Michael Dean Damron “Father’s Day” (In Music We Trust Records)

Portland Oregon’s Michael Dean Damron, or Mike D. as he was known when fronting his former hell-raising roots-rock band I Can Lick Any Sonofabitch in the House, isn’t your garden variety sensitive, market tested, conveyor belt type of singer/songwriter. The emotion, fear and anger is laid out on his third solo release Father’s Day for all to feel. He’s not just singing, he’s testifying.

The youthful flame-thrower intensity of ICLASOBITH has been condensed into a focused,  welding torch constructing a dark and twisted terrain of one mans life and soul.

The lost love songs here – Dead Days, Boy With A Car and the provocatively titled I Hope Your New Boyfriend Gives You Aids (do NOT judge the album based on the title of this song, it doesn’t show up once in this beautifully heart wrenching cut.) display just as much defiance as they do remorse. Love songs are welcome, whining is not.

The specter of the Damron family patriarch is summoned and exorcised in the title track. The song tells of Damron’s father’s life as a hard, violent, and lonely one. The song is both a celebration and an unflinchingly cautionary tale. The excellent Angels Fly Up carries on the divisional theme, devils and angels, suicide and celebration- that seems to run through Fathers Day.

Tornado Song is a chugging blues-Gospel number veined with wailing harmonica and I’m A Bastard has Damron unmitigated affirmation of his place among the best of the worst in the troubadour trade.

As if the original songs weren’t enough to make this a fine album the three covers Damron has chosen to include speak volumes, fit nicely and are done with deftness and deference. Drag the River’s Beautiful And Damned is a solemn pedal-steel laced number and a ’round the campfire treatment of Thin Lizzy’s Dancing In The Moonlight are wonderful. The real courage, as with anyone willing to cover the Late Great Townes Van Zandt, comes with the inclusion of an accomplished rendition of Towne’s bleak tale of perseverance Waiting Around To Die.

Damron’s whiskey-and-dust vocals  brings to mind modern day contemporaries like Ryan Bingham, Drive By Truckers’ Patterson Hood, William Elliot Whitmore and Lucero’s Ben Nichols. The worn nature of the delivery adds another depth of ragged beauty to each of these gems. Damron sites Steve Earle, Alejandro Escovedo, Townes Van Zant and Waylon Jennings as heroes. But I believe that the true Patron Saint to his unique style of edgy storytelling, with a penchant for tenderness might well be David Allen Coe.

Sure Father’s Day is not a sunny Summer party album, who cares. It’s a great example of a  mature and excellent singer/songwriter venting his own private Winter.

Official Site | MySpace | Facebook | Buy

Father’s Day mp3

[youtube]http://www.youtube.com/watch?v=uDIYDNi2uTI[/youtube]

Eat the Rich

I read the ridiculous article in the New York Times about John Rich and believe Rich, and the Republicans he stumped for in the last election, are about as concerned about the plight of the common man as a vegetarian is about the finer points of aged beef.

I believe Rich’s populism is nothing more then window dressing and crass opportunism. My Grandparent’s generation used to call the Republicans the cocktail party because they were the party of the wealthy, for the wealthy. They still are, they just have better PR. Which brings me to Shuttin’ Detroit Down, the new song by the shorter, darker half of the country music comedy duo Big and Rich.

It’s hard for me to buy a song about the common man coming from a guy that wears $1000. fur coats on his realty television show. Shuttin’ Detroit Down oversimplifies the bad guys that led to the economic crisis as cardboard villain Wall Street Fat Cats with nary a lyric spent on the politicians (from both sides) that wrote the legislation that allowed them to do get away with it. For all his righteous bluster Rich forgets thise key words from wayetgatre. Follow the money. Who did Madoff make contributions to? What about the main guys as AIG? I’m thinking thier right in line with Rich’s own financial support.

I think if  I want quality songs about crony capitalism I’ll go to musicians that have been doing it longer, better and with more credibility – Steve Earle,  Kris Kristofferson (who is broadening his market by appearing in the video for Shuttin’ Detroit Down), hell even the Okie from Muskogee has eased up and taken a wider view of the world. Or maybe I’d go with one of the new artists like William Elliot Whitmore or the Drive By Truckers.

Rich is like Ann Coultier in drag, a different mouthpiece to appeal to a different demographic spouting the same old fake populist bullshit while stumping for the very same fat cats he names in his song.