Who’s The Greatest Voice in Country/Roots Music Now? [VIDEO]

George Jones and George Strait

George Jones was arguably the greatest male voice in country music. He set the standard for feeling and inflection that is still considered the standard today. In the wake of his death USA Today asks “Now who’s the greatest living (male) country singer?”

So what are the standards for measure? Longevity and legendary status? Range and feeling? Stage presence? I’m going with technique and style and depth over legacy and stage presence. With the former a distinct style is a given with any legendary performer and as for sage presence , I could care less i they never move on stge if they move me emotionally with their lyrics.

Here are my 6 possible contenders. I’ve stretched country music boundaries to include Americana and roots music overall as some of the best singers, in my opinion, reside there.

If the crown for best country voice was based on chosen successor then Merle Haggard was George Jones’ choice as his favorite country singer.

http://www.youtube.com/watch?v=w99UIu9N44w

If your criteria is individual style few could stand up against the nasal vibrato of Willie Nelson.

When Darrell Scott would take his turn at the mic to sing Joe “Red” Hayes and Jack Rhodes’ classic “Satisfied Mind” as a member of Robert Plant’s “Band of Joy” plant had the good sense to step back into a supporting role.

Though more of a soul and gospel, singer Mike Ferris deftly mines the veins that feeds country music’s soul.

Like Jones Dwight Yoakam put a lasting stamp on country music with his intonation and hillbilly hiccup.

George Strait’s baritone is like a warm day and he makes you believe in the song.

Watch Out! David Ramirez: “The Bad Days” [VIDEO]

David Ramirez: The Bad Days

Truth be told I tend to steer clear of the current popular variety of folk music. More a type of acoustic Emo, de-fanged and navel-gazing, rather than the cunning and adroit poetry of the social (Guthrie) and the emotional (Towens Van Zandt.) There is a recent new wave of folk musicians that has changed my mind and gives me hope for the genre. Stephen Kellogg, Dillon Hodges, Joe Pug and now add to that list David Ramirez.

When I heard Austin-based singer-songwriter David Ramirez’s new song, The Bad Days,” I was immediately taken by the palpable ache of hope against the hopeless. The immediate yearn of the vocals. This man bleeds truth and doesn’t cower from the dark corners of human frailty.

The moody black and white video is directed Rob Montague allows us a view of the hard road and nightly magic a singer/songwriter must endure to share tier craft with few, sometimes indifferent people. Then get up and do it again.

The Bad Days is from Ramirez’s EP, The Rooster which is out now on Sweet World records. it was produced in 6 days by Ramirez and Danny Reisch (Shearwater, Okkervill River, White Denim)

Ramirez will hit the road with Jay Nash and Gregory Alan Isakov, all dates below.

Tour Dates
5/09 – Houston, TX @ Walter’s
5/10 – Austin, TX @ Cactus Cafe (Album Release Show)
5/11 – Dallas, TX @ Prophet Bar
5/22 – Phoenix @ The Rhythm Room #
5/23 – San Diego @ Soda Bar #
5/24 – Los Angeles @ McCabe’s #
5/25 – Ventura @ Zooey’s #
5/26 – Santa Cruz @ Catalyst Club Atrium #
5/28 – San Francisco @ Cafe Du Nord #
5/30 – Portland @ White Eagle Saloon #
5/31 – Seattle @ Q Cafe #
6/1 – Wenatchee @ Caffe Mela #
6/2 – Spokane @ Carr’s Corner #
6/4 – Salt Lake City @ Urban Lounge #
6/5 – Denver @ The Soiled Dove #
6/6 – Omaha @ The Slowdown #
6/7 – Chicago @ SPACE #
6/8 – St. Louis @ Off Broadway #
6/9 – Gravette, AR @ Hard Luck Cafe
6/11 – Kansas City @ Czar Bar #
6/12 – Tulsa @ The Vanguard #
6/13 – Oklahoma City @ The Blue Door #
7/16 – Washington DC @ The Hamilton *
7/17 – Philadelphia, PA @ Johnny Brenda’s *
7/18 – New York City @ Bowery Ballroom *
7/20 – Cambridge, MA @ Club Passim *
7/21 – Portland, ME @ One Longfellow Square *

# co-headline with Jay Nash
* supporting Gregory Alan Isakov

George Jones’ Funeral – Vince Gill & Patty Loveless “Go Rest High On That Mountain,” Alan Jackson “He Stopped Loving Her Today” [VIDEO]

Vince Gill and Patty Loveless - George Jones Funeral They laid the greatest voice in country music to rest today.

I checked in to the online stream on and off and , truth be told, it got to me. But the emotional performance below from Vince Gill & Patty Loveless of “Go Rest High On That Mountain” brought the magnitude of the moment into reality.

Alan Jackson closed the service with a heart-wrenching version of Jones’ best known song He Stopped Loving Her Today.

