John Prine Joins Todd Snider On The Ryman Auditorium Stage

John Prine & Todd Snider | Illegal Smile
Screen grab via YouTube – Kimberly Lord

Over the Easter weekend the Jester King of Americana, Todd Snider, surprised his audience at the historic Ryman Auditorium by inviting John Prine , one of his musical mentors, on stage during the encore.

The longtime friends traded verses on the 1971 classic, “Illegal Smile,” an unintentional weed anthem of sorts perfect for the 4/20 revelry.

Of the song Prine sqys “I have to confess, the song was not about smokin’ dope, It was more about how, ever since I was a child, I had this view of the world where I can find myself smiling at stuff nobody else was smiling at. But it was such a good anthem for dope smokers that I didn’t want to stop every time I played it and make a disclaimer.”

Todd Snider with John Prine – “Illegal Smile”

Record Store Day 2019 – Americana and Roots Music Picks

Spring has sprung and for some antiquated reason we lose an hour of sleep, pollen lays waste to the weakest among us, people lay in fields Of bluebonnets just begging for a snake bite and the smell of vinyl hangs heavy in the air.

You might very well be asking yourself “Did I just read that right? Vinyl?”

Yes, indeed you did.

This Saturday, April 13th, is Record Store Day. That time when you drag your dead ass out of bed at the crack of dawn to stand in a line for the chance to score some choice limited-run vinyl.

The DIY movement that nearly single-handedly resuscitated a near-dead medium. New releases, obscure releases, long out-of-print re-releases, picture discs, colored discs, die-cut discs…it’s all there for a sometimes hefty price. But it’s cheaper than buying it later on eBay for 3-times the original price.

Here are a few Americana and Roots music nuggets from the list (see the full list here)

Highlights include Woody Guthrie’s first time on vinyl limited-edition 10″ “I Don’t Like The Way This World’s A-Treatin’ Me,” John and Lilly Hiatt song swap limited-edition color 7″ vinyl “You Must Go! / All Kinds Of People” and Lone Justice’s previously unreleased live performance from October 1983 at the historic live County music venue “Live at the Palomino.”

So, get to your favorite indy record early on April 13th (I’ll be at Good Records in Dallas) and share those great finds with me on Instagram and Twitter.


Allman Brothers Band – Bear’s Sonic Journals: Fillmore East. February 1970

Label: Allman Brothers Band Recording Company
Quantity: 1500
Release type: ‘RSD First’ Release
A live recording compilation drawn from three nights of shows in February 1970. Recorded by legendary Grateful Dead soundman Owsley Stanley. This special Record Store Day package includes a limited edition, numbered glow-in-the-dark poster.

In Memory of Elizabeth Reed/Hoochie Coochie Man/Stateboro Blues/Trouble No More/Outskirts of Town/Whipping Post/Mountain Jam

Bob Dylan Blood On The Tracks — Original New York Test Pressing
Label: Legacy
Quantity: 7500
Release type: RSD Exclusive Release
Months before Bob Dylan released Blood On The Tracks in early 1975, a small number of test pressings were circulated, consisting entirely of material from sessions at A&R Recording Studios in New York City. (Dylan re-recorded five of these tracks in Minneapolis for inclusion on the final album.) Those original records were soon bootlegged, and the alternate history of one of Dylan’s most acclaimed works was born. This LP is an exact duplicate of the test pressing, containing unique mixes from the New York session, available commercially for the first time.

Side One: 1. Tangled Up In Blue 2. Simple Twist of Fate 3. You’re a Big Girl Now 4. Idiot Wind 5. You’re Gonna Make Me Lonesome When You Go Side Two: 1. Meet Me In The Morning 2. Lily, Rosemary and the Jack of Hearts 3. If You See Her, Say Hello 4. Shelter from the Storm 5. Buckets of Rain

Steve Earle – El Coyote / Don’t Let The Sunshine Fool You
Label: New West Records
Quantity: 900
Release type: ‘RSD First’ Release
Steve Earle & The Dukes release their latest album, GUY on March 29.. The band holed up in Nashville and recorded the record over a six-day period. They came out those sessions with 16 songs featuring some of Guy Clarks most well known hits such as “Desperados Waiting For A Train”, “LA Freeway” and “Dublin Blues.” Steve Earle then decided to book a solo recording session with the intention of recording two more Guy Clark songs specifically for independent retail and Record Store Day. New West Records and Steve Earle are proud to present his solo recordings of “El Coyote” and “Don’t Let The Sunshine Fool You” pressed on a limited edition 7″ 45rpm record.

