Buddy and Julie Miller Announce Summer Release For New Album ‘Breakdown on 20th Ave. South’

Buddy and Julie Miller - ‘Breakdown on 20th Ave. South’

It’s said that good things come to those that wait. For patient fans of one of Americana music’s most influential artist-songwriter couples (married since 1981) that wait for something good is almost over.

The long-anticipated follow up to 2009’s Americana Music Association Album of the Year ‘Written in Chalk’ is entitled ‘Breakdown on 20th Ave. South,’ and it will be available June 21st on New West records.

New West has whetted our appetite by releasing 2 cuts from the album. “Spittin’ on Fire” and “War Child,” both tracks reflect the lo-fi aesthetics the couple has established throughout their careers. Echos of the folk and Southern Rock reared in the Mississippi Delta and the Appalachian Mountains is apparent throughout the songs.

The album’s title comes from the couple’s much-delayed home studio in Nashville. The delays stemmed from Julie’s ongoing health issues as well as demand on Buddy as a go-to sideman, producer and co-host of the Buddy & Jim Radio Show on SiriusXM with his friend Jim Lauderdale.

Once the new record was underway, Julie penned some 50-plus new songs for the pair to choose from. Recorded in the couple’s bedroom make-do studio located upstairs from Buddy’s home studio, the results are raw, immediate and honest. Buddy and Julie are scheduled to make a rare live appearance to celebrate the album’s release Nashville’s City Winery on June 26th. The performance will be recorded for later broadcast on the Buddy & Jim Radio Show.

“Breakdown on 20th Ave. South” will be available June 21st via digital retailers, on CD and vinyl, with a special “Root Beer Swirl” colored vinyl available only at independent retailers. The album is now available for pre-order.

Breakdown on 20th Ave. South track listing:

“Breakdown on 20th Ave. South
“Feast of the Dead”
“Everything Is Your Fault”
“Unused Heart”
“I’m Gonna Make You Love Me”
“Till the Stardust Comes Apart”
“Underneath the Sky”
“Spittin’ on Fire”
“Secret”
“War Child”
“Thoughts at 2am”
“Storm of Kisses”
In This Article: Buddy Miller

Preorder ‘Breakdown on 20th Ave. South.’

Watch Out! Strand of Oaks featuring Jason Isbell, Amanda Shires – “Ruby”

Strand of Oaks was joined by members of My Morning Jacket guitarist Carl Broemel, drummer Patrick Hallahan, bassist Tom Blankenship, and keyboardist Bo Koster, as well as Jason Isbell and Amanda Shire performed a pastorally soulful rendition of ‘Ruby’ on “Colbert” last night.

“Ruby” is a track on the upcoming Strand Of Oaks album ‘Eraserland,’ out March 22 on Dead Oceans.

Pre-order ‘Eraserland’ here.

Watch their rendition of “Ruby” below:

Watch Out! – Todd Snider “Talking Reality Television Blues” [VIDEO]

Todd Snider channels his inner Christopher Allen Bouchillon with his “Talking Reality Television Blues,” The clever animated video below gives us a history lesson in 20th-century media and its effects on culture.

“Talking Reality Television Blues” is on the upcoming “Cash Cabin Sessions, Vol. 3,” and will be released March 15.

Pre-order here.

Track Listing:
1. Working on a Song
2. Talking Reality Television Blues
3. Like a Force of Nature
4. Just Like Overnight
5. The Blues on Banjo
6. Framed
7. The Ghost of Johnny Cash
8. [Dedication]
9. Cowboy Jack Clement’s Waltz
10. [Explanation]
11. Watering Flowers in the Rain
12. A Timeless Response to Current Events

Hear Gillian Welch & David Rawlings Perform “When A Cowboy Trades His Spurs For Wings”

 Gillian Welch & David  Rawlings -  “When A Cowboy Trades His Spurs For Wings”

Gillian Welch and David Rawlings wrote “When A Cowboy Trades His Spurs For Wings” for the recent six-part Coen brothers anthology, The Ballad Of Buster Scruggs. If you watched the show you know the original song was sung by Tim Blake Nelson as Buster Scruggs alongside Willie Watson as “The Kid.” Today, Welch and Rawlings share a new version that they will perform at the 91st Academy Awards on 2/24.

