed you did.

This Saturday, April 13th, is Record Store Day. That time when you drag your dead ass out of bed at the crack of dawn to stand in a line for the chance to score some choice limited-run vinyl.

The DIY movement that nearly single-handedly resuscitated a near-dead medium. New releases, obscure releases, long out-of-print re-releases, picture discs, colored discs, die-cut discs…it’s all there for a sometimes hefty price. But it’s cheaper than buying it later on eBay for 3-times the original price.

Here are a few Americana and Roots music nuggets from the list (see the full list here)

Highlights include Woody Guthrie’s first time on vinyl limited-edition 10″ “I Don’t Like The Way This World’s A-Treatin’ Me,” John and Lilly Hiatt song swap limited-edition color 7″ vinyl “You Must Go! / All Kinds Of People” and Lone Justice’s previously unreleased live performance from October 1983 at the historic live County music venue “Live at the Palomino.”

So, get to your favorite indy record early on April 13th (I’ll be at Good Records in Dallas) and share those great finds with me on Instagram and Twitter.


Allman Brothers Band – Bear’s Sonic Journals: Fillmore East. February 1970

Label: Allman Brothers Band Recording Company
Quantity: 1500
Release type: ‘RSD First’ Release
A live recording compilation drawn from three nights of shows in February 1970. Recorded by legendary Grateful Dead soundman Owsley Stanley. This special Record Store Day package includes a limited edition, numbered glow-in-the-dark poster.

In Memory of Elizabeth Reed/Hoochie Coochie Man/Stateboro Blues/Trouble No More/Outskirts of Town/Whipping Post/Mountain Jam

Bob Dylan Blood On The Tracks — Original New York Test Pressing
Label: Legacy
Quantity: 7500
Release type: RSD Exclusive Release
Months before Bob Dylan released Blood On The Tracks in early 1975, a small number of test pressings were circulated, consisting entirely of material from sessions at A&R Recording Studios in New York City. (Dylan re-recorded five of these tracks in Minneapolis for inclusion on the final album.) Those original records were soon bootlegged, and the alternate history of one of Dylan’s most acclaimed works was born. This LP is an exact duplicate of the test pressing, containing unique mixes from the New York session, available commercially for the first time.

Side One: 1. Tangled Up In Blue 2. Simple Twist of Fate 3. You’re a Big Girl Now 4. Idiot Wind 5. You’re Gonna Make Me Lonesome When You Go Side Two: 1. Meet Me In The Morning 2. Lily, Rosemary and the Jack of Hearts 3. If You See Her, Say Hello 4. Shelter from the Storm 5. Buckets of Rain

Steve Earle – El Coyote / Don’t Let The Sunshine Fool You
Label: New West Records
Quantity: 900
Release type: ‘RSD First’ Release
Steve Earle & The Dukes release their latest album, GUY on March 29.. The band holed up in Nashville and recorded the record over a six-day period. They came out those sessions with 16 songs featuring some of Guy Clarks most well known hits such as “Desperados Waiting For A Train”, “LA Freeway” and “Dublin Blues.” Steve Earle then decided to book a solo recording session with the intention of recording two more Guy Clark songs specifically for independent retail and Record Store Day. New West Records and Steve Earle are proud to present his solo recordings of “El Coyote” and “Don’t Let The Sunshine Fool You” pressed on a limited edition 7″ 45rpm record.

A – El Coyote / B – Don’t Let The Sunshine Fool You

Woody Guthrie – I Don’t Like The Way This World’s A-Treatin’ Me
Label: Omnivore Recordings
Quantity: 1500
Release type: ‘RSD First’ Release
In 1952, Guthrie wrote and recorded a song at home titled “I Don’t Like The Way This World’s A-Treatin’ Me.” The track appears on vinyl for the first time on a limited edition 10″ of the same name for Record Store Day 2019. Also found on this special release is a second version of the demo with new accompaniment from Wilco’s Jeff Tweedy, who, along with Billy Bragg and Wilco, released a series of acclaimed albums featuring their interpretations of unearthed Guthrie lyrics. Mermaid Avenue, the first in the series, was nominated for a Grammy® in 2000.

