Watch Out! Sarah Jarosz Live at the Troubadour EP – Special Record Store Day Exclusive [VIDEO]

Sarah Jarosz

in honor of Record Store Day 2013 Austin native and folk singer/songwriter Sarah Jarosz is offering a new live release, Live at the Troubadour. The five song EP was was recorded the famed Los Angeles venue and features longtime collaborators Nathanial Smith (cello) and Alex Hargreaves (violin.)

Four live performance videos, shot by videographer Alex Chaloff, beautifully capturing the grace Jarosz of her live shows were created especially for the release. These were originally featured on The Bluegrass Situation, CMT Edge, Bluegrass Nation and RecordStoreDay.com.

Currently wrapping up her senior year at the New England Conservatory of Music, Jarosz will spend her summer making appearances at major festivals including Del Fest, Telluride Bluegrass Festival, High Sierra, Forecastle, Ossipee Valley and Newport Folk Festival.

LIVE AT THE TROUBADOUR track listing
1. Tell Me True
2. Kathy’s Song
3. Mansinneedof
4. Shankill Butchers
5. Broussard’s Lament

Look for Sarah Jarosz new Sugar Hill release is coming this fall.

Sarah Jarosz Tour Dates
2013-4-19 Burlington, VT – Flynn PAC – with John Prine
2013-4-20 Portsmouth, NH – The Music Hall – with John Prine
2013-5-03 Austin, TX – AT&T Executive Education and Conference Center
2013-5-23 New York, NY – Rockwood Music Hall
2013-5-25 Cumberland, MD – Del Fest
2013-6-12 The Woodlands, TX – Dosey Doe Coffee Shop
2013-6-13 Wimberley, TX – Blue Rock Artist Ranch – Blue Rock Studio
2013-6-14 Dallas, TX – Poor David’s Pub
2013-6-15 Santa Fe, NM – The Downs of Santa Fe – with Rodney Crowell & Emmylou Harris
2013-6-16 Phoenix, AZ – Musical Instrument Museum
2013-6-18 Salt Lake City, UT – The State Room
2013-6-21 Telluride, CO – Telluride Bluegrass Festival
2013-6-22 Telluride, CO – Michael D. Palm Theatre
2013-7-06 Quincy, CA – High Sierra Music Festival
2013-7-07 Quincy, CA – High Sierra Music Festival
2013-7-13 Louisville, KY – Forecastle Festival
2013-7-25 Northampton, MA – Iron Horse Music Hall
2013-7-26 Hiram, ME – Ossipee Valley Music Festival
2013-7-27 Newport, RI – Newport Folk Festival
2013-7-28 Ogunquit, ME – Jonathan’s Restaurant
2013-8-10 Portland, ON – Oregon Zoo Amphitheatre
2013-8-11 Seattle, WA – Woodland Park Zoo Amphitheatre

Watch Out! Levon Helm Covers Randy Newman’s “Kingfish” [VIDEO]

Levon Helm not in it for my health

RollinStone.com posted this great clip from Ain’t in It for My Health</em> , Jacob Hatley’s documentary on the musical legend.

The film will premiere in upstate New York on April 19th, near his famous barn where his rambles are held to this day. The opening will occur exactly one year after his passing,

The film show’s Hatley’s intimate access to Helm and follows his comeback with the Grammy-winning Dirt Farmer album. Below is a clip from the film showing Helm performing acoustic rendition of Randy Newman’s “Kingfish” his voice raspy as a result of throat cancer treatment.

From RollingStone.com “So this clip was one of the first things we shot,” says Hatley. “We were in between takes on a music video for the Dirt Farmer record and had rented out this dilapidated motel for the shoot. We were all sick of shooting this lip synched, choreographed video and wanted to hear some real music, so Levon and Little Sammy Davis went in to one of the rooms and started playing. They did about eight songs, just for the crew. There was a heart shaped jacuzzi just off frame. The motel has since burned to the ground.”

” You Can’t Change What Comes From Your Heart” An Interview with Escondido

PageImage-500357-4365215-Escondido1LG

The first time I heard Nashville-based Jessica Maros and Tyler James, collectively knows as Escondido, it was the video for their garage-country noir song Bad Without You I was hooked. I even used the song on my podcast. I told you I was hooked.

There were shades of contemporaries Nikki Lane and Fist Aid Kit, but then again embodying a sound all their own.

Jessica and Tyler were kind enough to answer some questions a few days after their debut on the Conan O’Brien show (see below) about their chance meeting, their excellent taste in influences, and how it feels to have David Lynch as a fan.