Gillian Welch and David Rawlings recently garnered a nomination for “Best Original Song” at the 2019 Academy Awards, for “When A Cowboy Trades His Spurs For Wings.” their version of the song on Acony Records, which they sing in their own lonesome and timeless
style, invoking both the absurd fatalism of the show and their own penchant for a good yodel.

Welch and Rawlings said about their nomination: “We are eternally grateful to Ethan and Joel Coen for giving us the opportunity to write a cowboy duet between the living and the dead, and to Willie Watson and Tim Blake Nelson for bringing it to life.”

The pair confirmed they will perform the song on The Grand Ole Opry on February 16th as well as at the 91st Academy Awards on Sunday, February 24, 2019.

Welch revealed the story behind the song and working with the Coen Brothers in a recent Rolling Stone interview:

“They [The Coen Brothers] gave David and I the script, and they gave us the script of maybe two other of the shorts in the collection so we could gauge the darkness [laughs]… And then there was just a really basic conversation [with Joel Coen]. He was like, “Look, there’s the singing cowboy — he’s been around for a while. Now here comes the new guy. He’s cuter, he’s faster and he sings better. He’s just better. It’s the new model. He’s coming for him.”… Joel just said, “Here’s the specifics of it. They have to be able to sing it together. They have to be able to sing it once Tim has been shot and is dead and is floating up to heaven.”

Gillian also spoke to Variety about her and Rawlings’ process writing the song:
“It was a pretty straightforward thing: ‘Well, we need a song for when two singing cowboys gun it out, and then they have to do a duet with one of ‘em dead. You think you can do that?’ ‘Yeah, I think we can do that’”… “The more peculiar restraints you put upon a song, the more fun it is, so this was kind of a dream assignment,” Welch says. “And they didn’t tell us to do this, but if you’re writing a gunfight song between two singing cowboys, who wouldn’t love the opportunity to put some yodeling in?”

Buy the single “When A Cowboy Trades His Spurs For Wings” here.

Jason Isbell Announces Summer Tour with Father John Misty

Summers are always made better when there’s great live music to attend.

Jason Isbell hitting the road with Father John Misty is just one of those highly anticipated summer evets.

See dates and buying info below.

Get tickets at jasonisbell.com

**PRE-SALE BEGINS TOMORROW (2/13) AT 10AM LOCAL.**
PASSWORD: FJMISBELL
GENERAL ON-SALE STARTS FRIDAY FEBRUARY 15 10AM LOCAL^

June 6 – San Diego – Cal Coast Open Air Theatre $ +
June 7 – Santa Barbara, CA – Santa Barbara Bowl $ +
June 8 – Berkeley, CA – The Greek Theatre At UC Berkeley $ +
June 9 – Bend, OR – Les Schwab Amphitheater $ +
June 11 – Redmond, WA – Marymoor Park $ +
June 14 – Minneapolis, MN – The Armory $ +
June 15 – Chicago, IL – Huntington Bank Pavilion $ +
June 16 – Milwaukee, WI – BMO Harris Pavilion $ +
June 17 – Detroit, MI – Fox Theatre $ +
June 19 – Brooklyn, NY – BRIC Celebrate Brooklyn! Festival $ +
June 20 – Canandaigua, NY – CMAC $ +
June 21– Columbia, MD – Merriweather Post Pavilion $ +
June 22 – Philadelphia, PA – Metropolitan Opera House $ +
June 24 – Richmond, VA – Altria Theater $ +
June 25 – Cary, NC – Koka Booth Amphitheater $ *
June 27 – Irving, TX – Pavilion At Toyota Music Factory $ +
June 28 – Houston, TX – White Oak Lawn $ +
June 29 – Tulsa, OK – BOK Center $ +

$ – Father John Misty
* – Jade Bird
+ – Erin Rae
^Unless otherwise specified.

The Felice Brothers Announce New Album ‘Undress.’ Hear the Title Cut

The Felice Brothers  - Undress

Few contemporary bands embody what Greil Marcus coined as “Old. weird America” as well as The Felice Brothers and a new release by this Upstate New York rustic-core collective is always welcome news.

