Americana Music Festival 2015 Picks

americana-fest

Sleep deprivation, dehydration and perpetual joy at musical discovery are risks faced by attendees at the 16th annual Americana Music Festival and Conference this week in Nashville.

But those voluntary perils are undertook gladly for an opportunity to see some of the best roots music from around the world playing live showcases at multiple venues around the city and to partake in panels and seminars giving career tips and insights to musicians and other industry types. Then there’s the indescribably good Hattie B’s hot chicken) located near the hosting Hutton Hotel.

I’ll be skipping this year but if I were on the ground (and had a way to be many places at the same time) these are the shows I’d be sure to see.

Tuesday, September 15th

Donnie Fritts & John Paul White – 11:00 PM – City Winery

Wednesday, September 16th

The Suffers – 10:00 PM – Cannery Ballroom

James McMurtry – 11:00 PM – City Winery

Patty Griffin – 12:00 AM – City Winery

Thursday, September 17th

Ry Cooder / Sharon White / Ricky Skaggs – 10:00 PM – 3rd & Lindsley

Buddy Miller & Marc Ribot – 3rd & Lindsley

Ryan Culwell – 8:00 PM – The Basement

Daniel Romano – 12:00 AM – The Basement

Ray Wylie Hubbard – 9:00 PM – Cannery Ballroom

Pokey LaFarge – 10:00 PM – Cannery Ballroom

Randy Rogers & Wade Bowen – 11:00 PM – Cannery Ballroom

Eilen Jewell – 9:00 PM – City Winery

Dustbowl Revival – 10:00 PM – City Winery

Jeffrey Foucault – 12:00 AM – City Winery

Legendary Shack Shakers – 8:00 PM – The High Watt

Birds of Chicago – 9:00 PM – The High Watt

Lindi Ortega – 10:00 PM – The High Watt
https://www.youtube.com/watch?v=7AnMZG9sgkY

Possessed by Paul James – 12:00 AM – The High Watt

Mary Gauthier – 10:00 PM – The Listening Room

The Stray Birds – 8:00 PM – Mercy Lounge

Lera Lynn – 10:00 PM – Mercy Lounge

honeyhoney – 11:00 PM – Mercy Lounge

Humming House – 12:00 AM – Mercy Lounge

Darrell Scott – 6:00 PM – Downtown Presbyterian Church

B̩la Fleck & Abigail Washburn Р7:00 PM РDowntown Presbyterian Church

Friday, September 18th

Lewis & Leigh – 8:00 PM – Mercy Lounge
September 16, 12pm AMA-UK Mid-Day Party, Blue Bar
September 17, 5:30pm, Acoustic Set at British Underground High Tea, Tin Roof

Sam Outlaw – 8:00 PM – 3rd & Lindsley

Caitlin Canty – 9:00 PM – City Winery

Lee Ann Womack – 9:00 PM – 3rd & Lindsley

John Moreland – 10:00 PM – Mercy Lounge

Whitey Morgan – 10:00 PM – 3rd & Lindsley

Cale Tyson – 10:00 PM – The High Watt

Jim Lauderdale – 11:00 PM – 3rd & Lindsley

Uncle Lucius – 12:00 AM – – 3rd & Lindsley

Henry Wagons – 11:00 PM – Basement East

American Aquarium — 12:00 AM – Mercy Lounge

Saturday, September 19th

Andrew Combs – 10:00 PM – Mercy Lounge

Doug Seegers – 10:00 PM – City Winery

Gretchen Peters – 11:00 PM – City Winery

The Hello Strangers – 12:00 AM – City Winery

Fats Kaplin and friends – 11 PM – The Station Inn

Sunday, September 20th

Thirty Tigers Gospel Brunch – 1:30 PM – City Winery

Listen Up! Aaron Lee Tasjan – “The Trouble With Drinkin’ ” [EXCLUSIVE]

Aaron Lee Tasjan
Aaron Lee Tasjan. Photo by Stacie Huckeba.

A highlight of last year’s Americana Music Festival was when my friends and I happened on a set at The High Watt while mulling about in the huge Cannery space in Nashville. The smaller, newer space was packed with onlookers, arm-to-arm, whose collective attention to the stage made us curious and whose collective body heat warmed the outside night chill out of us.