A – El Coyote / B – Don’t Let The Sunshine Fool You

Woody Guthrie – I Don’t Like The Way This World’s A-Treatin’ Me
Label: Omnivore Recordings
Quantity: 1500
Release type: ‘RSD First’ Release
In 1952, Guthrie wrote and recorded a song at home titled “I Don’t Like The Way This World’s A-Treatin’ Me.” The track appears on vinyl for the first time on a limited edition 10″ of the same name for Record Store Day 2019. Also found on this special release is a second version of the demo with new accompaniment from Wilco’s Jeff Tweedy, who, along with Billy Bragg and Wilco, released a series of acclaimed albums featuring their interpretations of unearthed Guthrie lyrics. Mermaid Avenue, the first in the series, was nominated for a Grammy® in 2000.

If those two tracks weren’t enough, I Don’t Like The Way This World’s A-Treatin’ Me includes two versions of “Beech Haven Ain’t My Home” (a.k.a. “Old Man Trump”), whose lyrics were discovered within the Woody Guthrie Archives and chronicle the time the Guthrie family lived under landlord Fred Trump. As two drafts of the lyrics exist, the Riot-Folk Musician’s Collective’s Ryan Harvey combined them. This release contains a version by Harvey featuring Ani DiFranco and Tom Morello (Rage Against the Machine/Audioslave), and another from Irion’s band U.S. Elevator.

Available exclusively for Record Store Day as a 10″ EP, I Don’t Like The Way This World’s A-Treatin’ Me is not only a historic but a musical document, released in conjunction and with full cooperation from the Woody Guthrie Archives. As stated in the album’s notes: “These songs were mostly written well over half a century ago, but they are songs for our times to be sure.”

It is truly time for this music to be heard.

Side One:
I Don’t Like The Way This World’s A-Treatin’ Me (1952 Home Demo) – Woody Guthrie
Old Man Trump – Ryan Harvey feat. Ani DiFranco & Tom Morello

Side Two:
I Don’t Like The Way This World’s A-Treatin’ Me – Woody Guthrie & Jeff Tweedy
Beech Haven Ain’t My Home (aka Old Man Trump) – U.S. Elevator

Emmylou Harris – The Studio Albums 1980-83
Format: 5 x LP
Label: Warner Bros
Quantity: 1000
Release type: ‘RSD First’ Release

John & Lilly Hiatt
You Must Go! / All Kinds Of People

Label: New West Records
Quantity: 450
Release type: ‘RSD First’ Release
Lilly Hiatt is the critically acclaimed daughter of singer-songwriter legend, John Hiatt. In the fall of 2018 they got together to record a version of one anothers songs. John Hiatt covered, “All Kinds Of People” from Lilly’s heavily praised album, “Trinity Lane.” Lilly took on the daunting task of picking a song from John’s vast catalog. She picked a winner with “You Must Go” from John Hiatt’s 1995 release, “Walk On.” Together these songs are pressed onto a limited edition color vinyl 7″.

SIDE A: You Must Go! SIDE B: All Kinds Of People

Lone Justice – Live at the Palomino
Label: Omnivore Recordings
Quantity: 1700
Release type: ‘RSD First’ Release
MORE INFO
Previously unissued live performance from October 1983 recorded at Los Angeles’ iconic Palomino club. Features 12 tracks from the early Lone Justice line-up consisting of Maria McKee, Ryan Hedgecock, Marvin Etzioni, and Don Willens. Songs from their yet to be issued debut are coupled with classic country covers, and songs which have appeared on various collections throughout the years—but never with this live power from this L.A. landmark.

You Are The Light
Drugstore Cowboy
How Lonesome Life Has Been
The Train
Dustbowl Depression Time
Cotton Belt
This World Is Not My Home (I’m Just A Passin’ Through)
I See It
Working Man’s Blues
The Grapes Of Wrath
Working Late
Jackson

The Mavericks / Sweet Lizzy Project
The Flower’s In The Seed
Label: Y&T Music /Mono Mundo
Quantity: 1500
Release type: RSD Exclusive Release
MORE INFO
A split 7” featuring Grammy-winning band The Mavericks on one side and The Sweet Lizzy Project on the other. The Sweet Lizzy Project is a new band from Havana, Cuba signed to the Mavericks’ new label. Both sides are produced by The Mavericks’ Raul Malo.

