Record Store Day Americana and Country Releases 2026: When the Vinyl Spins and the Stories Begin

Record Store Day 2026 Logo

There’s a kind of magic that happens on a cool spring morning when the sun hasn’t quite warmed the sidewalks and the smell of fresh coffee mixes with the tang of old vinyl. It’s Record Store Day — that once-a-year celebration of grooves and ghosts — and this year, the date is Saturday, April 18, 2026. On that morning, independent record stores across the country will throw open their doors, and at the stroke of opening hour, lovers of sound will line up like they’re waiting for the doors of the Ryman Auditorium circa 1975 — all hope, heart, and beat-up boots.

This year’s Record Store Day offerings are rich with history, surprise, and serious vinyl heartbeat. From deep catalog treasures to first-ever pressings and special editions, 2026’s list reads like the soundtrack to an epic road trip through sound.

See the full list.

13th Floor Elevators – We Are Not Live – reprise of the 1968 album ‘Live’ by the 13th Floor Elevators. Spurned at the time for being billed as “Live” when in fact it was a compilation of previously recorded studio masters, outtakes and alternate mixes. The “very loud” crowd noise was overdubbed and was actually taken from a boxing match and wholly inappropriate for the purpose. Now, almost 60 years on, the album masters are available, in their original sequence, without the crowd noise, to be enjoyed in their full psychedelic splendor.

The Blasters – Rare Blasts: Studio Outtakes And Movie Music 1979-1985 – Rare Blasts is a compilation of outtakes and movie music tracks from the roots-rock Americana band’s 1980s studio albums. The 14-track collection was compiled as part of the sold out 5-LP box set, An American Music Story, released for RSD 2025. The LP features highly collectible tracks from their studio recordings many never available previously on vinyl. Includes liner notes from L.A. music writer Chris Morris. Pressed on cobalt blue vinyl exclusively for Record Store Day.

Jeff Buckley – Live À L’Olympia – This live album captures Jeff Buckley and band across two nights in Paris July 6th & 7th during his 1995 European tour in support of the release of his Grace album. Captured at the legendary Olympia, it found Buckley before a rapturous French crowd performing half of the songs from his beloved debut album ( including favorites like “Lover, You Should Have Come Over” and “Hallelujah”) plus covers as varied as the MC5’s “Kick Out The Jams,” a Led Zeppelin parody and songs made famous by Nina Simone and Edith Piaf. In addition, the album features an additional live performance of Buckley and Alim Qasimov in a competitive Qawwali singing duet from a festival of sacred music also captured that year in France. Originally released in 2001, this marks the album’s first time on vinyl exclusively for Record Store Day.

Kaitlin Butts – Yeehaw Sessions – Kaitlin Butts: Yeehaw Sessions is a 12” black vinyl release combining two of Kaitlin’s Eps, never before released on vinyl.

Brandi Carlile – Live At Easy Street Records Vol II – Nearly two decades after recording her first live album at Seattle’s Easy Street Records, Brandi Carlile returned to the iconic record store for Brandi Carlile Live at Easy Street Records Vol. II. Celebrating her 8th studio album, Returning To Myself, the show marked a full-circle moment for the 11x Grammy Award winner. Joined by The Hanseroth Twins and SistaStrings, Carlile played to a full house and was met with an outpouring of love from fans who celebrated her return to the city where it all began.

Tyler Childers – Live From Dinosaur World – A 7” single featuring live renditions of “Bitin’ List” and “Dirty Ought Trill” performed during the release weekend of Tyler Childers’ critically acclaimed album Snipe Hunter, exclusive to indie record stores for Record Store Day 2026.

Crosby, Stills & Nash – The Solo Albums – The landmark debut solo albums from David Crosby, Stephen Stills and Graham Nash after the overwhelming success of the Crosby, Stills & Nash and ‘Deja Vu’. This set also includes an LP of rarities from demos and sessions for all three albums.

Skeeter Davis – The End of the World: The Navy Hoedown Sessions – Skeeter Davis fans are in for a fascinating detour with The Navy Hoedown Sessions, a 50th-anniversary reissue of the 1975 double album that is as much a historical curiosity as it is a musical treat. Originally produced for the U.S. Navy as a recruitment recording, the album was pressed in very limited quantities and has remained almost unheard. Featuring Davis’s signature country-pop sound and some of her greatest hits, these recordings are a true delight. Pressed on pink vinyl for Record Store Day 2026, don’t miss this rare opportunity.