On the stage was a solo performer, spectacles covering most of his boyish face. A nautical-themed cap casting a shadow on the scruffy folk-singer with a side-slant smile. He picked at an old banged-up Guild acoustic, told stories about seeing Ted Nugent live and beautifully performed songs clever as they were reflective.

The crowd was transfixed by Aaron Lee Tasjan.

Tasjan had moved on from his glam rock days shredding guitar with New York City’s Semi Precious Weapons to and was making his way to his current incarnation as one of East Nashville’s most sought-after axemen and solo troubadours. Damn well transition too. On the surface his songs, Roger Miller and Frank Zappa, sprinkled with wry humor might divert you from the beauty of the songs and the care in the music. That would be a lazy mistake.

Case in point is Tasjan’S new song “The Trouble with Drinkin’” A Leon Russell-style folk-funk stroll through a place where heaven’s open bar keeps that amber current flowin’ through his mind. (Apologies to Willie Nelson) The musicianship and tight. the song structure if casual but deft, and those just here for the groove might overlook it. And that’s cool. But try a little harder and reap greater reward of deft song craft that would compel Shel Silverstein and John Prine to take him out for a few rounds.

Of “The Trouble with Drinkin’ ” origin Tasjan recalls:

“I came up with this song on my way out of Rock Island, IL. I was on tour last fall opening for The Legendary Shack Shakers. This was no small feat to accomplish because they are without a doubt one of the most exciting and entertaining bands I’ve ever heard, and I had to get up there with nothing but an acoustic guitar before they’d come on and decimate the place every night. We were playing a gig at a place that was also a brewery, and I had checked into a hotel that was right across the street from the venue, which can be dangerous. Touring all on your own has a great way of keeping your post-show good times in check because you have to be responsible for everything. You don’t have to be as responsible when there’s nothing to do after a show but stumble across the street to your hotel room while on the phone to Domino’s. Playing a gig at a brewery is always gonna be a tough one, too, if you like beer because they’re going to give you a shit ton of it, and you’re probably going to drink it either because you want to or because you were raised to be polite and take what you’re offered.

I woke up the next morning feeling pretty alright, save for the late-night pizza and all those free beers, so I went to a coffee shop to get some breakfast. Afterward, as I went to pay, I realized—or more accurately, thought that I realized—I left almost all the money from the gig in the hotel room I’d just vacated. When I went back to the room, though, the cash wasn’t there so I decided to retrace my steps in my mind to figure out the last place I had it. And that’s when the suddenly vivid memory of my pizza delivery man profusely thanking me multiple times upon receiving payment for the pizza came back to me. At the time, I’d drunkenly thought, “What’s the big deal? Anyone can pay for a pizza. It’s not a particularly impressive thing to do.” But it probably was pretty impressive to the delivery guy that I’d handed him all my gig money, effectively paying him around $200 for a $10 pizza.

At first I was mad he kept it, but then I thought, “Man. Maybe this guy could really use it. Maybe he came up $100 short on his kickstarter and now he can make an album and get out of this pizza gig or something.” Either way, I made peace with it and started driving down the road thinking about how I probably shouldn’t get hotel rooms close enough to the gig that I could George Jones myself out of two C notes. It had all been too easy. That was the trouble with it—there wasn’t any trouble with it. And I do like things that don’t require too much effort.”

Aaron Lee Tasjan’s “The Trouble With Drinkin’” is from his debut solo LP ‘In the Blazes,’ out Oct. 6th

UPCOMING TOUR DATES
8/1: Newport, KY – Southgate House Revival w/Lilly Hiatt
8/20: Charlotte, NC – The Evening Muse w/Lilly Hiatt
8/29: Tulsa, OK – The Colony w/Wink Burcham
9/3: Memphis, TN – 1884 Lounge w/Ray Wylie Hubbard

Dave Rawlings Machine Announces New Album ‘Nashville Obsolete.’

