Listen Up! Billie Joe Armstrong and Norah Jones – “Long Time Gone” (The Everly Brothers)

Billie Joe Armstrong and Norah Jones

After seeing the live many years ago at Lollapalooza I quickly became a Green Day Fan. not a record buying kind, but the kind that when the subject of punk came up I weighed in on their side. Of course making a jillion $$ and a Bradway shows doesn’t help with punk cred, but none of that mattered to me anyway. I never bought into punk purity. Green Day could put on a show and hold an audience. I was a fan.

When I heard that Green Day frontman Billie Joe Armstrong was collaborating with my Dallas home-girl Norah Jones i was amused. Then I heard it was a track-for-track tribute to the Everly Brothers’ 1958 classic, “Songs Our Daddy Taught Us.” Then I was intrigued.

The album, “Foreverly,” originated when Armstrong, who says he’s a longtime Everly Brothers fan, discovered the pop-Americana/folk 12-song collection a couple years go.

So why Norah Jones? “I thought of Norah because she can sing anything, from rock to jazz to blues,” he says, “and I knew her harmonies would be amazing.” Armstrong tells Rolling Stone.

The duo recorded the album in nine days at the Magic Shop studio in Manhattan with Engineer Chris Dugan at the boards. Armstrong and Jones split vocal duties (along with guitar and piano),  and were accompanied by fiddle player Charlie Burnham, bassist Tim Luntzel, drummer Dan Rieser and pedal-steel guitarist Johnny Lam.

Armstrong and Jones told Stereogum that the process of making the album was similar to a “blind date.”

“We sang together with Stevie Wonder and his band and a whole bunch of people, that’s how Norah and I first met,” Armstrong says. “Then, well, I got into the Everly Brothers’ record a couple years ago, and I thought it was just beautiful. I was listening to it every morning for a while off and on. I thought it would be cool to remake the record because I thought it was sort of an obscure thing and more people should know about it, but I really wanted to do it with a woman singing because I thought it would take on a different meaning – maybe broaden the meaning a little bit – as compared to hearing the songs being sung by the two brothers. And so my wife said, ‘Why don’t you get Norah Jones to do it?’ and I was like, ‘Well, I kinda know her.’ Well, I mean, we had Stevie Wonder in common. And so I called her and she said yes.” Armstrong tells Rolling Stone.
 
“The average listener might be like, ‘Well, that’s not punk rock’ or whatever in regards to this record, but I like doing different things – it’s fun, it makes life more interesting,” he said.

“Foreverly” will be released November 25th on Reprise Records. In the meantime, check the stream of the lovely and softly twangy “Long Time Gone.”

Music Review: Brandy Clark’ – “12 Stories”

Brandy-Clark - 12 Stories

The last few years there has been a quiet sea change in Music Row. The change toward song craft spearheaded by young women speaking to a larger audience of older country fans that prefer Kristofferson over Keith. And a younger audience that want to imagine themselves in the songs. All while adroitly straddling the worlds of rigid country music industry pressures and Americana free range creativity. Call them the anti-Taylors.

Add to this movement Brandy Clark’s debut, “12 Stories.” Clark has scrubbed behind the scenes for years spinning hits for contemporary female upstarts Miranda Lambert, as well as other music row heavy-hitters The Band Perry, Reba McEntire and, Darius Rucker.

As the title says, these are 12 co-penned gems of savvy working class narratives. Very much in the spirit of Kacey Musgraves’ newest, which Clark co-wrote several songs on. The daily struggles of a common life (the hazy groover “Pray to Jesus”) cheating and revenge (“Crazy Women,” “Stripes”) a new take on this medication nation (“Take A Little Pill”) and a bluegrass tinged herbal testament to the Book of Willie (“Get High.”) A Sunday morning, hymn-organ ode to Sunday morning and new beginnings (“Hungover.)

Clark’s tales of contemporary working class echoes those told by Cash, Haggard Dolly and Loretta decades ago. “12 Stories” reminds us of the poetry and emotion that Hank Sr. embodied and lays bare how great country music can still exist when an artist can resist country radio cliches.

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Watch Out! My Morning Jacket ft. Brittany Howard and Merrill Garbus “Trouble Sleep” [VIDEO]

My Morning Jacket ft. Brittany Howard and Merrill Garbus

My Morning Jacket’s Jim James, Alabama Shakes’ Brittany Howard and tUnE-yArDs’ Merrill Garbus took to NBC’s Jimmy Fallon Show, Backed by Fallon’s house band, The Roots, to perform their version of late Nigerian bandleader Fela Anikulapo Kuti ‘s “Trouble Sleep Yanga Wake Am.”

The band wonderfully reflects Fela’s love for American R&B blended with a classic African afro-pop style.

The cut can be found on Red Hot + Riot, with this second volume celebrating Fela’s music. This , and all their excellent releases, help fund the not-for-profit Red Hot organization fight AIDS worldwide.