Iris DeMent – The Way I Should (30th Anniversary) – In celebration of the album’s 30th anniversary, Yep Roc Records is pressing The Way I Should on vinyl for the first time. The album is remastered by Mike Westbrook of Material Mastering and is pressed on Summer Sky color vinyl, limited to 1,000 copies worldwide.

Jerry Garcia – Reflections (50th Anniversary) – One of Garcia’s most artistically unified statements of harmony, affirmation, and joy celebrates its golden anniversary with an expanded 3xLP set. Reflections (50th Anniversary Edition) presents the remastered original studio album, recorded with the Grateful Dead and the Jerry Garcia Band – plus two bonus LPs featuring studio outtakes, jams and four previously unreleased live recordings. The collection is housed in a tri-fold mirror board jacket and pressed in a limited edition of 5,000.

The Jayhawks – 2 Meter Sessions – Never-before-released recordings – Amsterdam 1997 & 2000
for the first time ever on vinyl, the jayhawks present 2 meter sessions – an exclusive record store day 2026 release featuring two amsterdam sessions from 1997 and 2000.

Waylon Jennings & The Waylors – The Balladeer meets the Dukes of Hazzard – During the process of archiving and unearthing Waylon’s lost studio recordings, his son Shooter found the original recordings of lines of the Balladeer for the first two episodes of the Dukes of Hazzard, complete with bloopers and out-takes. Shooter also found the original recordings for the soundtrack to first season of the Dukes, produced by Richie Albright, and featuring Waylon and his smoking backing band.

George Jones – Cold Hard Truth – George Jones’ 1999 return to traditional country music, his first album with Asylum Records. Produced by Keith Stegall, the album features strong, original honky-tonk ballads and raucous tunes, reminiscent of Jones’ classic recordings. Cold Hard Truth is one of Jones’ strongest albums in nearly two decades, offering a consistent, high-quality listening experience. Pressed for Record Store Day on light blue vinyl.

Freddie King – Feelin’ Alright: The Complete 1975 Nancy Pulsations Concert – For the first time ever, experience the full power of Freddie King’s explosive 1975 performance at the Jazz Pulsations Festival in Nancy, France — a never-before-released live set that captures the Texas blues legend at his fiercest. King roars through a high-energy set of blues, funk, and soul-drenched grooves, backed by a razor-sharp band and fueled by his searing guitar tone and powerhouse vocals.

Mark Knopfler & Emmylou Harris – All The Roadrunning – To celebrate its 20th anniversary, the collaboration album between Dire Straits’ Mark Knopfler and Emmylou Harris, All The Roadrunning, is reissued on 2LP smoky marble vinyl as part of Record Store Day 2026.

Little Feat – Little Feat (Deluxe Edition) – Next in the lineup of foundational Little Feat albums to get the Rhino Deluxe treatment is the band’s 1971 self-titled debut album. Releasing as a 2LP vinyl set exclusively for Record Store Day 2026, it includes the original album, AAA-cut from original master tape, alongside a bonus disc of rare previously unreleased alternate versions and outtakes from their early recording sessions.

Joni Mitchell – For The Roses – Joni’s 1972 album, For The Roses, was her first for David Geffen’s Asylum Records. Joni originally had intended the album cover to be art that she created that was illustrative of the song, “For The Roses,” and showed her cynicism to the music business at the time. Geffen vetoed her artwork because he thought it was not a good look to have a horse with roses coming out of its ass! So Joni ultimately compromised to use the Joel Bernstein photo that was ultimately the cover. This special limited edition for Record Store Day restores Joni’s original vision for the cover artwork for the first time. Pressed on rose color vinyl.

Tom Petty & The Heartbreakers – July 16, 1978 – Paradise Theater, Boston, MA – A wild night from the You’re Gonna Get It tour was recorded on 2-track at the Paradise Rock Club in Boston, MA, and broadcast by local rock radio station WBCN-FM.

Robert Plant – Saving Grace: All That Glitters… with Suzi Dian – Saving Grace: All that Glitters… is a continuation of Plant’s Saving Grace album and his beautiful collaboration with Suzi Dian and their band. It features four new studio recordings.