Mumford & Sons – Delta Acoustic Sessions | Live From Electric Lady
Format: 10″ Picture Disc
Label: Glassnote
Quantity: 3500
Release type: RSD Exclusive Release

“Delta Acoustic Sessions | Live From Electric Lady” features previously unheard acoustic recordings of four tracks from last year’s acclaimed album, “Delta”, pressed on a special 10″ Picture Disc.

SIDE A WOMAN GUIDING LIGHT
SIDE B WILD HEART IF I SAY

Leann Rimes – Live from Gruene Hall
Label: Everle Records
Quantity: 1000
Release type: ‘RSD First’ Release
MORE INFO
1. Pride and Joy 2. You Never Even Call Me By Name 3. San Antonio Rose 4. Wasted Days and Wasted Nights 5. Wonderwall 6. Nothing Better To Do 7. Blue 8. Streets of Bakersfield 9. The Bottle Let Me Down 10. Always On My Mind

Leon Russell – Live at Gilley’s
Label: Varese
Quantity: 1350
Release type: RSD Exclusive Release
Leon Live was recorded on September 17, 1981, at the world-famous Gilley’s nightclub in Pasadena, Texas, with his New Grass Revival Band. Leon was in prime shape and the band was on fire that night. The album includes excellent versions of “One More Love Song” (the steel guitar gives the song a new twist), “Cajun Love Song,” and the show-stopping bluegrass tune, “Uncle Pen.” The release also features the Leon classics “A Song For You” and “Lady Blue.”

Buddy and Julie Miller Announce Summer Release For New Album ‘Breakdown on 20th Ave. South’

Buddy and Julie Miller - ‘Breakdown on 20th Ave. South’

It’s said that good things come to those that wait. For patient fans of one of Americana music’s most influential artist-songwriter couples (married since 1981) that wait for something good is almost over.

The long-anticipated follow up to 2009’s Americana Music Association Album of the Year ‘Written in Chalk’ is entitled ‘Breakdown on 20th Ave. South,’ and it will be available June 21st on New West records.

New West has whetted our appetite by releasing 2 cuts from the album. “Spittin’ on Fire” and “War Child,” both tracks reflect the lo-fi aesthetics the couple has established throughout their careers. Echos of the folk and Southern Rock reared in the Mississippi Delta and the Appalachian Mountains is apparent throughout the songs.

The album’s title comes from the couple’s much-delayed home studio in Nashville. The delays stemmed from Julie’s ongoing health issues as well as demand on Buddy as a go-to sideman, producer and co-host of the Buddy & Jim Radio Show on SiriusXM with his friend Jim Lauderdale.

Once the new record was underway, Julie penned some 50-plus new songs for the pair to choose from. Recorded in the couple’s bedroom make-do studio located upstairs from Buddy’s home studio, the results are raw, immediate and honest. Buddy and Julie are scheduled to make a rare live appearance to celebrate the album’s release Nashville’s City Winery on June 26th. The performance will be recorded for later broadcast on the Buddy & Jim Radio Show.

“Breakdown on 20th Ave. South” will be available June 21st via digital retailers, on CD and vinyl, with a special “Root Beer Swirl” colored vinyl available only at independent retailers. The album is now available for pre-order.

Breakdown on 20th Ave. South track listing:

“Breakdown on 20th Ave. South
“Feast of the Dead”
“Everything Is Your Fault”
“Unused Heart”
“I’m Gonna Make You Love Me”
“Till the Stardust Comes Apart”
“Underneath the Sky”
“Spittin’ on Fire”
“Secret”
“War Child”
“Thoughts at 2am”
“Storm of Kisses”
In This Article: Buddy Miller

Preorder ‘Breakdown on 20th Ave. South.’

Watch Out! Strand of Oaks featuring Jason Isbell, Amanda Shires – “Ruby”

Strand of Oaks was joined by members of My Morning Jacket guitarist Carl Broemel, drummer Patrick Hallahan, bassist Tom Blankenship, and keyboardist Bo Koster, as well as Jason Isbell and Amanda Shire performed a pastorally soulful rendition of ‘Ruby’ on “Colbert” last night.