The new album, “Undress,” the follow-up to 2016’s “Life in rhe Dark,” will be released on May 3rd from Yep Roc Records.

Cut live to tape with very little overdubbing, Undress was recorded in the late summer of 2018 in Germantown, New York. Band members Ian Felice, James Felice, Will Lawrence (drums) and Jesske Hume (bass) teamed up with producer Jeremy Backofen to record their most personal and reflective album to date.
 
“Many of the songs on the new album are motivated by a shift from private to public concerns,” says songwriter Ian Felice. “It isn’t hard to find worthwhile things to write about these days, there are a lot of storms blooming on the horizon and a lot of chaos that permeates our lives.  The hard part is finding simple and direct ways to address them.”
 
Since the band’s last 2016 album release the group in a very different place. Between personnel changes, families growing and the political landscape, the result is a tighter, more-paired down release. “Every song is a story,” said James Felice. “On this album everything was a bit more thoughtful, including the arrangements, the sonic quality and the harmonies.”

Listen to title cut “Undress”

Pre-order “Undress” Here
 
Ian and James Felice grew up in the Hudson valley of upstate NY. Self taught musicians, inspired as much by Hart Crane and Whitman as by Guthrie and Chuck Berry, they began in 2006 by playing subway platforms and sidewalks in NYC and have gone on to release nine albums of original songs and to tour extensively throughout the world. Following the release of Life in the Dark, The Felice Brothers served as the backing band for Conor Oberst’s 2017 release Salutations and the subsequent tour. 

The band kicks off a US tour starting on April 27 in Albany. Tickets go on sale on February 12 at www.thefelicebrothers.com.
 
Tour Dates:           
4/27: Albany, NY – TBA                                   
4/28: Syracuse, NY – The Westcott Theater            
4/29: Buffalo, NY – The 9th Ward at Babeville           
4/30: Toronto, ON – Legendary Horseshoe Tavern           
5/2: Chicago, IL – Sleeping Village                       
5/3: Lexington, KY – On The Rail Roots Festival                       
5/4: Columbus, OH – Rumba Cafe                                   
5/6: Pittsburgh, PA – Club Cafe                                   
5/7: Lancaster, PA – Tellus 360                                   
5/9: Philadelphia, PA – Johnny Brenda’s                       
5/10: Brooklyn, NY – The Bell House                       
5/12: Hopewell, NJ – Hopewell Theater                       
5/15: Portsmouth, NH – 3S Artspace                                   
5/16: Providence, RI – Columbus Theatre                       
5/18: Cambridge, MA – The Sinclair 
5/23: Virginia Beach, VA – Elevation 27 
5/24: Richmond, VA – Richmond Music Hall                               
5/25: Vienna, VA – Wolf Trap – with The Avett Brothers                              
6/6: Asheville, NC – Grey Eagle Tavern                       
6/7: Decatur, GA – Eddie’s Attic                                   
6/8: Nashville, TN – Exit/In
6/9: Birmingham, AL – Avondale Brewery
6/10: New Orleans -Gasa Gasa
6/12: Austin, TX – Barracuda
6/14: Santa Fe, NM – Tumbleroot
6/15: Tucson, AZ – 191 Toole
6/16: San Diego, CA – The Casbah
6/17: Los Angeles, CA – Bootleg Theater
6/19: San Francisco, CA – The Chapel
6/21: Portland, OR – Doug Fir Lounge
6/22: Seattle, WA – Tractor Tavern
6/24: Garden City, ID – Visual Arts Collective
6/25: Salt Lake City, UT – Urban Lounge
6/27: Denver, CO – Bluebird Theater

John Paul White Readies “The Hurting Kind” For Spring Release; Hear New Single Now

John Paul White Readies "The Hurting Kind"

There are many ways to describe the work of master singer-songwriter John Paul White. If forced to distill to a single word to describe his aesthetic it would be bittersweet.

So, to learn that White’s upcoming third solo release is entitled “The Hurting Kind” made perfect sense. The king of melancholy is back in the saddle.