Dave Rawlings Machine

2015 Americana releases are about to get much, much better.

Dave Rawlings Machine has announced the release of their second album, ‘Nashville Obsolete,’ on Acony Records on September 18. ‘Nashville Obsolete,’ is the follow-up to the 2009 debut ‘A Friend of a Friend.’

‘Nashville Obsolete’ was recorded on analog tape at Woodland Sound Studios in Nashville, TN, whose client list includes Willie Nelson, Bob Seger, Neal Diamond, Emmylou Harris, John Mellencamp, Johnny Cash, Steve Earle, Elton John, Lynyrd Skynyrd, Dusty Springfield, Alabama and many, many others.

‘Nashville Obsolete’ features seven original compositions written by Rawlings and longtime collaborator Gillian Welch and produced by Rawlings. This will be the seventh studio album the duo have appeared together on.

Along with vocals and guitar byRawlings and Welch, other contributors included Willie Watson on vocals and guitar, Punch Brothers Paul Kowert of on bass, and guest appearances from Brittany Haas on fiddle and Jordan Tice on mandolin. A tour in support of the album is forthcoming.

Welch and Rawlings, along with Buffy Sainte-Marie, Don Henley, Ricky Skaggs & Los Lobos, will also be presented with the Lifetime Achievement Award for Songwriting from the Americana Music Association during the 2015 Honors & Awards ceremony held at the historic Ryman Auditorium in Nashville. The award will be presented to the two days before the album is released on September 16.

1. The Weekend
2. Short Haired Woman Blues
3. The Trip
4. Bodysnatchers
5. The Last Pharaoh
6. Candy
7. Pilgrim (You Can’t Go Home)

Pre-orders of ‘Nashville Obsolete’ are currently available from iTunes and physically and Amazon

Here’s Welch and Rawlings’ opening number of “65 Revisited,” the Bob Dylan 50th anniversary tribute of his electric performance at Newport Folk Festival.

Album Review: Kacey Musgraves – ‘Pageant Material’

kacey-pageant material

Musgraves, like Taylor Swift before her, has a way uncannily bringing people that wouldn’t be caught dead listening to a George Jones record into the dusty fold.

But unlike Swift’s winsome fairytale strewn path to a pure-pop exodus Musgraves shows on ‘Pageant Material,’ that she’s content to stick around Music Row for a while, and use her wit, charm and a stiff shot of deft songcraft to draw in the twang wary and change things from the inside.

Musgraves’ pop comes in the form of populism that is less soapbox serenades than barstool banter. Songs like “Biscuits” and the excellent title song speak in appealing, self-depreciating southern grammar to draw you into ideas of non-conformity and acceptance while bringing the highfalutin down to earth.

Musgraves also takes time to have fun. “High Time” is a perfect Summer song that moseys along in Ronnie Milsap pop-country accentuated by a carefree whistling , well-timed hand claps and a sweep 50’s era Nashville Sound stings.

“Family is Family” is a fun jaunt in praise of blood lines that would give John Prine and chuckle. “Late To The Party” is a cuddly soft folk ballad that has Musgraves letting out her inner James Taylor. “Dimestore Cowgirl,” allows us to travel along with on her exceptional journey. “I’ve had my picture made with Willie Nelson/Stayed in a hotel with a pool” “Slept in a room with the ghost of Gram Parsons/ Drank some wine I can’t afford.” While reminding us she’s not getting above her raising and celebrates home in a way that feels real. Cause I’m still the girl from Golden, Had to get away so I could grow / But it don’t matter where I’m goin’, I’ll still call my hometown home.”

“This Town” is a personal favorite. With reverbed guitars, tambourine and eerie ‘Ode To Billy Joe’ – style strings Musgraves does her best Nancy Sinatra in this study on small town grapevine with it’s gossip and legit news puts Twitter to shame.

Musgraves worked behind the scenes foy years in Texas and Music Row before signing to Mercury Nashville and releasing “Same Trailer, Different Park.” Her chops shine in this excellent clutch of songs crafted with some of the friends – Shane McAnally, Brandy Clark, Luke Laird, Ashley Arrison, Josh Osborne, and Natalie Hemby – she’s made along the way.