Twang Nation: You recorded the album in a single day, What was the rush? Was there some limit on resources?

Tyler: Although it was really nice to save money on studio time… tracking the album in one day was intentional. Jess and i spent two months arranging the songs before hand so there wasn’t much confusion when tracking. I wanted to capture that initial instinct in the studio and not second guess ourselves. We started tracking around 10am and were done by 9pm… did around 3 takes of every song and i went through after and chose my favorites. I’m a huge Dylan fan and read alot about how he’d get the best players out there but throw them for a loop so they couldn’t over-think it.

Jessica: I wanted to capture a moment. Its interesting when you put a group of people in a room and see what happens.Tyler had a great knack for finding the right musicians, we really vibed off each other. We play the songs so much better now but back then….there was naivety about it. The song ‘Don’t love me too much’ was literally written on the spot. I had only a chorus and a verse and we were going to keep it as an Interlude. Once we started jamming it turned into a song and I wrote the second verse on the fly. Those are moments that I wish to relive on a daily basis. You can’t plan that.

TN: Your meeting was a happenstance occurrence. When did you realize you were kindred spirits?

Tyler: Right away… Jess starts most of the songs and they immediately get my wheels spinning on all the possibilities. We share a lot of musical influence but she keeps it simple and i lean towards the complex, so it balances out well.

Jessica: I agree with Tyler… The moment he started creating a drum beat for ‘Rodeo Queen’ we were instantly on the same page. I’ve worked with a lot of musicians throughout the years and nobody could understand the simplicity of my writing. Tyler took it to another level. We don’t even need to talk about it. I’ll start an idea send it to him and he makes it better. We have the same vision.

TN: Who did you listen to growing up?

Tyler: Mostly 60s/70s stuff… Bob Dylan, Paul Simon, Neil Young, Joni Mitchell, Beatles, Tom Petty, The Band, Beach Boys, Randy Newman, Rolling Stones, Bill Withers, Tom Waits, Shuggie Otis, Bread, Pink Floyd, Led Zeppelin, Judee Sill, Al Green, John Denver, Fleetwood Mac, Stephen Bishop

Jessica: I grew up with Slovakian immigrants so my musical taste never got cool until I had a boyfriend in eighth grade that introduced me to Smashing Pumpkins, Fiona Apple, Rufus Wainwright. Than I met a guy in a bar I worked at who taught me guitar and introduced me to Jimi Hendrix, Neil Young, Phoebe Snow, Little Feet, Steely Dan and I was hooked. He changed my life.

TN: Were you given formal music lessons?

Tyler: I took 10 years of piano lessons and 5 years of trumpet lessons.. made it a lot easier to pick up stringed and rhythm instruments down the road

Jessica: I had piano lessons for 5 yrs and never got good at it. I always wanted to play violin but my dad never took me seriously. Than I was given a guitar by a friend and taught myself. I watched youtube videos to learn guitar chords. I don’t consider myself a guitar player though. I just use it to write.

TN: The album has a Ennio Morricone vibe about it. Was he an influence?

Tyler: Yes definitely. My dad is a huge Clint Eastwood fan so the interest started there… but we’d start every day of pre-production listening to all of Morricone’s stuff as well as his counter parts. Burt Bacharach has a lot of killer compositions in the vein as well.

Jessica: Yes he was. We wanted to create a soundtrack to our life using his influence with a pop sensibility to it.

TN: What other band(s) influence you?

Tyler: I was on a huge Tom Petty, Rolling Stones kick while making the record.. i love the short/hooky songs where the rhythm and groove is a big part of it sound. Having the drums prominent in the mix isn’t limited to the club music happening right now.

Jessica: I’m a huge Chris Isaak fan. If I could write a songs like Neil Young, I’d retire. Sometimes you can’t change what comes from your heart so you just go with it. When I sit down and write a song I really want to make sure its coming from a truthful place.

TN: David Lynch tweeted that he really loved your song “Black Roses.” How did you feel about that?

Tyler: I’m a huge Twin Peaks fan so it obviously meant a lot… although the word ‘tweet’ in general is problematic 🙂

Jessica: I woke up Monday morning with my phone going crazy. I should have video taped it. The strangest thing is that he was mentioned as an influence for our ‘Black Roses’ video. Interesting what happens when you put those thoughts into the world and it comes back to you in the strangest ways.

TN:Jessica’s other profession is in clothing and jewelry design. How did it feel to be featured artist in Vogue.com?

Jessica: It was surreal. I’m grateful I was mentioned through music rather than fashion. Fashion is another outlet for me but music is my life. The fact that Vogue featured me in my dream profession was an indication that I’m on the right path.