If those two tracks weren’t enough, I Don’t Like The Way This World’s A-Treatin’ Me includes two versions of “Beech Haven Ain’t My Home” (a.k.a. “Old Man Trump”), whose lyrics were discovered within the Woody Guthrie Archives and chronicle the time the Guthrie family lived under landlord Fred Trump. As two drafts of the lyrics exist, the Riot-Folk Musician’s Collective’s Ryan Harvey combined them. This release contains a version by Harvey featuring Ani DiFranco and Tom Morello (Rage Against the Machine/Audioslave), and another from Irion’s band U.S. Elevator.

Available exclusively for Record Store Day as a 10″ EP, I Don’t Like The Way This World’s A-Treatin’ Me is not only a historic but a musical document, released in conjunction and with full cooperation from the Woody Guthrie Archives. As stated in the album’s notes: “These songs were mostly written well over half a century ago, but they are songs for our times to be sure.”

It is truly time for this music to be heard.

Side One:
I Don’t Like The Way This World’s A-Treatin’ Me (1952 Home Demo) – Woody Guthrie
Old Man Trump – Ryan Harvey feat. Ani DiFranco & Tom Morello

Side Two:
I Don’t Like The Way This World’s A-Treatin’ Me – Woody Guthrie & Jeff Tweedy
Beech Haven Ain’t My Home (aka Old Man Trump) – U.S. Elevator

Emmylou Harris – The Studio Albums 1980-83
Format: 5 x LP
Label: Warner Bros
Quantity: 1000
Release type: ‘RSD First’ Release

John & Lilly Hiatt
You Must Go! / All Kinds Of People

Label: New West Records
Quantity: 450
Release type: ‘RSD First’ Release
Lilly Hiatt is the critically acclaimed daughter of singer-songwriter legend, John Hiatt. In the fall of 2018 they got together to record a version of one anothers songs. John Hiatt covered, “All Kinds Of People” from Lilly’s heavily praised album, “Trinity Lane.” Lilly took on the daunting task of picking a song from John’s vast catalog. She picked a winner with “You Must Go” from John Hiatt’s 1995 release, “Walk On.” Together these songs are pressed onto a limited edition color vinyl 7″.

SIDE A: You Must Go! SIDE B: All Kinds Of People

Lone Justice – Live at the Palomino
Label: Omnivore Recordings
Quantity: 1700
Release type: ‘RSD First’ Release
MORE INFO
Previously unissued live performance from October 1983 recorded at Los Angeles’ iconic Palomino club. Features 12 tracks from the early Lone Justice line-up consisting of Maria McKee, Ryan Hedgecock, Marvin Etzioni, and Don Willens. Songs from their yet to be issued debut are coupled with classic country covers, and songs which have appeared on various collections throughout the years—but never with this live power from this L.A. landmark.

You Are The Light
Drugstore Cowboy
How Lonesome Life Has Been
The Train
Dustbowl Depression Time
Cotton Belt
This World Is Not My Home (I’m Just A Passin’ Through)
I See It
Working Man’s Blues
The Grapes Of Wrath
Working Late
Jackson

The Mavericks / Sweet Lizzy Project
The Flower’s In The Seed
Label: Y&T Music /Mono Mundo
Quantity: 1500
Release type: RSD Exclusive Release
MORE INFO
A split 7” featuring Grammy-winning band The Mavericks on one side and The Sweet Lizzy Project on the other. The Sweet Lizzy Project is a new band from Havana, Cuba signed to the Mavericks’ new label. Both sides are produced by The Mavericks’ Raul Malo.

Mumford & Sons – Delta Acoustic Sessions | Live From Electric Lady
Format: 10″ Picture Disc
Label: Glassnote
Quantity: 3500
Release type: RSD Exclusive Release

“Delta Acoustic Sessions | Live From Electric Lady” features previously unheard acoustic recordings of four tracks from last year’s acclaimed album, “Delta”, pressed on a special 10″ Picture Disc.