Musgraves has much in common with one of her heroes, Willie Nelson. Both are adroit at the game and genre boundaries and are able to push the them to make room for a larger community. They affect change through the ver Southern qualities of quiet strength of example and likeability. They both stand as examples to an an industry, already excluding the female and alternative voice, that change is good.

‘Pageant Material’ is a subtle hillbilly Buddhist bomb of a record that will challenge attitudes. biases and business while being bracingly real.

The simple power is summed up nicely in a line in “The Good Ol’ Boys Club.” “It shouldn’t be about who it is you know / but about how good you are.”

four-half-rate

Americana Music Association Announces 70 Additional AmericanaFest Acts

americana-fest

Building on an already stellar first-round lineup The Americana Music Association announced an additional 70 artists to perform at the 16th annual Americana Music Festival & Conference, which takes place in Nashville and runs September 15-20, 2015.

The six-day, city-wide festival fills Music City with fans, legends, newcomers, and tilts the quest for glitz into the early direction of a quest for a great song. With over 150 artists and bands scheduled, the event continues to dominate as the premier showcase for roots music and culture.

In addition to previously announced acts such as Los Lobos, Patty Griffin, and Lee Ann Womack, AmericanaFest will feature Ry Cooder, performing with Sharon White and Ricky Skaggs, Donnie Fritts performing with former Civil War John Paul White, former Old Crow Medicine Show member Willie Watson, current member of Old Crow Medicine Show Gill Landry supporting his solo effort.

Also included are Cale Tyson, Lindi Ortega, Luther Dickinson, Kelsey Waldon, Buddy Miller, Jim Lauderdale, Gretchen Peters, American Aquarium, Legendary Shack Shakers and Madisen Ward and the Mama Bear who held a mesmerizing performance last year at Jack White’s Third Man performance space.

The list of the second round announcements is below, and a complete list can be found here.

Showcase wristbands ($50, increasing to $60 on August 15) allow admission into all showcase venues, some sanctioned parties and special events, and can be purchased here. Festival and Conference registrations ($365 for members/$465 for non-members) offer priority admission into all showcase venues, sanctioned parties and events, daytime educational panels, come with one ticket to the critically acclaimed Americana Honors & Awards show at the historic Ryman Auditorium, and can be purchased here.

List of Artists Added to AmericanaFest 2015:
Adam Faucett
American Aquarium
Amy LaVere
Andrew Leahey & The Homestead
Band of Heathens
Buddy Miller
Buxton
Cale Tyson
The Carmonas
Daniel Romano
Darrell Scott
David Wax Museum
Dirty River Boys
Donnie Fritts & John Paul White
Doug Seegers
Dreaming Spires
Dustbowl Revival
Eddie Berman
Eilen Jewell
The Fairfield Four
Gill Landry
The Good Lovelies
Great Peacock
Gretchen Peters
The Hillbenders
The Honeycutters
Humming House
JD & The Straight Shot
JD Souther
Jeffrey Foucault
Jim Lauderdale
Jonathan Tyler
Josh Rouse
JP Harris
Kacy & Clayton
Kelsey Waldon
Legendary Shack Shakers
Lewis and Leigh
Lindi Ortega
Los Colognes
Low Cut Connie
Luther Dickinson
Margo Price
The Mavericks
McCrary Sisters
Michaela Anne
Miss Tess & The Talkbacks
Nathaniel Rateliff & The Night Sweats
Paper Bird
Pine Hill Project (featuring Richard Shindell & Lucy Kaplansky)
Pony Boy
Porter
Possessed By Paul James
Raised By Eagles
Ron Pope & The Nighthawks
Ry Cooder/Sharon White/Ricky Skaggs
Ryan Culwell
Sam Outlaw
Spirit Family Reunion
The Suffers
T. Hardy Morris
T Sisters
Taarka
Those Pretty Wrongs
Town Mountain
Uncle Lucius
Whitney Rose
Willie Watson
The Wood Brothers

Watch Out! Rolling Stones – “Dead Flowers” with Brad Paisley Nashville June 17, 2015

Rolling Stones - "Dead Flowers" with Brad Paisley

The Rolling Stones are about half-way through their American “Zip Code” tour, but they waited until last night at Nashville’s LP Field to break out the classic cowboy junky track “Dead Flowers.”