This is as real as it gets y’all. This is the life blood of country music. Lest we forget.

http://www.youtube.com/watch?v=nbk19vEhy6Y

https://www.youtube.com/watch?v=QSLmlBlWp0k

Travis Tritt performs ‘Why Me Lord’ by Kris Kristofferson for George Jones memorial.
http://www.youtube.com/watch?v=EhJPbq5RK4o

The Red-Headed Stranger Turns 80 – Happy Birthday to Willie Nelson

Willie Nelson and Jerry Max Lane

The only time I’ve met Willie Nelson was backstage at Ft. Worth’s storied hanky-tonk, Billy-Bobs. This was in the mid-eighties and I was about 18 so I was more interested in Ozzy and Iron Maiden than I was seeing some country singer. Even one as iconic as Willie is.

The thing about that night wasn’t meeting Willie with some floozy fawning all over him. It was his presence onstage and the crowd. How they loved him and he loved them right back. They hung on every classic verse and he was glade to sing it for them as the family, with sister Bobbie on grand piano. They were frenzied, they were moved to tears. They loved him and he them. He did the impossible, he made Texans more proud to be from Texas.

My dad and Willie were drinking buddies. Here they are tight and on the town searching for trouble and material for honky-tonk ballads. Willie became an icon and Dad had a song covered by George Strait. Not too shabby.

Willie and Dad don’t talk much anymore. I don’t think there was a falling out, I just think it’s hard to keep ties when you become famous. I would like it if Willie dropped in on dad as he’s not doing too well. But when you’re on the road 200 plus days of the year it’s not easy to reach back across those miles to the past

Willie turns 80 today and as we mourn another country music legend we are given a stark reminder of how great this music can be if given care and courage. A statue has been erected in Austin bit it’s not near time to write Willie off. He’s just released a new album, “Let’s Face The Music & Dance,” and he’s just announced dates at the Outside Lands festival here in San Francisco and a couple of shows at the Hollywood Bowl with fellow Texas- troubadour Lyle Lovett. The man who wrote “Crazy” will be on the road until his arthritis won’t allow him to hoist ol’ his signature guitar, Trigger.

Well, maybe a few more shows after that.

Wilie speaks out for local farmers, bio-fuel and yes, weed. These are not popular red state subjects but somehow coming from Willie skepticism is lowered and alternative possibilities are embraced. Natalie Maines could learn a lot from her fellow Texan on the nuances of self-expression without torching your fan base.

Willie and Kristfferon are the last Highwaymen staring. Both still out there in the night doing their thing their way. Transcending genre to become purely American music. Though he learned from the greats Hank, Jones , Lefty – Willie has more in common with the masters of the American songbook, the Gershwins, Cole Porter, and Irving Berlin. Sure Dylan brought a generation a voice but Willie did the unthinkable. He brought the hippies and rednecks together,

Let’s celebrate Willie by understanding what he means for music and be glade we were live when he vied to witness the transformation. Sure Music City does not reflect his legacy, it’s an industry not a preservation society. As Jason Isbell deftly tweeted “Hate to break it to y’all, but Nashville didn’t “ruin” country music. Lotta good burgers in this town; nobody forcing you to eat McDonald’s” Wilie knew this. He worked the burg line for hers before heeded back to Texas to try his own recipe. Americana and the thriving roots music community better reflects the legacy of Willie, Kristofferson, Cash and Waylon and the draft and love of music beyond trends or current fads. The business will always be there. Beans have to be put on the table. Touring vans don’t run on good will. But business should not be the driving force. That’s a sure road to crap.

Here’s to Willie. activist, actor, author, Texastentialist, and musical legend. Long may your flag wave, hoss.

https://www.youtube.com/watch?v=iESjQlCh87U

Willie Nelson’s “The Hobbit 2” Audition Reel from Conan

Willie Nelson as GandalfWillie Nelson might be a national treasure and a living musical and activist legend but he doesn’t take himself seriously and is not above yuking it up.

in this web exclusive video from Conan, Willie and son Micah try and unset Ian McKellen as Gandalf in the upcming “The Hobbit 2.” i wondered what Gandalf had in that pipe!

George Jones Top 10 Essential Cuts

George Jones Essential 10

Golden Ring (With Tammy Wynette)
Although their tumultuous marriage didn’t last, when they were singing it was duet magic. The rings is the symbol of life being cyclical. A couple find a pair of wedding rings in a pawn shop, get married, break up and the rings are returned to the shop wherre they catch the eye of another couple. George and Tammy’s chemistry is undeniable.

Good Year For The Roses
Elvis Costello knows a great song when he hears it and he chose this one to cover on his country-tinged Almost Blue. This song has soe of the best lines and imagery in country music. “the lip-print on a half-filled cup of coffee that you poured and didn’t drink” Th roses thrive in contrast to a dying marriage that also make certain the roses aren’t picked as a gift.