Music Review: John Murry: The Graceless Age [Evangeline Recording Co.]

John Murry: The Graceless Age

John Murry’s life could have been a Southern tragedy penned by his second cousin William Faulkner. An addict who lost his wife. child, home and before cleaning up, almost his life. These harrowing experiences are reflected back darkly, but not bleakly, in “The Graceless Age.”

Murry’s brand of fuzzed-out pop-Americana take you through uncomfortable landscapes while not pushing to alienation. His emotional warble is reminiscent of Jay Farrar and Bruce Cockburn and it fits around the songs perfectly. The bittersweet kaleidoscope aesthetic Murry conjures recalls Elliot Smith’s introspective dark pop.

“California” is a menacing psychedelic ditty that that is hapless and hopeless as he tries to forget his ex in the city that won’t let him do it as sweet melody swirls with tense percussion and guitars. “Little Colored Balloons” recalls his near overdose “Off of 16th and Mission, i took an ambulance ride, they said I have died” as female backgrounds and piano and organ swell around his passionate build.

“Southern Sky” swings out with a xylophone (again, fuzzily) to tell a take of redemption through rebirth and renewal. “Things We Lost In The Fire,” starts simple enough with acoustic guitar and pedal steel to then crescendo into a pixies wave of wailing crunch guitar. .

The last words on The Graceless Age, sung in a dreamy falsetto, are “Maybe someday, some way.” It’s the perfect closing moment, as the guy who has suffered so much throughout the album drags himself out of the gutter to look to the stars. John Murry’s past may not be far behind, but his future as a songwriter and artist of major stature and authority is right now.

This is not an easy records, but it’s one Murry had to make and holds the characteristics of stark inevitability. this is the sound of a souls purged.

‘The Graceless Age’ might have saved Murry’s life. Is there any greater testament to music than that?

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Watch Out! Boo Ray “Boots and Blue Jeans” [VIDEO]

Boo Ray

Boo Ray’s “Boots and Blue Jeans,” from his current release “Six Weeks In A Motel” carries a heap of grit and soul. The video filmed at the legendary Johnny’s Tavern in Nashville, TN by Daniel Henry & Price Harrison show folks having a high time. The kind of folks that would drop quarter after quarter to play this hotnumber.

Ray’s time raised in the western mountains of North Carolina has given him a sensibility for southern and roots rock in the vein of Lynyrd Skynyrd and The Faces. melody with bite and brawn. This is 100 proof with an ear for a hook.

“Six Weeks In A Motel,” the Boo Ray’s follow up to 2010 release “Bad News Travels Fast.”

The musicians featured include Steve Ferrone on drums (Tom Petty and the Heartbreakers), Jimmie Lee Sloas on bass (Keith Urban, Reba McEntire), British guitar virtuoso Sol Philcox, and Bruce Bouton (Randy Travis, Emmylou Harris, Ricky Skaggs) on pedal steel.

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Listen Up! Seasick Steve “Home”

Seasick Steve - "Home" from HUBCAP MUSIC

With one platinum and four gold records in the UK Seasick Steve might be the most popular performer you’ve never heard of. he’s probably fine with that. seasick doesn’t cater to fads or trends, he’s worked his brand of greasy gut-bucket blues throughout his career.

Today he releases “Hubcap Music,” his Third Man records debut produced by the man himself. the album features long-time drummer and frying pan virtuoso Dan Magnusson as well as John Paul Jones, Jack White, Luther Dickinson, Elizabeth Cook and Fats Kaplin. The record marks Seasick Steve’s second full-length on Third Man Records, and joins a blue series 7″ (“Write Me a Few Lines”) and a live, direct-to-acetate recording (Seasick Steve Live at Third Man Records) to make up his Third Man catalog.

Hubcap Music derives its title from Seasick’s 4-stringed Morris Minor guitar, fashioned from two Minor 1000 hubcaps and a garden hoe, and his second similarly made instrument using Hudson Terraplane hubcaps, given to him by Jack White. The Morris Minor guitar made its first appearance on the TV show “Top Gear,” and rivals Seasick’s Didley Bo for the title of baddest junk’strument ever to grace (and sell out) such stages as Royal Albert Hall, Manchester Theatre and Hammersmith Apollo Theaters.

The below cut, “Home,” features Luther Dickinson of North Mississippi Allstars fame on wailing slide guitar. This gritty stmopfest recalling the place there’s nowhere like gives you a sample for this release and well reflects Steve’s frenetic live performances he’s famous for.

George Jones’ First Album, ‘The Grand Ole Opry’s New Star,’ to be Re-Issued For The First Time

George Jones' First Album, 'The Grand Ole Opry's New Star,'

In 1956 The Grand Ole Opry invited a young country singer named George Jones to perform on their popular radio show.The 25 year-old Marine Corp veteran was already picking up momentum in his home state of Texas, where he was signed to Starday Records, where a year earlier, his song “Why Baby, Why” had become his first hit. However in his estimation, and many young country performers at the time, an appearance on the Opry was proof you had really hit the big time.