John Prine – Found Dogs – A newly curated archival release celebrating the 30th anniversary of Lost Dogs & Mixed Blessings. Drawn from the original recording sessions and demos from the era, Found Dogs collects alternate versions, acoustic performances, and five previously unreleased tracks, offering a rare look into Prine’s songwriting and studio process during a pivotal period of his career.

John Prine – BBC Sessions – John Prine recorded live for BBC radio. Featuring solo performances of songs from his first two albums. First official release. 1-LP 140g black vinyl.

Son Volt – Sound Signal Serenades – Son Volt’s latest album, Sound Signal Serenades, released on Sky Blue Opaque vinyl as a special version for Record Store Day 2026. Featuring twelve originals, Son Volt’s return to the elemental strengths that have long defined their sound—restless guitars, melodic clarity, and songs rooted in the lived experience of American landscapes. Anchored by Jay Farrar’s steady, unvarnished voice, the record balances reflection and resolve, drawing lines between personal memory and the wider currents of history, change, and endurance.

Bruce Springsteen – Live From Asbury Park 2024 – Available for the first time on vinyl, hear Bruce Springsteen’s electrifying homecoming performance in Asbury Park at the 2024 Sea.Hear.Now festival. Spanning over three hours of powerhouse performances in front of 35,000 people, this 5LP set features Springsteen at his dynamic best, backed by the legendary E Street Band. Spanning Springsteen’s iconic catalog, this record includes hits such as “Thunder Road” and “Dancing in the Dark,” plus songs that Springsteen wrote just down the road from this stage, including “Blinded By The Light” and “Growin’ Up.”

Joe Strummer & The Mescaleros – Global A Go-Go – Celebrating the 25th anniversary of the second album by Joe Strummer and The Mescaleros with a limited splatter color vinyl pressing. Features some of his most well-known songs from the Mescaleros era, including “Mondo Bongo,” “Johnny Appleseed,” and “Bhindi Bhagee.”

Various Artists – My Soul Is Lost: Unknown & Forgotten Rural American Musicians – Old-time music compiled by R. Crumb and John Heneghan from their own almost five thousand 78 rpm records in his collection.

Jerry Jeff Walker – Navajo Rug (35th Anniversary) – In celebration of its 35th Anniversary, Jerry Jeff Walker’s Navajo Rug is now available on vinyl for the first time, exclusively for RSD. A fan favorite, the LP features extended liner notes and tracks like “Navajo Rug,” “If I’d Loved You Then,” and Jerry Jeff’s ode to one of his favorite baseball players, “Nolan Ryan (He’s A Hero To Us All).” Pressed on exclusive deep orange vinyl.

Twang Nation: Best of 2025 Americana and Country Music


Country music didn’t need saving in 2025—it needed listening.
The records that mattered this year didn’t chase radio, algorithms, or nostalgia. They showed up with songs that knew where they were from and didn’t flinch when they said it out loud.
This is Twang Nation’s Best of 2025: real voices, real twang, and records built to last longer than the hype cycle and the typical tik-tok users attention span.

1. Summer Dean — The Biggest Life
A honky-tonk record that stands on discipline and restraint. Summer Dean doesn’t modernize or sentimentalize—she commits. Clean melodies, clear-eyed songwriting, and twang that carries its weight without decoration. One of the year’s most honest country albums.

2. Joshua Hedley — Neon Blue
Pure country, no costume. Hedley’s baritone and Bakersfield-informed sound feel lived-in, not revived. These are songs built the old way because the old way still works. Continuity country at its finest.

3. Ellis Bullard — Honky Tonk Ain’t Noise Pollution
Loose, funny, and sharp without winking. Bullard brings barroom wisdom and lived humor back to country music, letting rough edges stay rough. Proof that honky-tonk still has a pulse—and a sense of humor.

4.Riddy Arman — Silver Line
Minimalist Western twang where space does as much work as sound. Arman’s songs move slowly and land quietly, built for long roads and late hours. A record that trusts silence and earns it.

5. Rachel Brooke — Sings Sad Songs
Dark honky-tonk realism with no interest in redemption arcs. Brooke sings about regret and bad decisions without smoothing them over. Cold, clean twang that leaves the door shut when the song ends.

6. Kaitlin Butts — Roadrunner
Red Dirt storytelling rooted in place and consequence. Butts writes with specificity and strength, keeping the focus on people rather than scale. Twang that stays personal instead of performative.