Mick and the boys had vocal and guitar help from opener, and fanboy, Brad Paisley, who is donning his own classic lips and tongue logo shirt for the occasion.

See the fan-filmed coolness below.

Listen Up! Rolling Stones – Alternative Take of “Dead Flowers”

5SvYf1C
Jagger, Richards and Parsons

If there’s an Americana equivilent to the setlist chestnut ‘Wagon Wheel” it would be , well, ‘Wagin Wheel.” But coming in close second would it have to be The Rolling Stones’ “Dead Flowers” from arguably their finest album, “Sticky Fingers.’

“Sticky Fingers” is the album most influenced by Keith Richards and Gram Parsons’ friendship and time shared in Paris during the “Exile on Main St.’sessions. Parsons shared his love of classic American country music with Richards and it appears to have taken hold in the The Stones sound over several albums.

Adding to the rootsier direction early recording sessions began at the famed Muscle Shoals Sound Studio in Alabama in December 1969 and later completed at the band’s mobile studio located at Jagger’s summer home at Stargroves, England in 1970.

This rendition, of the song was recorded in 1970, and will be one of the unreleased cuts included the the June 9 ‘Sticky Fingers’ anniversary reissue. This take has a more upbeat, ramshackle tempo from the band. Ian Stewart’s piano is pushed down in the mix, and it cranks up the country-fried guitar interplay between Richards and the newest band member Mick Taylor.

Lucinda Williams , Sturgill Simpson and Shakey Graves Lead 2015 Americana Awards Nominees

americana-fest

The Americana Music Awards just announced their 2015 nominees, and Lucinda Williams, Shakey Graves and Sturgill Simpson lead the pack with 3 nominations apiece. All were nominated for Album of the Year and Song of the year. Williams and Simpson share the Artist of the Year category with Lee Ann Womack, Rhiannon Giddens and Jason Isbell. Shakey Graves shares the Emerging Artist of the Year category with First Aid Kit, Houndmouth, Nikki Lane and the man behind one of the great stories of the year, Doug Seegers.

The awards will again be presented at the Mother Church of Country Music, the historic Ryman Auditorium in Nashville.

As impressive as it is the full list of nominees below is it offers just a glimpse of the diverse and strong field of Americana and roots artists building this sustainable genre and cultural force. There are no outliers, surprises or dark horses in the nominees, but that’s not the point of award shows. It’s to reward and display some of the most marketable of the genre to a larger public in order to grow a sustainable fan base for these artists and the next coming up, many of whom can be found playing the week-long festival at local clubs.

As mainstream country starts to take notice of Americana celebration each year in Music Row’s back yard I can’t help but feel that some of that influence (and, yes, proven success. It’ s still a business) won’t have some positive effect on roots music as a whole.

2015 Americana Honors & Awards Nominees

Album of the Year (Award goes to Artist and Producer)
‘And The War Came’ – Shakey Graves; Produced by Alejandro Rose-Garcia and Chris Boosahda
‘Down Where The Spirit Meets The Bone’ – Lucinda Williams; Produced by Lucinda Williams, Tom Overby and Greg Leisz
‘Metamodern Sounds In Country Music’ – Sturgill Simpson; Produced by Dave Cobb
‘The Way I’m Livin” – Lee Ann Womack; Produced by Frank Liddell
‘Tomorrow Is My Turn’ – Rhiannon Giddens; Produced by T-Bone Burnett

The surprise the this category is the quirky, less rootsy ‘And The War Came’ by Alejandro Rose-Garcia aka Shakey Graves. I love that country superstar Lee Ann Womack has been so warmly embraced by the community for her great work on ‘The Way I’m Livin’ ‘ and Rhiannon Giddens more than deserves to be here fit her wonderful release. I believe it’s going to a photo finish between Lucinda Williams and Sturgill Simpson.

Artist of the Year
Rhiannon Giddens
Jason Isbell
Sturgill Simpson
Lucinda Williams
Lee Ann Womack

A Lee Ann Womack win would be badass and I believe likely winner Sturgill Simpson would agree.