In Jone’s own words, “My success as a country singer, no matter how big it became, would always be limited unless I appeared on the Grand Ole Opry.” When that call from Nashville finally came he drove almost 800 miles from Houston, borrowed a guitar from Jimmy Dickens, and performed one song. His appearance was a success and he was quickly asked to come back and become a member.

Starday Records owners, Jack Starnes and Pappy Daily, knew they had to move quickly if their label was going to keep up with Jones’ newfound popularity. In early 1957 they released George Jones’ first album, Grand Ole Opry’s New Star, which also happened to be Starday’s first LP.

On October 15th this collectable release will be reissued in its entirety for the first time. The first 250 copies of this album will be pressed on Blue Vinyl and come with a bonus reissue of George’s only rockabilly record, an ultra-rare 45 he cut under the name ‘Thumper Jones.’

Pre-order George Jones’ ‘The Grand Ole Opry’s New Star’ here

http://www.youtube.com/watch?v=zkzGJrAav48

TRACKS
01. Why Baby Why
02. Seasons Of My Heart
03. It’s OK
04. Let Him Know
05. Play It Cool
06. Hold Everything
07. Boat Of Life
08. You Gotta Be My Baby
09. What Am I Worth
10. Your Heart
11. Ragged But Right
12. Yearning
13. Still Hurtin’
14. Taggin’ Along

BONUS 45
SIDE A
Thumper Jones – Rock It

SIDE B
Thumper Jones – How Come It

Listen Up! Charlie Robison – ‘High Life’ [ALBUM STREAM]

Bruce Robison - High Life

In Texas, the surname Robison carries with it a tone of songwriter reverence. Charlie, his brother Bruce, and sister Robyn Ludwick have created a long legacy as Hill Country singer/songwriters working in the local community as well as being covered by Music City.

On his new release “High Life,” Charlie has some fun with classic and new songs. Band’s Robbie Robertson’s “Look Out Cleveland” and Bob Dylan’s “When I Paint My Masterpiece.” Robison also covers Austin legend Doug Sahm’s “Nuevo Laredo.” Of Sahm, Charlie says “My uncle was like a hippie around that time, and I remember cruising around Austin with him listening to Doug Sahm records and it was just so wild, the sounds he was getting. All that Sir Doug stuff just hit me really hard.”

There are also a few gems by his siblings “Brand New Me” by Bruce and “Monte Carlo” and “Out of These Blues” by Ludwick. He also covers friend Bobby Bare Jr.’s rocking study on celebrity “Patty McBride.”

Charlie seems to be having a lot more fun on this follow-up to the wonderfully introspective “Beautiful Day,” My only question is, with a title like “High Life,” (complete with Mr. Natural style cover art) where the obligatory Willie Nelson cover?

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Listen Up! Willie Nelson – ‘It Won’t Be Long’ featuring The Secret Sisters

Willie-Nelson-To-All-The-Girls

The first cut we posted from Willie Nelson’s upcoming collaboration album (and isn’t every Willie Nelson album to some extent a collaboration?) was the heart-wrenching “Grandma’s Hands” featuring the incredible Mavis Staples.

‘To All The Girls….’ (Oct. 15 on Legacy Recordings) features with some of Willie’s favorite female performers. Like Dolly Parton and Rosanne Cash, Norah Jones and Miranda Lambert and many more covering songs that, like Willie’s own, transcend genre approaching something more akin to cuts from the American songbook. Cits that echo the gages like the below cover of Sam Cooke’s moving spiritual featuring country traditionalists duo the Secret Sisters.

Muscle Shoals-natives Laura and Lydia Rogers lend their lovely harmony as a silk backdrop to Willie’s grainy phrasing and winding delivery.

Preorder the album here.

To All The Girls track list:

1. Dolly Parton — From Here To The Moon And Back
2. Miranda Lambert — She Was No Good For Me
3. Secret Sisters — It Won’t Be Very Long
4. Rosanne Cash — Please Don’t Tell Me
5. Sheryl Crow — Far Away Places
6. Wynonna Judd — Bloody Mary Morning
7. Carrie Underwood — Always On My Mind
8. Loretta Lynn — Somewhere Between
9. Alison Krauss — No Mas Amor
10. Melonie Cannon — Back To Earth
11. Mavis Staples — Grandma’s Hands
12. Norah Jones — Walkin’
13. Shelby Lynne — Til The End Of The World
14. Lily Meola — Will You Remember Mine
15. Emmylou Harris — Dry Lightning
16. Brandi Carlile — Making Believe
17. Paula Nelson — Have You Ever Seen The Rain
18. Tina Rose — After The Fire Is Gone