7. Melissa Carper — Borned In Ya
Country that remembers how to swing. Upright bass, jazz-inflected phrasing, and a loose communal feel give this record warmth without softness. A reminder that twang once danced—and still can.

8. Rattlesnake Milk — Into the Black
Desert-baked, amp-blown twang with a dangerous streak. This record leans outlaw blues but earns its country stripes through attitude and refusal to behave. Raw, loud, and unapologetic.

9. Will Banister — Living the Dream?
Classic country singing as a craft, not a gimmick. Banister delivers well-built songs with effortless phrasing and emotional clarity. No irony, no updates—just country done right.

10. Sterling Drake — The Shape I’m In
Haunted, lonesome, and stripped close to the bone. Drake blends Appalachian and Southern roots into songs that feel written to survive, not succeed. Twang with scars still showing.

In 2025, the best country records didn’t beg for attention.
They trusted the song. They trusted the twang.
And they let the rest sort itself out.
That’s the music we can all stand behind.

Listen Up! Waylon Jennings – Songbird (2025)

Even though Waylon Jennings’ latest posthumous release ‘Songbird’ spans 1973 to 1984, his voice is vivid and raw throughout. Shooter Jennings resists temptation to “smooth over” imperfections, allowing his grit and phrasing to shine. Shooter Jennings and engineer Nate Haessly leaned analog, mixing on vintage gear to preserve an organic feel. The occasional overdubs come from surviving members of The Waylors and guest vocalists, but it’s generally restrained and respectful to the original tapes.

Compiled and mixed by Shooter Jennings at Hollywood, CA’s hallowed Sunset Sound Studio 3, Songbird collects recordings produced in various studios by Waylon Jennings and his longtime drummer and co-producer Richie Albright, featuring members of his indelible backing band, The Waylors, including Albright and renowned pedal steel guitarist Ralph Mooney, along with such special guests as Tony Joe White, Jessi Colter, and more. Jennings’ reinterpretation of Fleetwood Mac’s “Songbird” is a standout. It imbues the gentle original with honky-tonk steel, strong back-beat, and an emotional delivery. The addition of Elizabeth Cook and Ashley Monroe on backing vocals gives it a delicate lift without crowding out Jennings’ growl.

— 4 of 5 stars —

Listen Up – Sunny Sweeney – ‘Rhinestone Requiem’

Sunny Sweeney’s Rhinestone Requiem is a finely wrought, emotionally grounded return to honky-tonk and classic country roots. Drawing on co-production with longtime collaborator Harley Husbands, the album’s ten tracks balance grit and grace: bold storytelling (“Diamonds and Divorce Decrees”), wistful reflection (“Houston Belongs To Me”), spirited anthems (“As Long as There’s a Honky Tonk”) and a closing waltz (“Half Lit in ¾ Time”).

Sweeney’s voice is unvarnished and honest, and her songwriting leans into lived highs and lows without resorting to clichés. Though the production occasionally borders on polished, it never overshadows the core: real stories, real heart, real country.

4 of 5 stars

Listen Up – Caroline Spence’s *Heart Go Wild’ (2025)

*Heart Go Wild* is Spence’s fifth studio album, released August 29, 2025. It arrives after *True North* (2022), a record that leaned into vulnerability and emotional introspection. Since then, Spence has entered several new life phases: marriage, motherhood, and a period of creative recalibration. She describes ‘Heart Go Wild’ as giving herself “permission … to stay vulnerable and unfiltered … to stay in that wildness.the co-produced the album alongside Mark Campbell and Peter Groenwald, and the record is structured with 12 tracks.

Given Spence’s consistent track record for lyrical clarity and emotional candor, expectations were high: could she deepen her voice while also expanding her sonic palette? In many ways, *Heart Go Wild* succeeds.

One of Spence’s stronge’ leaned more toward introspection and quiet landscapes, ‘Heart Go Wild’ invites more movement — musically and thematically. Yet Spence never abandons what feels essential to her: clear melodies, expressive vocals, and lyric-driven storytelling.