Then you hear the single ‘The Long Way Home’ (listen below) from the album and, damn if it isn’t jaunty, defiant even. The cover displays White in his usual dark suit casual dapper persona and tassel of hair, his briskly strummed acoustic guitar strides right into a backbeat and, what’s that, pedal steel! But just behind the sonic rhinestones are weary miles of separation from loved ones, and hope and longing intertwin to lead him back to hearth and home. I’ve read that this song brought White’s youngest child to tears. That’s the power and humility of art.

I have no inside knowledge of this, but it’s been a theory of mine that the isolation of the road was once os the main reasons the Civil Wars called it a day at the height of their popularity. We all see the glamour of the working musician with no thought to the grind that it can be,

But this is no woe-is-me lament. This is a song with a higher intention. To celebrate and focus, on the big portrait of the loved ones that make the cookie-cutter hotels and stale-beer bars tolerable.

‘The Hurting Kind’ is out April 12 on Single Lock Records. Pre-order it here.

The Hurting Kind Tracklist:
01. The Good Old Days
02. I Wish I Could Write You a Song
03. Heart Like a Kite
04. Yesterday’s Love
05. The Long Way Home
06. The Hurting Kind
07. This Isn’t Gonna End Well (featuring Lee Ann Womack)
08. You Lost Me
09. James
10. My Dreams Have All Come True

Sierra Hull Announces ‘Christmas Time Is Here’ Tour

Roots music virtuoso Sierra Hull has announced her ‘Christmas Time Is Here’ tour. Each of the four tour stops she will partner with Toys for Tots and/or a local food bank– “seeking to ease the stress of the holidays for the less fortunate.” Each attending fan who donates an unwrapped toy, canned foods, or makes a monetary donation to the local food bank on-site will receive a free signed Weighted Mind (Hull’s latest release, a GRAMMY-nominated record) poster while supplies last. Together, with her band (Justin Moses, Kai Welch, Eddie Barbash, Ethan Jodziewicz, and Jamie Dick), Hull aims to bring Christmas joy to all– those attending the shows and those in need this December. See below for details on how to give in each market:

Dec. 7 — Sheldon Concert Hall — St. Louis, MO
(Toys for Tots, canned food, and monetary donations accepted
for St. Louis Area Foodbank)

Dec. 8 — Franklin Theatre — Franklin, TN
(Toys for Tots, canned food, and monetary
donations accepted for Second Harvest Food Bank)

Dec. 20 — Tangled String Studios — Huntsville, AL
(Monetary donations accepted for Food Bank of North Alabama)

Dec. 21 — Smoky Mountain Center for the Performing Arts — Franklin, NC
(Toys for Tots, monetary donations accepted for Macon County Care Net)

For tickets and more information, please visit sierrahull.com.

Record Store Day Black Friday 2018 Americana and Roots Recommendations

Record Store Day's Black Friday

Just as the weather turns crisp and the Halloween candy gluts the store isles you know that Record Store Day Black Friday event is right around the corner. The event, that results in indy record store around the world making a good chunk of their yearly take, has been expanded to take place over two days, Black Friday (November 23) and Small Business Saturday (November 24).

Among the vinyl delights offered is a Legacy Edition of The Byrds – landmark “Sweetheart of the Rodeo” with lots of goodies to top off the album’s 50th anniversary. Also offered is Lone Justice – The Western Tapes 1983, early Marvin Etzioni produced demos of these alt.country pioneers.

Check the full list at the Record Store Day site. I’ll be buying a stack from the good people at Dallas’ own Good Records. Remember to tweet a pic of your bounty to my twitter account and I’ll share it with those foolish enough to stay home.

The Byrds – Sweetheart of the Rodeo (Legacy Edition) – 4 x LP

By the time Sweetheart Of The Rodeo was released in 1968, The Byrds had already changed the sound of rock music twice; from jangling folk-rock to experimental acid-rock, they constantly sought to push the boundaries of what rock music could be. The 1967 departure of David Crosby left a creative void filled quickly by country music-loving Gram Parsons, whose addition led Roger McGuinn, Chris Hillman and company to record an album comprised mostly of authentic country material in Nashville, with the aid of local session aces (including future Byrd Clarence White). For the first time on vinyl—and on the heels of a 50th anniversary tour of the album by original members McGuinn and Hillman—this Legacy Edition of Sweetheart Of The Rodeo showcases this country-rock masterpiece alongside 28 bonus tracks, including demos, outtakes, rehearsal versions and tracks by Parsons’ pre-Byrds outfit, The International Submarine Band.