The Grand Tour
This walk around a lovely house -with an empty bed, a wedding ring and an empty nursery, the photo of the woman who left – is an emotional gut punch tempered slightly by the smooth tempo and piano refrain.
http://www.youtube.com/watch?v=ApiRp8zGsUw

Mr. Fool
I personally just love the sound of this song. Pure tear-in-my-beer honky-tonk material.
http://www.youtube.com/watch?v=ATnsoZOa9zc

She Thinks I Still Care
Talk about passive aggressive! He floats her name to friends, accidentally calls her, retracing her actions. It doesn’t mean anything, right?
http://www.youtube.com/watch?v=owWNCNyEuYI

Choices
Jone’s reminded people what country music sound like in this 1999 Grammy winner of refection of his life. Scottish tones fused a hard county barroom foundation lifts Jones. It’s Jones own more contrite version of My Way.

He Stopped Loving Her Today

This 1980 Grammy-winner set the gold standard for country music ballads. A story f a man sick from pining lost love ends in a twist really seals the deal. Jone’s voice draws you in ad makes it real.

I Don’t Need Your Rocking Chair
This anthem of golden years self-reliance won a 1993 CMA Award for vocal event of the year and remained a crowd favorite for years.

Why Baby Why
A few singles before went nowhere but in 1955 Why Baby Why brought that timeless voice to a wider audience by becoming a hit and establishing themes of love and loss that Jones’ would use throughout his career.

Who’s Gonna Fill Their Shoes
Where’s all the great country music? Fans have been asking this for decades. In 1985, the wake of the Urban Cowboy phenomenon, Jones was right long with them by name-checking heroes like Hank, contemporaries like Conway Twitty, Lefty Frizzell, Cash and followers like Haggard, Jennings and Willie. it’s a authentic and heartfelt tribute to a country musics heritage the Jones helped established and it’s sentiment is echoed to this day.

http://www.youtube.com/watch?v=0yvvIHAEmnY

Watch Out! John Fullbright “Gawd Above” [VIDEO]

John Fullbright - Gawd Above Video

Gawd Above, one of the best songs on john Fulbright’s Grammy-nominated “From the Ground Up” has now gotten the proper video treatment.

The Oklahoma native stars in this moody succession of black-and-white temptations, jump-cuts between Scantly clad women (one that eats fire) seedy hotels, confessional booths and (shudder) white loafers!

Gawd Above
is a great song song no matter what imagery is draped around it but if it needed to be done this is a pretty cool way to do it.

The King Of Broken Hearts is Gone – George Jones Dies at 81

George Jones and Baron Lane 323667_10150669767945831_1604704532_o

Recently Jim Lauderdale recounted to me a scenario he read from a book by author/entrepreneur/groupie Pamela Des Barres. This scene featured Gram Parsons allegedly sititng in room surrounded by LA. party people as he played George Jones records and cried. When someone asked who he was listening to he is reported to have answered “The king of Broken Hearts.” This story led Lauderdale to write , and George Strait to latter cover, “The King of Broken Hearts”

Here’s a verse:

The king of broken hearts is so sad and wise
He can smile while he’s crying inside
We know he’ll be brave tonight
Cause he’s the king of broken hearts

Is the story factually true? I don’t know, but it’s essence is dead-on. Lauderdale and Parsons had it right. Regarded by many to be one of the greatest voices in country music Jones defined and lived country music as authentically as anyone. He spoke from a place where he lived and struggled and showed us all he, and we, are fallible. He had lived and breathed empathy into every word.

Not far from Jones’ birthplace of Saratoga Texas, thirty-eight miles northwest of Beaumont, producer and co-owner of Starday Records, Pappy Daily, signed Jones to his first label in 1954. Four singles were released soon after that went nowhere..

Jones then released “Why, Baby, Why” , produced by Daily, in the summer of 1955 resulting in his first hit. it peaked at #4 on the Billboard country charts that year before being eclipsed by Webb Pierce and Red Sovine doing a version of the very same song (things were done differently back then.)

Then came the 14 number one country hits, multiple Male Vocalist of the Year and Duo of the year awards with Tammy Wynette, 4 Grammys, a tumultuous marriage with Wynette, hundreds of bottles of bourbon and enough controlled substances that would make Keith Richards flinch. Many missed performances (branding him “No Show Jones” by promoters) and one infamous arrested for DUI while riding on a John Deere lawn tractor and a legacy was established.

in the 80’s Jones and many of his contemporaries found themselves ostracized from Music City in the wake of the Urban Cowboy phenomenon, which led the country music industry to pursue the contemporary pop elements of the day. Sound familiar? Through most of the 80’s and 90’s his career had stalled by the new economics of Nashville big labels. Though playing in smaller venues people that knew of his place in history continued to attend how shows. Many of these people brought their kids along. A few of those kids probably make up the Americana performers I now cover.