“Ruby” is a track on the upcoming Strand Of Oaks album ‘Eraserland,’ out March 22 on Dead Oceans.

Pre-order ‘Eraserland’ here.

Watch their rendition of “Ruby” below:

Watch Out! The Blood Moon Howlers – “Drunk N’ Cold” [VIDEO PREMIERE]

The Blood Moon Howlers - Drunk N' Cold

If you like your music greasy then, folks, do we have a treat for you!

L.A.’s The Blood Moon Howlers’ newest single “Drunk N’ Cold,” slithers to life with grinding electric guitar and smokey saxophone (how many roots music dare to feature saxophone?!) Guitarist/vocalist Matt Wayne then growls, with harmony provided by bassist JuJu, this ode to swamp water and booze-drenched love would slot perfectly as a track from a particularly menacing David Lynch scene.

Of the song the band says “It’s the first song we wrote for the LP and it really set the whole writing process for the LP into motion. This is a song written about stories Matt has of hangin’ out with his friends partying outside in the cold when they were younger and there was no other place to go. Although people have interpreted it other ways which is fun to hear.”

“Drunk N’ Cold” is from the upcoming full-length album, “Mad Man’s Ruse, out April 6th.

Official Site: thebloodmoonhowlers.com/

Watch Out! Hayes Carll – Times Like These

Hayes Carll - Times Like These

It seems these days people are going out of their way to find reasons to divide themselves. Like somehow looking for the common humanity in your neighbor that binds us together is out of style, and choosing identity can only happen in opposition against…well, anything! is the new rule.

Chips on the shoulder are all the rage (oftentimes with actual rage.)

Hayes Carll has the tonic for what ails our wounded soul! His new album ‘What It Is’ is pure Carll – that is heart, wit, a wry smile and brimming with hospitality.

The video starts with Carll laying on a longneck littered dance floor as he’s helped to his feet by a random two-stepper. As an excellent study on contrast Carll wonders the bar singing about division and strife as the camera cuts to joyful couples dancing to the fiddle-fueled boogie blissfully oblivious to the message.

Carll is both onstage and in the crowd trading lyrical duties with various bar patrons as they embody the simple beauty of a Saturday night distraction away from work, bills, life.

In this Age of Outrage, we need a reminder that things, and people, are generally good as long as we take the time away from our grievance fetish to celebrate that fact. ‘Times Like These’ brings perspective and brings us together.

And reminds us to dance.

Buy ‘What It Is’ here.

Let’s all sing along…

In times like these everyone could use a hand
Instead, we stand around losing ground
Fighting for the promised land
It’s so hard to tell if this is heaven or hell
And I could never measure by degrees
But it’s sure gettin’ warm ’round here in times like these
In times like these do I really need a billionaire
Just takin’ all my time tryin’ to tell me I was treated unfair?
Well then I got to pay, it’s the home of the brave
Gets divided into them and the weak
Oh I find I’m a-losing my mind in times like these

Yeah they come and they go
They’re in and then out
Every day I’m getting better at losing something I haven’t got
I just wanna do my labor, love my girl, and help my neighbor
While I keep a little hope for my dreams
But it’s sure getting hard, brother, in times like these

In times like these I wish someone was on my side
Instead of bringing it together we’re just widening the great divide
I hope and I pray at the end of the day
I can somehow get my troubles to ease
But I gotta say, it’s not looking good, not in times like these

Yeah they come and they go
They’re cold then they’re hot
I just try to keep the world from turning me to something I’m not
I’m gonna try to run until the whole thing’s done
And I just hope I don’t end up on my knees
But it’s sure getting hard to stand up in times like these

I just wanna do my labor, love my girl, and help my neighbor
While I’m keeping all my joie de vivre
But it’s sure getting hard, brother, in times like these
I could use just a little bit of help in times like these

Watch Out! Gillian Welch and David Rawlings Sing “When a Cowboy Trades His Spurs for Wings” Oscars 2019

The 2019 Academy Awards held very little appeal for me (how was Ben Dickey, Alia Shawkat and Charlie Sexton’s performances in ‘Blaze’ overlooked?!) but a break in the tedium came when Kacey Musgraves introduced Gillian Welch and David Rawlings. The Americana legends bedecked in matching nudie-esque suit finery performed “When a Cowboy Trades His Spurs for Wings.” The song was a contender in this year’s race for best original song from “The Ballad of Buster Scruggs.” Welch and Rawlings wrote the track, which was performed on the Coen Brothers’ series and soundtrack by actor Tim Blake Nelson and singer-songwriter Willie Watson.