SIDE A WOMAN GUIDING LIGHT
SIDE B WILD HEART IF I SAY

Leann Rimes – Live from Gruene Hall
Label: Everle Records
Quantity: 1000
Release type: ‘RSD First’ Release
MORE INFO
1. Pride and Joy 2. You Never Even Call Me By Name 3. San Antonio Rose 4. Wasted Days and Wasted Nights 5. Wonderwall 6. Nothing Better To Do 7. Blue 8. Streets of Bakersfield 9. The Bottle Let Me Down 10. Always On My Mind

Leon Russell – Live at Gilley’s
Label: Varese
Quantity: 1350
Release type: RSD Exclusive Release
Leon Live was recorded on September 17, 1981, at the world-famous Gilley’s nightclub in Pasadena, Texas, with his New Grass Revival Band. Leon was in prime shape and the band was on fire that night. The album includes excellent versions of “One More Love Song” (the steel guitar gives the song a new twist), “Cajun Love Song,” and the show-stopping bluegrass tune, “Uncle Pen.” The release also features the Leon classics “A Song For You” and “Lady Blue.”

Buddy and Julie Miller Announce Summer Release For New Album ‘Breakdown on 20th Ave. South’

Buddy and Julie Miller - ‘Breakdown on 20th Ave. South’

It’s said that good things come to those that wait. For patient fans of one of Americana music’s most influential artist-songwriter couples (married since 1981) that wait for something good is almost over.

The long-anticipated follow up to 2009’s Americana Music Association Album of the Year ‘Written in Chalk’ is entitled ‘Breakdown on 20th Ave. South,’ and it will be available June 21st on New West records.

New West has whetted our appetite by releasing 2 cuts from the album. “Spittin’ on Fire” and “War Child,” both tracks reflect the lo-fi aesthetics the couple has established throughout their careers. Echos of the folk and Southern Rock reared in the Mississippi Delta and the Appalachian Mountains is apparent throughout the songs.

The album’s title comes from the couple’s much-delayed home studio in Nashville. The delays stemmed from Julie’s ongoing health issues as well as demand on Buddy as a go-to sideman, producer and co-host of the Buddy & Jim Radio Show on SiriusXM with his friend Jim Lauderdale.

Once the new record was underway, Julie penned some 50-plus new songs for the pair to choose from. Recorded in the couple’s bedroom make-do studio located upstairs from Buddy’s home studio, the results are raw, immediate and honest. Buddy and Julie are scheduled to make a rare live appearance to celebrate the album’s release Nashville’s City Winery on June 26th. The performance will be recorded for later broadcast on the Buddy & Jim Radio Show.

“Breakdown on 20th Ave. South” will be available June 21st via digital retailers, on CD and vinyl, with a special “Root Beer Swirl” colored vinyl available only at independent retailers. The album is now available for pre-order.

Breakdown on 20th Ave. South track listing:

“Breakdown on 20th Ave. South
“Feast of the Dead”
“Everything Is Your Fault”
“Unused Heart”
“I’m Gonna Make You Love Me”
“Till the Stardust Comes Apart”
“Underneath the Sky”
“Spittin’ on Fire”
“Secret”
“War Child”
“Thoughts at 2am”
“Storm of Kisses”
In This Article: Buddy Miller

Preorder ‘Breakdown on 20th Ave. South.’

Watch Out! Strand of Oaks featuring Jason Isbell, Amanda Shires – “Ruby”

Strand of Oaks was joined by members of My Morning Jacket guitarist Carl Broemel, drummer Patrick Hallahan, bassist Tom Blankenship, and keyboardist Bo Koster, as well as Jason Isbell and Amanda Shire performed a pastorally soulful rendition of ‘Ruby’ on “Colbert” last night.

“Ruby” is a track on the upcoming Strand Of Oaks album ‘Eraserland,’ out March 22 on Dead Oceans.

Pre-order ‘Eraserland’ here.

Watch their rendition of “Ruby” below:

Watch Out! – Todd Snider “Talking Reality Television Blues” [VIDEO]

Todd Snider channels his inner Christopher Allen Bouchillon with his “Talking Reality Television Blues,” The clever animated video below gives us a history lesson in 20th-century media and its effects on culture.

“Talking Reality Television Blues” is on the upcoming “Cash Cabin Sessions, Vol. 3,” and will be released March 15.

Pre-order here.

Track Listing:
1. Working on a Song
2. Talking Reality Television Blues
3. Like a Force of Nature
4. Just Like Overnight
5. The Blues on Banjo
6. Framed
7. The Ghost of Johnny Cash
8. [Dedication]
9. Cowboy Jack Clement’s Waltz
10. [Explanation]
11. Watering Flowers in the Rain
12. A Timeless Response to Current Events