Jones was nearly through half of his farewell “The Grand Tour,” when, on April 18, he was admitted to Nashville’s. Vanderbilt University Hospital with fever and irregular blood pressure. This morning, April 26, 2013, I received an email from TMZ that Jones had died. Wikipedia had not been updated with his news and his tour dates were still listed on Ticketmaster, so I was skeptical. But almost one minute later the news was confirmed by an email from Jones publicist. The man Frank Sinatra once said was the “second best singer in this country…” was dead.

Jone’s final concert was to be held on November 22, 2013, at Bridgestone Arena in Nashville. The show sold out far in advance and Garth Brooks, Kid Rock, Shelby Lynne, the Oak Ridge Boys, Charlie Daniels, Jamey Johnson, Lorrie Morgan, Randy Travis and Gene Watson. Tanya Tucker and many others were to join jones for the for the event. Whether the show carries on in his absence is yet unknown.

Personally I was fortunate to see Jones perform in 2007. Visibly weakened and unable to play guitar dut to recent surgery, he performed on with those majestic standards
in front of an rapt Carnagie hall audience. We knew we were in the presence of history. As opener Kris Kristofferson stated during his lone acoustic set, ‘George Jones is the only person alive I’d open for.”

i met Jones briefly last year after he shared the stage with the Allman Brothers, Glenn Campbell and Diana Ross for the lifetime Achievement Grammy awards. i was kind and smiled as I gushed and he posed for what must have been his millionth fan pic. What a gentleman. It made me happy to know he was still part of the world I was part of. I am sadder today.

Americana artists like Kelly Willis and Caitlin Rose and Holly Williams, Country music legends like Dolly Parton, Loretta Lynn and Charlie Daniels, and contemporary country artists Brad Paisley and Blake Shelton flooded twitter with their sentiments and memories. As I write this #GeorgeJones is still trending on Twitter. Fitting for a man that once released an album entitled “High-Tech Redneck.”

Here’s my small tip-of-the-hat to a man who, along with Hank Williams, defined not only country music’s style, but it’s moral complexities mirrored in the best of it’s narratives.

UPDATE: George Jones’ funeral will took place on Thursday, May 2nd at The Grand Ole Opry House in Nashville, Tennessee, it was open to the public. People lined up 24 hours beforehand to get in.

“George would have wanted his fans and friends everywhere to be able to come and pay their respects along with his family,” said publicist Kirt Webster.

In lieu of flowers, the family has asked that contributions be made to the Grand Ole Opry trust fund:

Opry Trust Fund
2804 Opryland Drive
Nashville, Tennessee 37214

or to the Country Music Hall of Fame® and Museum at http://store.countrymusichalloffame.com/categories/Donate/

COUNTRY MUSIC HALL OF FAME® AND MUSEUM
222 FIFTH AVENUE SOUTH
NASHVILLE, TN 37203

EDIT:

George Jones’ funeral will take place on Thursday, May 2nd at The Grand Ole Opry House in Nashville, Tennessee, starting at 10 am (Central) and will be open to the public. Doors will open at 9 am.

In addition, national television networks CMT, GAC, RFD, and FamilyNet, as well as local Nashville stations WKRN 2, WSMV 4, WTVF 5, WZTV 17 will broadcast the funeral service “LIVE”, with radio partners WSM 650AM and SiriusXM Willie’s Roadhouse (Ch. 56) broadcasting the service. Fans around the world can listen online at wsmonline.com or watch online at opry.com.

Merle Haggard Remembers George Jones

“George Jones, Admired and Copied Country Singer, Dies at 81” – New York Times

“George Jones Dead at 81” – Rolling Stone

“George Jones, American country singer, dies aged 81” – BBC

Steve Martin and Edie Brickell Perform “When You Get to Asheville” on David Letterman 4/23/13 [VIDEO]

Steve Martin & Edie Brickell - When You Get to Asheville - David Letterman

Steve Martin and Edie Brickell. The pairing seemed odd when i caught wind of it, but the results were a great combination of rustic roots with modernist sensibilities. Like the Nashville Sound if it had taken place 30 years earlier.

They made their collective TV debut last night, performing “When You Get to Asheville” with the Steep Canyon Rangers on the Late Show With David Letterman.

Appearing in back woods finery Martin deftly works the banjo and Edie recalls her “What I am…” breathlessness on this plaintive tune of a classic lovelorn longing. The perennial theme is afforded
modern touches like using email to communicate. They are deftly backed by the Martin’s usual partners Steep Canyon Rangers The cut is taken from their new release, Love Has Come for You, which Rounder released this week.

http://www.youtube.com/watch?feature=player_embedded&v=xVFpn_MK0G8#!