Duo/Group of the Year
Bela Fleck & Abigail Washburn
The Lone Bellow
The Mavericks
Punch Brothers
Shovels & Rope

Can’t quibble with anything here but it would be cool if Brooklyn’s The Lone Bellow walked away with it.

Emerging Artist of the Year
First Aid Kit
Houndmouth
Nikki Lane
Doug Seegers
Shakey Graves

Love Doug Seegers but I have to go with Nikki Lane on this one. Though I would have her in Artist of the Year as she’s now on her second excellent release (which should be up for AOTY)

Instrumentalist of the Year
Hubby Jenkins
Laur Joamets
Greg Leisz
John Leventhal
Stuart Mathis

Great performers all but I have to go with Lucinda’s axw\e-master Stuart Mathis here. The man’s a genius of nuance and a really nice guy as well.

Song of the Year (Award goes to Artist and Songwriter)
“Dearly Departed” – Shakey Graves; Written by Alejandro Rose-Garcia and Esme’ Patterson
“East Side Of Town” – Lucinda Williams; Written by Lucinda Williams
“Terms Of My Surrender” – John Hiatt; Written by John Hiatt
“Turtles All The Way Down” – Sturgill Simpson; Written by Sturgill Simpson
“You’re The Best Lover That I Ever Had” – Steve Earle & the Dukes; Written by Steve Earle

Song of the Year is where I have plenty of conflicts. No Nikki Lane “The Right Time?” No American Aquarium ‘Man I’m Supposed To Be?’ No Cory Branan ‘Missing You Fierce’
9 or Old 97s ‘Longer Than You’ve Been Alive’ Oh well, I don’t program for radio and am looking at (and voted) this category differently than my contemporaries.

Lindi Ortega To Release ‘Faded Gloryville’ August 7th

1035x1035-ortega

On August 7th everyone’s favorite dark country chanteuse, Lindi Ortega, will release her fourth album ‘Faded Gloryville’ out on Grand Tour/Last Gang Records.

Ortega lends her signature crystal trill and lonesome wail to the album, created over three sessions and produced by Dave Cobb (Jason Isbell, Sturgill Simpson, Shooter Jennings), who also worked on her previous effort, ‘Tin Star’ recorded three songs at the Sound Emporium in Nashville. Colin Linden (T Bone Burnett), who was behind her “Cigarettes & Truckstops’ album., produced four songs and the Single-Lock Records heads Ben Tanner (Alabama Shakes) and John Paul White (Civil Wars) produced three songs tracked in Muscle Shoals, including a Nina Simone-inspired update of the Bee Gees classic “To Love Somebody.”

The press release reads “Although all three sessions were different, every one of them focused on live studio takes, capturing both the rough-edged rawness of Ortega’s live performances and the smooth salve of her voice.”

“There’s something about the Shoals that entices artists to forget themselves, to reimagine, to reinvent,” says John Paul White, whose harmonies can also be heard on three of the album’s tracks. “Lindi did a great job of immersing herself in what we do around here, yet retain that thing that makes her indelibly unique. That takes an amount of confidence that most do not have.”

The Canadian ex pat appears to have a cinematic frame of mind for her newest effort. To her “‘Faded Gloryville’ represents a state of mind — a place we all visit on our way to something bigger and better. It’s the dark, dreary town that looms on the near horizon, infinitely closer that the far-off destination we’re trying to reach. Most weary travelers pull their cars into ‘Faded Gloryville’ and stay awhile, beaten down from the long journey. Some are willing to dust themselves off and leave town in the morning, though, determined to chase after their goals regardless of the conditions.”

“‘Faded Gloryville’ isn’t just about music,” she told Rolling Stone Country. “It’s about anything that brings you down, whether it’s dreams not coming true or relationships not working out, and its message is this: you can go to place where you’re feeling really down about things, but it’s what you do afterwards — do you decide to reside there forever, or do you leave and make the situation better — that matters. You have to travel through ‘Faded Gloryville’ to get to Paradise.”