The Coen Brothers also received nominations for Best Adapted Screenplay for The Ballad of Buster Scruggs.

https://www.youtube.com/watch?v=qJiToQqeGr0&feature=youtu.be

Hear Gillian Welch & David Rawlings Perform “When A Cowboy Trades His Spurs For Wings”

 Gillian Welch & David  Rawlings -  “When A Cowboy Trades His Spurs For Wings”

Gillian Welch and David Rawlings wrote “When A Cowboy Trades His Spurs For Wings” for the recent six-part Coen brothers anthology, The Ballad Of Buster Scruggs. If you watched the show you know the original song was sung by Tim Blake Nelson as Buster Scruggs alongside Willie Watson as “The Kid.” Today, Welch and Rawlings share a new version that they will perform at the 91st Academy Awards on 2/24.

Gillian Welch and David Rawlings recently garnered a nomination for “Best Original Song” at the 2019 Academy Awards, for “When A Cowboy Trades His Spurs For Wings.” their version of the song on Acony Records, which they sing in their own lonesome and timeless
style, invoking both the absurd fatalism of the show and their own penchant for a good yodel.

Welch and Rawlings said about their nomination: “We are eternally grateful to Ethan and Joel Coen for giving us the opportunity to write a cowboy duet between the living and the dead, and to Willie Watson and Tim Blake Nelson for bringing it to life.”

The pair confirmed they will perform the song on The Grand Ole Opry on February 16th as well as at the 91st Academy Awards on Sunday, February 24, 2019.

Welch revealed the story behind the song and working with the Coen Brothers in a recent Rolling Stone interview:

“They [The Coen Brothers] gave David and I the script, and they gave us the script of maybe two other of the shorts in the collection so we could gauge the darkness [laughs]… And then there was just a really basic conversation [with Joel Coen]. He was like, “Look, there’s the singing cowboy — he’s been around for a while. Now here comes the new guy. He’s cuter, he’s faster and he sings better. He’s just better. It’s the new model. He’s coming for him.”… Joel just said, “Here’s the specifics of it. They have to be able to sing it together. They have to be able to sing it once Tim has been shot and is dead and is floating up to heaven.”

Gillian also spoke to Variety about her and Rawlings’ process writing the song:
“It was a pretty straightforward thing: ‘Well, we need a song for when two singing cowboys gun it out, and then they have to do a duet with one of ‘em dead. You think you can do that?’ ‘Yeah, I think we can do that’”… “The more peculiar restraints you put upon a song, the more fun it is, so this was kind of a dream assignment,” Welch says. “And they didn’t tell us to do this, but if you’re writing a gunfight song between two singing cowboys, who wouldn’t love the opportunity to put some yodeling in?”

Buy the single “When A Cowboy Trades His Spurs For Wings” here.

The Felice Brothers Announce New Album ‘Undress.’ Hear the Title Cut

The Felice Brothers  - Undress

Few contemporary bands embody what Greil Marcus coined as “Old. weird America” as well as The Felice Brothers and a new release by this Upstate New York rustic-core collective is always welcome news.

The new album, “Undress,” the follow-up to 2016’s “Life in rhe Dark,” will be released on May 3rd from Yep Roc Records.

Cut live to tape with very little overdubbing, Undress was recorded in the late summer of 2018 in Germantown, New York. Band members Ian Felice, James Felice, Will Lawrence (drums) and Jesske Hume (bass) teamed up with producer Jeremy Backofen to record their most personal and reflective album to date.
 
“Many of the songs on the new album are motivated by a shift from private to public concerns,” says songwriter Ian Felice. “It isn’t hard to find worthwhile things to write about these days, there are a lot of storms blooming on the horizon and a lot of chaos that permeates our lives.  The hard part is finding simple and direct ways to address them.”
 
Since the band’s last 2016 album release the group in a very different place. Between personnel changes, families growing and the political landscape, the result is a tighter, more-paired down release. “Every song is a story,” said James Felice. “On this album everything was a bit more thoughtful, including the arrangements, the sonic quality and the harmonies.”