TN: “Black Roses” has been featured on CMT and NPR. Those demographics that aren’t typically bridged. Why do you think you appeal to a broader audience?

Tyler: Perhaps because it’s the world we come from. We’re heavily influenced by our Nashville home but we listen to as much new music as we can. We all should be students of our own profession… start with the classics but not be limited by them.

Jessica: Not sure to be honest. We’re just going with the flow of things, I don’t think you can control who your audience is. Some bands cater to a specific sub culture but we’re just having fun creating our own little world and hoping people will join us!

TN: If you could perform on stage with any artist living or dead who would it be?

Tyler: That’s a tough question… probably Neil Young or The Band. Having a some wine and an axe up at Big Pink would have been my jam.

Jessica: I’d love to perform with Tom Petty and if I could be on stage with Bob Marley in my next life….that would make for a happy ending.

Escondido will perform with The Staves on an East Coast tour this May. check their site for more upcoming dates.

Levon Helm Documentary To Open in Woodstock, N.Y.

levon healthOn Saturday (April 13), nearly one year to the day after his death, ‘Ain’t In It For My Health: A Film About Levon Helm’ will open in Helm’s hometown of Woodstock, N.Y.

The documentary has been in the works since 2007, when director Jacob Hatley, who was hired to spend a weekend directing a video for Helm’s Grammy-winning Dirt Farmer, his first studio album since 1982. “Levon and I just happened to hit it off. I just ended up hanging out there. I found an excuse not to go home immediately.” Hatley says

“Jacob was the perfect fly on the wall for many months as we experienced the ups and downs of a wonderful time in all our lives,” Helm’s longtime musical partner Larry Campbell tells Newsday. “The result is a rare, artful, and honest glimpse into the fascinating world of one of our true American treasures, Levon Helm.”

The CD and DVD of the Oct. 3, 2012 tribute tribute concert ‘Love for Levon’ featuring friends, admirers and musical disciples such as Roger Waters, Warren Haynes, Gregg Allman and Lucinda Williams, has recently been released. Proceeds from the concert went to his family to help them keep his barn — the studio and live venue where his famous Midnight Rambles takes place to this day.

Ain’t In It For My Health will screen at Upstate Films in Woodstock on Saturday, April 13 (132 Tinker St., upstatefilms.org). On the same night of the film’s screening, a special “Midnight Ramble” concert will take place in Helm’s Woodstock barn. The doors open at 5 p.m., and the event will feature a barbecue and another screening of the documentary, as well as a performance and Q&A session with The Levon Helm Band. Tickets are $125 and available for purchase at levonhelm.com.

Country Music Is Not Dead

waylon

If you were one of the 15.4 million viewers of last Sunday’s 48th Annual Academy of Country Music Awards show you might have been, like me, wondering “When’s the country going to start?” I’ve never been branded a purists , but I prefer my country on the Lefty Frizzell / Buck Owens / Willie Nelson side of the fence rather than the Fleetwood Mac / Jack Johnson/ Def Leppard style that’s in vogue right now

Music City continues to chase the money by burying it’s legacy as it has since nearly it’s start. Fortunately for us that honor songs over celebrity we have a safe haven, Americana music. Below are a few performers that are keeping heartfelt and real. Post your suggestions in the comments.

https://www.youtube.com/watch?v=dJt3oHYmKcQ

https://www.youtube.com/watch?v=AcJml72K1HQ

https://www.youtube.com/watch?v=BrqdhA1_C5U

Watch Out! Amy Speace- “The Sea and the Shore” (featuring John Fullbright) [VIDEO]

John Fullbright, Amy Speace

Below if the video for Amy Speace’s new music video for “The Sea & The Shore,” featuring a duet with John Fullbright. Speace and and co-wrtiter Robby Hecht’s lyrics narrate the story of a failing relationship, acted out by two marionettes courtesy of the Nashville Puppet Theater. The song can be found on Speace’s forthcoming How To Sleep In A Stormy Boat (April 16.)

“I will forever be grateful to my good friend John Fullbright for braving the 15 degree weather with me on that spring morning in Nashville near Radnor Lake, the closest we could get to the sea on an indie budget,” says Speace. “Also, I was so happy to discover the Nashville Puppet Theater in putting together this video. Once we found the blue-eyed puppet we knew we had our leading man.” (from GRAMMY.com)

Speace landed in New York City after college to pursue a life in theater. She studied acting at The National Shakespeare Conservatory, toured the US with the National Shakespeare Company, started her own theater company to direct and produce the plays she had written, and in the midst of her early 20’s, picked up a pawn shop guitar, wrote her first songs, and found herself with steady gigs at such storied venues as The Bitter End and The Living Room.