Bobbie Gentry – Ode To Billie Joe – LP

Ode to Billie Joe is the 1967 classic debut album by singer-songwriter Bobbie Gentry. The album peaked at #1 on the Billboard charts, and was the album that displaced the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band from its 15-week reign at the top. This deluxe 180g LP reissue on Elemental Music was cut and mastered by the renowned audiophile mastering engineer Kevin Gray direct from the original tapes, with packaging that includes all original artwork and liner notes.

SIDE A 01 Mississippi Delta (3:05) 02 I Saw An Angel Die (2:56) 03 Chickasaw County Child (2:45) 04 Sunday Best (2:50) 05 Niki Hoeky (2:45)
SIDE B 01 Papa, Woncha Let Me Go To Town With You (2:30) 02 Bugs (2:05) 03 Hurry, Tuesday Child (4:52) 04 Lazy Willie (2:36) 05 Ode To Billie Joe (4:15)

Robert Johnson – Cross Road Blues/Ramblin’ On My Mind – 10″ Vinyl

Eric Clapton is quoted as saying that “Robert Johnson to me is the most important blues musician who ever lived”. A special 2018 Black Friday offering of Robert Johnson’s iconic 1936 recordings of “Cross Road Blues” / “Ramblin’ On My Mind” reproduced on the Vocalion label with sleeve as a 10″ single.

Blind Lemon Jefferson – Black Snake Moan/Matchbox Blues – 10″ Vinyl

Blind Lemon Jefferson, “The Father of Texas Blues,” was the best-selling malevblues artist of the 1920’s, recording 92 sides for Paramount Records and one released 78 for Okeh Records: “Black Snake Moan / Matchbox Blues”. Jefferson produced an original, driving, unpredictably advanced guitar style and a distinctive booming high-pitched, two-octave voice that no one could imitate. Legends of his prowess as a bluesman abound among the musicians who heard him, and sightings of Jefferson in different regions of the United States are plentiful. B.B. King stated, “His touch is different from anybody on the guitar—still is. He was majestic and played just a regular little six-string guitar with a little round hole. It was unbelievable to hear him play. And the way he played with his rhythm patterns, he was way before his time, in my opinion. Blind Lemon was my idol.” A special 2018 Black Friday offering of Blind Lemon Jefferson’s 1927 Okeh recording of “Black Snake Moan” / “Matchbox Blues” is reproduced on the original label with an Okeh sleeve as a 10-inch 78 single.

Ray LaMontagne – Spotify Singles – 7″ Vinyl

Limited edition glow in the dark 7” vinyl of Ray LaMontagne’s Spotify Singles session recorded at Sound Stage Studios. Features live recordings of “Such A Simple Thing” and a cover of “Blue Canadian Rockies” originally performed by Gene Autry

“Such A Simple Thing” and “Blue Canadian Rockies” recorded at Sound Stage Studios Nashville

Lake Street Dive – Freak Yourself Out – LP

A new EP of five songs recorded during the Free Yourself Up sessions!
1. Daryl 2. Young Boy 3. Jameson 4. Angioplast 5. Who Do You Think You Are

Lone Justice – The Western Tapes 1983 – 12″ Vinyl

Musician and producer Marvin Etzioni first saw Maria McKee and Ryan Hedgecock in a club in 1982, playing George Jones and Hank Williams covers. He convinced them they needed original material. After working and writing, the band added Dave Harrington (bass) and Don Willens (drums), the band worked up material with Etzioni and cut 5 of the 6 tracks at the famed Record Plant. An earlier session provides the 6th track. The Western Tapes: 1983 exhibits the genesis of this highly-infl uential band. While the original demo version of “Drugstore Cowboy” has appeared on various compilations, the remainder of the other tracks from the sessions have remained in the can. Two of the tracks appear in their earliest demo form and wound up landing on the classic 1988 Lone Justice debut, “Working Late” and “Don’t Toss Us Away” (written by Maria’s half-brother, Bryan MacLean of the classic band, Love) which would eventually become a top 5 smash for Country superstar Patty Loveless. Released in conjunction with the band, the EP was mastered by Bernie Grundman (who also cut the 45 RPM lacquers). It’s a look into where they started and foretells where they would go.
As Etzioni (who would later join the band) says in his liner notes: “With countless hours together, it was a fun and innocent time. I believed we were creating a 21st century country band.”
They created much, much more. PLAY LOUD AT 45 RPM!