“Effortless” (is a stand-out. The lyric is about “not settling” and trusting timing — a theme that seems to echo Spence’s artistic journey. The melody is graceful, the instrumentation supportive rather than showy, and the overall posture is one of quiet confidence. The album benefits from production that rarely gets in the way of the songs. Campbell, Groenwald, and Spence are careful to not over-embellish; arrangements often allow space for voice and lyric. In a few places, textures step in (strings, subtle percussion, atmospheric touches), but never in a way that distracts. The production feels like it serves the emotional arc of the record. The tracklist shows Spence working in multiple shades: from more immediate or mid-tempo songs to quiet ballads. She avoids monotony by varying pacing, instrumentation, and vocal dynamics. The title track “Heart Go Wild,” “Confront It,” and more playful songs like “Fun at Parties” offer contrast.

Standout Tracks
* “Effortless” — As noted, sharp in message and melody; a strong introduction to the record’s tone.
* “Soft Animal” — Echoes the more delicate side of Spence’s writing, offering vulnerability wrapped in subtle musical texture.
* Title Track, “Heart Go Wild”** — Acts as a thematic anchor.
* “Confront It” — Opens the album; sets up a tension-spill that gives shape to what follows.
* “Fun at Parties” — Provides contrast, lighter energy in a mostly introspective set.

Overall Take

*Heart Go Wild* is a mature, earnest, and quietly ambitious record. It doesn’t aim for bombast — instead, it leans into gentler evolution. For longtime fans, it feels like a natural next step, deepening rather than veering off course. For newcomers, it offers a compelling entry into Spence’s world: singer-songwriter grounded in emotion, with a voice that holds both fragility and resolve.

It may not always surprise you, but it will stay with you — in the spaces between the lines and the breath before her voice returns. And that feels exactly what Spence intended.

Rating 4 out of 5 stars

Great Lake Swimmers ‘Return with Caught Light’ — Out October 10, 2025

Few bands capture the quiet beauty of the Canadian landscape like Great Lake Swimmers. Led by songwriter Tony Dekker, the Southern Ontario indie-folk collective has built a reputation over two decades for crafting music that feels both timeless and deeply rooted in place. With their signature blend of acoustic instruments, rural soundscapes, and wistful vocals, the band first gained attention in the early 2000s with a run of atmospheric records often recorded in unusual, resonant spaces — from old grain silos to country churches.

That sense of pastoral intimacy has carried through their career, with live performances often described as homespun yet lush, a kind of Americana by way of the Canadian wilds.

Now, Great Lake Swimmers are entering a new chapter with their upcoming album, Caught Light, due out October 10, 2025. Recorded in just five days in Ontario’s Ganaraska Forest, the album finds Dekker and his collaborators leaning into a more direct and instinctive sound. Working alongside producer Darcy Yates (Bahamas) and engineer Jimmy Bowskill (Blue Rodeo), the group tapped into the immediacy and warmth of early ’70s folk-pop, while retaining the reflective spirit that has long defined their music.

If their earlier albums were shaped by reverberating walls and sacred stillness, Caught Light feels alive with motion and breath — a snapshot of a band reconnecting with instinct and intuition. For long-time fans, it promises both familiarity and surprise: the atmospheric textures are still there, but Dekker’s songwriting carries a newfound spontaneity, a sense of being fully present in the moment.

With Caught Light, Great Lake Swimmers remind us why they’ve remained one of the most compelling voices in indie-folk: songs that glow with intimacy, yet echo across landscapes.

George Strait Announces New Album + A Song with Chris Stapleton

At the George Strait show at Lucas Oil Stadium in Indianapolis Saturday night (5/4) Strait not only confirmed a new album is on the way, he also debuted two new songs from it, including a cut with Chris Stapleton entitled “Honky Tonk Hall of Fame.”.

Strait said during the concert that, “We’ve got a new record that’s called ‘Cowboys and Dreamers. It’s gonna be coming out soon.” (See below)

So Strait fans, it looks like the cowboy won’t be riding away anytime soon, and thank goodness.

Listen up: Madeline Hawthorne – “Where Did I Go Wrong” (Single Review)

Photo Credit: Dan Bradner
Photo Credit: Dan Bradner

Hawthorne says she’s happily married and I’ll take her word for it.

But she’s done a dang good job portraying a troubled woman. Sure her newest cut, “Where Did I Go Wrong,” marks off many country music cliches – a broken heart, sitting in the bar pining on what went wrong – with her Miranda Lambert-belt meets Bonnie Raitt-bluesey swagger she sends the tune into another dimension.