A self-described ‘late bloomer’ to songwriting she’s been quietly but steadily been making waves in the Americana/folk world for a few years now, and in the journey, gaining support from the likes of Judy Collins, Nanci Griffith, Guy Clark and other icons in the songwriting community.

Speace recorded How To Sleep In A Stormy Boat in Nashville with producer Neilson Hubbard. The album’s 11 songs reflects themes of lost love throughout, with Speace drawing inspiration from the classic works of William Shakespeare. In addition to Fullbright, special guests include singer/songwriter Mary Gauthier and cellist Ben Sollee. The project was funded via a extraordinarily successful Kickstarter campaign.

Speace is currently in the midst of a U.S. tour, with dates scheduled through September.

You can hear Speace duet with Mary Gauthier on the song “The Fortunate Ones” from How To Sleep in a Stormy Boat on my latest podcast.

Watch Out! Steve Martin and Edie Brickell: “Love Has Come For You”

martin brickell

I grew up outside of Dallas and used to head to Deep Ellum on the weekend to see the local bands, like the New Bohemians, play Theater Gallery. Prophet Bar and Club Clearview. later I got to know some members of the band wand was able to see them perform with Bob Dylan and Don Henley. There was even an overnight stay in the Norman OK jail as part of the adventure (long story, buy me a beer sometime and I’ll tell you)

I was proud of our little, local band doing well.

Well band split, Brickell moved to New York City and did some solo work. Oh, and she married some musician names Paul Simon.

When i heard that Brickell would be rording with Steve Martin i had a feeling it was going to be cool. Martin might be a jester but his banjo playing is dead serious and steeped in tradition which he’s proven with his Grammy-nominated work with the Steep Canyon Rangers.

Love Has Come for You, will be released on April 23rd through Rounder Records. 13 new songs that allow Martin’s excellent banjo work to inspire Brickell’s lyrics and vocals. Below you the two talk about working on the album and you get to sample some of the tunes. All in a setting echoing the album’s cover.

The collaboration began when Martin sent Brickell “a tune with no song to it”: “I was so thrilled that you kept sending tunes because they would arrive and there were little stories in them just immediately for me,” she says. “I saw a lot of images and all I had to do was sit back and narrate what I saw.” The two also discuss the album’s double-entendre title, working with producer and beloved British musician Peter Asherand how the LP sounds more like a string quartet rather than a bluegrass album. “My own agent called me up, and he said I hope this doesn’t insult you but this is the best thing you’ve ever done.'”

Martin and Bickell continue to prove my view that all the cool kids are coming to Americana music.

Watch Out! Delta Rae – “If I Loved You” Featuring Lindsey Buckingham)

Delta Rae -  If I Loved You

Remember back when I said that Delta Rae kind of reminded me of Fleetwood Mac? Well the band made me a genius by recently teaming up with Lindsey Buckingham, singer/songwriter.guitarist of Fleetwood Mac, who played guitar on the re-recorded version of their new single, If I Loved You.

Vocalist Elizabeth Hopkins reaches soulful, Adele-like heights in her soulful performance of this song of love lost.

Check the song below.

http://www.youtube.com/watch?v=RKfCsn8B6Es&feature=youtu.be

Watch Out – Lindi Ortega: “Murder Of Crows”

Lindi Ortega - Murder of CrowsMurder of crows is the answer to a classic trivia question, “What are a group of crows called?”

It’s also an excellent song by Canadian roots-rocker Lindi Ortega, from her recent TN 2012 Top Pick Cigarettes & Truckstops

A contemporary take on the classic murder ballad (there needs to be more of those) positioning a female protagonist as the culprit, the video is washed in a striking black and white gauze as Ortega appears armed, with a shovel and donning Día de Muertos skull make-up. Subtle it ain’t.

Ortega’s striking trill pleads for mercy, but claims no remorse, as she confesses murder of a man. Though we never find out what he did to deserve his untimely demise, like the woman abuser in the Dixie Chicks Goodbye Earl, we are asked to assume he undoubtedly deserved it. The sound is a reverb-soaked, noir-roots vibe reminiscent of Furnace Room Lullaby era Neko Case.

I first heard Murder Of Crows oduring Ortega;s own cameo on ABC’S Music Row melodrama Nashville. Like her hero, Dolly Parton, Ortega is delivering great songs like this via contemporary formats to a wider audience.

Murder has rarely sounded so good.