‘Faded Gloryville’ Pre-order

Tour Dates

‘Faded Gloryville’ – Track Listing
1. Ashes
2. Faded Gloryville
3. Tell It Like It Is (Hear below)
4. Someday Soon
5. To Love Somebody
6. When You Ain’t Home
7. Run-down Neighborhood
8. I Ain’t The Girl
9. Run Amuck
10. Half Moon

Live Review: Chris Stapleton at City Tavern, Dallas TX – 4/16/2015

Chris Stapleton at City Tavern

Chris Stapleton is someone who straddles,and thrives in, the stylistic and cultural divide between factions of contemporary country music.

He pens hit songs for the likes of Tim McGraw, Brad Paisley, Dierks Bentley and Luke Bryan, whose version is up for for Song of the Year at this Sunday’s Academy of Country Music Awards. Though they are chart topping these songs are a cut above the bro-country radio fodder currently resulting from the Music Row songwriting sessions assembly line.

As a singer/songwriter his burly baritone gives testimony of a personal journeys that can hush a room or stir a crowd into a ruckus, as he does on this night.

Fresh from his television debut two nights’ before, making it onto the tightly restricted list of David Letterman’s musical guest before his retirement, Stapleton didn’t display airs as he
worked his craft on the road.

You’d be forgiven for overlooking Stapleton as just a member of the audience. Slightly unkempt hair and beard frame his unassuming features. His weathered straw cowboy hat sports a front feather splay emanating from a center turquoise stone. The kind of hat that could come from Johnny Paycheck’s closet.

Stapleton might have an ear for what makes a current country hit, but they’re built from an appreciation and deep understanding of style and stories manifested in classic 70’s country gold. A variety largely abandoned by Music Row in pursuit of money that enjoying a resurgence with artists with greater aspirations, like Sturgill Simpson, Whitey Morgan, Sarah Gayle Meech and Kelsey Waldon.

The Kentucky native resemble many of the crowd that break into hoots and hollers as he climbs on the small stage.

“Sounds like we’ve got some hillbillies here tonight.”

The band slowly build into the heart beat cadence of “Nobody to Blame,” from his anticipated “solo debut “Traveler.” It’s a swampy blue-collar mea-culpa of a man taking responsibility for a list of his wife’s retaliation in response to his unsaid transgressions.
This song is made even more poignant as his wife, the singer-songwriter Morgan Stapleton, sings harmony on the chorus his eyes locked with hers, where they remain most of the evening.

He payed tribute to Texas by performing songs from two of our state’s greatest performers; George Jones’ “Tennessee Whiskey” ( also on “Traveler.”) Stapleton’s version is a slower, more melancholy one showcasing his smooth croon and thrilling soaring vocals across the well-worn terrain of temptation, love and salvation.

A young woman requested from the front of the stage to hear the his version of Waylon Jenning’s “Amanda,” as it was her name as well. He graciously obliged , going off setlist to perform the song. The woman, now smiling and flushed, fanned her face as tears ran down her face.

Between shots of fan-bought whiskey (the sweetest kind) Stapleton also paid tribute to his Grammy-winning stint with the new-grass band The Steeldrivers by performing a revved up, honky-tonk version of “Drinkin’ Dark Whiskey” and the southern soul murder ballad ‘If It Hadn’t Been For Love.’ famously covered by Adel on the UK version of her album album ’21.’

Stapleton’s delivery of that , and all the songs tonight, make it easy to imagine what ran through Adel’s mind when she first heard that song. “That voice!” And she knows a thing or two about vocal range and texture.

The just repaired air conditioning makes it to the stage too late to bring comfort to Stapleton , who by the time he gets to the last song “Outlaw State of Mind,” his black, pearl snap shirt, was drenched through. ‘Outlaw…’ is a perfect sonic bookend to “Nobody to Blame.” It’s slow swampy build, and rebel-theme, build to a full-tilt bombast to send the grinning crowd into warm Texas night.

Set List:

Nobody to Blame
Traveller
Fire Away
Tennessee Whiskey (George Jones cover)
You Don’t Know How It Feels (Tom Petty cover)
Amanda (Waylon Jennings cover)
If It Hadn’t Been for Love
Drinkin’ Dark Whiskey
Whiskey and You
Outlaw State of Mind