She was obsessed with music since her childhood on the East Coast, Madeline planted roots in Bozeman, MT during college and never turned back. She honed her talents through countless backup and band gigs before going solo amid the Global Pandemic- which put her then band, Hawthorne Roots, on the skids. Balancing Americana, roots, folk, and rock, she introduced herself on the 2021 LP, Boots, co-produced by Brad Parsons and Tyler Thompson in Pittsburgh. In between, she shared the stage with everyone from Jason Isbell, Lukas Nelson, Josh Turner, and Kip Moore to Sierra Hull, John Craigie, and Nathaniel Rateliff.”

Hawthorne’s new album ‘Tales From Late Nights & Long Drives’ (which contains this single) is due out everywhere on June 14 and was produced by the famed Ryan Hadlock (Zach Bryan, The Lumineers, Vance Joy) and recorded at Bear Creek Studios near Seattle, WA.

Official Site | Preorder

Listen Up – Jesse Daniel and Ben Haggard – “Tomorrow’s Good Ol’ Days”

Austin-based singer/songwriter Jesse Daniel releases the incisive duet “Tomorrow’s Good Ol’ Days” featuring Ben Haggard, son of country legend Merle Haggard.

A stomping piece of social commentary, the track comes from Daniel’s upcoming LP Countin’ The Miles, due out June 7 via Lightning Rod Records. It follows the raucous yet reflective first single “Comin’ Apart At The Seams,” which earned praise from Brooklyn Vegan, Holler, No Depression, Whiskey Riff, Country Central, Twang Nation and more. This month, Daniel will support Blackberry Smoke in Houston, TX before supporting Charles Wesley Godwin on a run of dates in July.

Official Site | Preorder

Son Volt Continue To Inspire And Challenge On Electro Melodier Set For Summer Release

Son Volt  -  Electro Melodier

It’s been a couple of years since Alt.country stalwarts Son Volt last release, Union and Jay Farrar and company have not been idle in these pandemic times. Their tenth studio album will be released July 30th and will feature Son Volt’s current lineup of Mark Spencer, Chris Fame, Mark Patterson and Andrew DuPlantis..

The title, Electro Melodier, is taken from the names of two vintage amplifiers from the late ‘40s and early ‘50s, and will feature more intimate and socio-political musings from Farrar, who originally set out to make a nostalgic record that paid tribute to the music of his youth.

“I wanted to concentrate on the melodies which got me into music in the first place,” Farrar said in a statement. “I wanted politics to take a back seat this time, but it always seems to find a way back in there.”

The first cut from Electro Melodier is “Reverie,” (below) a song of hope and sepia memories laced with organ swells and chiming guitar.

Pre-order Electro Melodier.

The follow-up to 2019’s acclaimed release Union, Electro Melodier finds band founder Jay Farrar’s unparalleled songwriting as poignant and intelligent as ever. Electro Melodier touches on the thought-provoking issues that impact us all, including the pandemic, love, and the inevitable passing of time. The current political divide makes its appearance on the album as well. “I wanted to concentrate on the melodies which got me into music in the first place,” says Farrar. “I wanted politics to take a back seat this time, but it always seems to find a way back in there.”

“Livin’ in the USA” echoes protest songs of old, highlighting both the breakdown of our culture and planet. “Share a little truth with your neighbor down the block, We’ve all got fossil fuel lungs while we run out the clock,” Farrar sings. “The Globe” reverberates with the tensions that arise with the fight for equality. “People climbing skyward stairs, Deciders of their fate, You can see it everywhere, Change is in the air…” The sentimental “Diamonds and Cigarettes,” featuring vocals by country singer Laura Cantrell, lovingly pays homage to his wife, while “Lucky Ones” is a weary tale of gratitude.

Electro Melodier features band members Mark Spencer (piano, organ, acoustic slide, lap steel, backing vocals) Andrew DuPlantis (bass, backing vocals), Chris Frame (guitar) Mark Patterson (drums, percussion). Son Volt will take Electro Melodier on the road with select tour date in summer and fall. See below and for tickets go to https://sonvolt.net/.

Farrar started Son Volt in 1994 after leaving the seminal group Uncle Tupelo, whose No Depression album helped define the alt-country and Americana genre. Son Volt’s debut Trace was heavily lauded and remains a defining document of the ’90s alt-country movement. Two decades later, the group continue to decidedly capture the times while breaking new musical ground on Electro Melodier.