Listen to title cut “Undress”

Pre-order “Undress” Here
 
Ian and James Felice grew up in the Hudson valley of upstate NY. Self taught musicians, inspired as much by Hart Crane and Whitman as by Guthrie and Chuck Berry, they began in 2006 by playing subway platforms and sidewalks in NYC and have gone on to release nine albums of original songs and to tour extensively throughout the world. Following the release of Life in the Dark, The Felice Brothers served as the backing band for Conor Oberst’s 2017 release Salutations and the subsequent tour. 

The band kicks off a US tour starting on April 27 in Albany. Tickets go on sale on February 12 at www.thefelicebrothers.com.
 
Tour Dates:           
4/27: Albany, NY – TBA                                   
4/28: Syracuse, NY – The Westcott Theater            
4/29: Buffalo, NY – The 9th Ward at Babeville           
4/30: Toronto, ON – Legendary Horseshoe Tavern           
5/2: Chicago, IL – Sleeping Village                       
5/3: Lexington, KY – On The Rail Roots Festival                       
5/4: Columbus, OH – Rumba Cafe                                   
5/6: Pittsburgh, PA – Club Cafe                                   
5/7: Lancaster, PA – Tellus 360                                   
5/9: Philadelphia, PA – Johnny Brenda’s                       
5/10: Brooklyn, NY – The Bell House                       
5/12: Hopewell, NJ – Hopewell Theater                       
5/15: Portsmouth, NH – 3S Artspace                                   
5/16: Providence, RI – Columbus Theatre                       
5/18: Cambridge, MA – The Sinclair 
5/23: Virginia Beach, VA – Elevation 27 
5/24: Richmond, VA – Richmond Music Hall                               
5/25: Vienna, VA – Wolf Trap – with The Avett Brothers                              
6/6: Asheville, NC – Grey Eagle Tavern                       
6/7: Decatur, GA – Eddie’s Attic                                   
6/8: Nashville, TN – Exit/In
6/9: Birmingham, AL – Avondale Brewery
6/10: New Orleans -Gasa Gasa
6/12: Austin, TX – Barracuda
6/14: Santa Fe, NM – Tumbleroot
6/15: Tucson, AZ – 191 Toole
6/16: San Diego, CA – The Casbah
6/17: Los Angeles, CA – Bootleg Theater
6/19: San Francisco, CA – The Chapel
6/21: Portland, OR – Doug Fir Lounge
6/22: Seattle, WA – Tractor Tavern
6/24: Garden City, ID – Visual Arts Collective
6/25: Salt Lake City, UT – Urban Lounge
6/27: Denver, CO – Bluebird Theater

John Paul White Readies “The Hurting Kind” For Spring Release; Hear New Single Now

John Paul White Readies "The Hurting Kind"

There are many ways to describe the work of master singer-songwriter John Paul White. If forced to distill to a single word to describe his aesthetic it would be bittersweet.

So, to learn that White’s upcoming third solo release is entitled “The Hurting Kind” made perfect sense. The king of melancholy is back in the saddle.

Then you hear the single ‘The Long Way Home’ (listen below) from the album and, damn if it isn’t jaunty, defiant even. The cover displays White in his usual dark suit casual dapper persona and tassel of hair, his briskly strummed acoustic guitar strides right into a backbeat and, what’s that, pedal steel! But just behind the sonic rhinestones are weary miles of separation from loved ones, and hope and longing intertwin to lead him back to hearth and home. I’ve read that this song brought White’s youngest child to tears. That’s the power and humility of art.

I have no inside knowledge of this, but it’s been a theory of mine that the isolation of the road was once os the main reasons the Civil Wars called it a day at the height of their popularity. We all see the glamour of the working musician with no thought to the grind that it can be,

But this is no woe-is-me lament. This is a song with a higher intention. To celebrate and focus, on the big portrait of the loved ones that make the cookie-cutter hotels and stale-beer bars tolerable.

‘The Hurting Kind’ is out April 12 on Single Lock Records. Pre-order it here.

The Hurting Kind Tracklist:
01. The Good Old Days
02. I Wish I Could Write You a Song
03. Heart Like a Kite
04. Yesterday’s Love
05. The Long Way Home
06. The Hurting Kind
07. This Isn’t Gonna End Well (featuring Lee Ann Womack)
08. You Lost Me
09. James
10. My Dreams Have All Come True