Side 1: 1. working late 2:45 2. don’t toss us away 4:29 3. drugstore cowboy 2:54
Side 2: 4. i see it 2:22 5. train song 2:55 6. how lonesome life has been 2:06

Kacey Musgraves – High Horse Remixes

High Horse Remixes (not available on any physical configuration)

SIDE A: High Horse (Kue Remix)- DJ Kue
SIDE B: High Horse (Violets Remix)- Violents

Hank Williams – The First Recordings, 1938 – 7″ Vinyl

The first EVER recordings made by the legendary Hank Williams. This Record Store Day Black Friday 7″ red vinyl single celebrates the 80th anniversary of their recording, and the labels duplicate the labels on the original acetate.

Side A “Fan It” (F. Jaxon) – Hank Williams
Side B “Alexander’s Ragtime Band” (I. Berlin) – Hank Williams & Pee Week Moultrie

Joy Williams Releases Two New Songs, Gets Back To Roots

Joy Williams - Front Porch

In the wake of the seemingly sudden dissolution while their ascent to superstardom (well, as much superstardom as a nebulous root genre can afford) Americana duo The Civil Wars’ Joy Williams and John Paul White went their separate ways each gravitating to the sounds they explored before uniting in 2008. White to the sparse, gritty side of the tracks his 2016 release “Beulah,” and Williams to the pop side, albeit with a world music bent, on her 2015 solo outing ‘Venus.”

Two newly-released tracks, from Williams’ anticipated new album ‘Front Porch,’ shows her sonically tracking more closely to the path that led The Civil Wars to acclaim. This might be helped along by Milk Carton Kids’ Kenneth Pattengale taking the production helm.

As a sweet side note, Williams worked on ‘Front Porch’ in Nashville while pregnant with her second child. She gave birth to a daughter, Poppy Louise, over the summer.

‘Canary, the more rootsy of the two cuts, is a haunting Gohic-tinged cut of cautioning and resolve.Williams is in fine form here and is in great voice and appears reinvigorated being accompanied with the rustic strings oh acoustic guitar, upright bass, and fiddle.

Joy Williams – Canary (Live)

‘The Trouble with Wanting’ is a guitar-driven lover’s lament featuring glistening harmony by her backing band. The song ebbs and flows in rhythm with William’s expressive sways, as if the music is running through her and aching to be shared.

Joy Williams – The Trouble with Wanting (Live)

From the presser: Produced by Kenneth Pattengale of The Milk Carton Kids and engineered by Matt Ross-Spang, Front Porch represents a new chapter in Williams’ career, who recorded the album in Nashville during the pregnancy of her second child. She reflects, “There is an energy that is very creative in having a baby. It gives a sense of urgency on top of all the creative energy. Cellularly, your body is experiencing something really different. Everything you are feeling is elevated. And you have a time-stamped sense of urgency.” Already receiving critical acclaim, Rolling Stone states the new music, “…is both familiar and new, and explicitly clear that there’s nothing missing when she goes it alone.”

“So much of this is about coming home,” says Williams. “Whether to a physical place or to yourself. The lines on my face, I can see them more clearly now. But a lot of them are laugh lines. This record feels like breathing more deeply into who I am. Come what may.”

I can’t wait to hear the rest of the album.

Joy Williams Tour Dates:

November 1—Birmingham, AL—Workplay
November 2—Athens, GA—The Foundry
November 16—St. Louis, MO—Blueberry Hill Duck Room
November 17—Chicago, IL—Old Town School of Folk Music
November 18—Indianapolis, IN—White Rabbit Cabaret
November 30—Cincinnati, OH—20th Century Theater
December 1—Louisville, KY—Headliners Music Hall
December 2—Lexington, KY—The Burl
December 7—Austin, TX—3TEN at ACL Live
December 8—Dallas, TX—The Kessler Theater
December 9—Houston, TX—The Heights Theater