Americana power couple, Shovels & Rope, appeared on Conan last night to deliver an intimate performance of their gospel-tinged “The Devil Is All Around”
The song if from their new release ‘Swimmin’ Time.’
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Americana power couple, Shovels & Rope, appeared on Conan last night to deliver an intimate performance of their gospel-tinged “The Devil Is All Around”
The song if from their new release ‘Swimmin’ Time.’
RollingStone.com has premiered “Married to My Hack,” from the upcoming “Lost on the River: The New Basement Tapes”
The just shy of two-minutes track of marital resignation features Elvis Costello on lead vocals and Carolina Chocolate Drops’ Rihannon Giddens on backing vocals. Costello channels Dylans croaked spoken-blues as Giddens monas an scats over a ramshackle junkyard symphony that would make tom Waits crack a crooked smile.
“Married to My Hack” and “Nothing to It” are instant downloads for preorder on iTunes and Amazon.
On November 21st Showtime will air a documentary about the making of the album, “Lost Songs: The Basement Tapes Continued,” directed by Sam Jones.
Related news, Legacy Recordings will release “The Basement Tapes Complete: The Bootleg Series Vol. 11” A six-disc collection of teh storied Dyman/Bnad seesions offering an astounding 138 tracks o November 4th.
Track list for the deluxe edition of “Lost on the River: The New Basement Tapes”
1. Down on the Bottom
2. Married to My Hack
3. Kansas City
4. Spanish Mary
5. Liberty Street
6. Nothing to It
7. Golden Tom – Silver Judas
8. When I Get My Hands on You
9. Duncan and Jimmy
10. Florida Key
11. Hidee Hidee Ho #11
12. Lost On The River #12
13. Stranger
14. Card Shark
15. Quick Like A Flash
16. Hidee Hidee Ho #16
17. Diamond Ring
18. The Whistle Is Blowing
19. Six Months in Kansas City (Liberty Street)
20. Lost on the River #20
Showtime will air a documentary about the making of the album, Lost Songs: The Basement Tapes Continued, which filmmaker Sam Jones directed, on November 21st. It will show the making of the record and compare it to Dylan’s original sessions with the Band.
In other Basement Tapes news, the complete recordings of Dylan’s original 1967 sessions are due out as a six-disc, 138-track box set – The Basement Tapes Complete: The Bootleg Series Vol. 11 – on November 4th. Rolling Stone premiered one of the tracks, an alternate take on “Odds and Ends,” which is streaming here.
Hal Ketchum has known the road as a veteran of the Texas honky-tonk circuit. He’s also known commercial success a with his 1991 certified gold release “Past the Point of Rescue.”
Ketchum has also known hardship. In June 1998, Ketchum was diagnosed with a neurological disorder called acute transverse myelitis, an ailment of the spinal column, which left Ketchum without the use of the left side of his body. As a result he had to relearn basic tasks, including how to walk and play the guitar. He also took some time to find his way back to music.
Ketchum tells Billboard. “I just kind of lost my powder for a while,” “I just didn’t feel like playing or writing. One day I just said, ‘This is a gift that God has given me, so I better get back to it.'”
“It’s an amazing gift to be able to come back this strong,” says Hal Ketchum in an interview with Billboard, who premiered the title track to his new album ‘I’m the Troubadour’ today. “I feel like it’s the best record I’ve ever made.”
The album, out October 7 on Music Road Records, marks a significant personal triumph for the legendary songwriter and Grande Ole Opry member, who spent the last several years living in a cabin in Wimberley, TX away from the pressure of the music industry, where he could focus on his health as he dealt with the symptoms of multiple sclerosis, including bouts of paralysis and blindness that had also taken a toll on his mental state.
Though he’s best known for hit country singles like “Small Town Saturday Night” and “Past the Point of Rescue,” which have led to more than 5 million album sales, it sounds like Ketchum has decided to enter music this tome from the eclectic Americana back door. His new cut ‘I’m the Troubadour’ (below) blends rock, folk, soul and Cajan elements to create a splendid amalgam.
That newfound creative freedom from genre restrictions and commercial pressure, a result of his partnership with Music Road Records, was just the inspiration Ketchum needed to break free from what he described as a “deep level of depression” that had put him in a “dark place” as he struggled with health problems.
““I had pretty much thrown in the towel. I wasn’t interested in putting out another big country album. IÂ’ve done that. I’ve been there, man,” he says. “I finally said to myself, ‘I can still do this. I can still write.’ This record was a really beautiful departure for me. I think itÂ’s going to be refreshing for people who havenÂ’t heard me in a while to know that the old manÂ’s still swinginÂ’.””
His new album follows 2008’s ‘Father Time,’ will be released Oct. 7 on Music Road Records.
According to Consequence of Sound
The entire collection of work by Bob Dylan and The Band (then known as the Crackers) Basement Tapes sessions will be available to the general public. Coming November 4th via Legacy Recordings, the six-disc collection covers an impressive 138 tracks, 30 of which were never of known to exist until today’s announcement. Several other tracks have only existed as mediocre bootleg recordings.
The Basement tapes are the Rosetta Stone of modern roots and Americana music. These sessions occurred in the wake of Dylan’s post motorcycle crash recovery in 1966. Dylan and the band holed up in the basement of a Woodstock, New York house known as the Big Pink, where members of the Band were using as their base. They proceeded to record over 100 tracks together, including “This Wheel’s on Fire”, “I Shall Be Released” and “Tears of Rage” which appeared on The Band’s debut album, “Music from Big Pink.” Other cuts included “Quinn the Eskimo,†which Manfred Mann recorded and charted in the UK , “You Ain’t Goin’ Nowhere” recorded as a single by the Byrds as well as “Nothing Was Deliveredâ€, which appeared on “Sweetheart of the Rodeo.â€
Rolling Stone posts that the unreleased material includes an “epic, apocalyptic rocker†called “Wild Wolfâ€; an early version of “I Shall Be Released†with slightly different lyrics; a cover of Hank Williams’ 1949 song “My Bucket’s Got a Hole In Itâ€; and “country-fied†versions of “Blowin’ in the Windâ€, “It Ain’t Me Babeâ€, and “One Too Many Morningsâ€, featuring keyboardist Richard Manuel handling lead vocals on the first verse. “”The stuff that people haven’t heard justifies, in every way, shape and form, all the hype, hubris and myth that surrounds these tapes,” says folk musician and writer Sid Griffin, who wrote the liner notes for this new collection (which is also being released as a two-disc version and three-LP set). “Some of this stuff is mind-boggling.”
Below, stream an alternate take of the original “Odds and Ends”
The deluxe edition of the album also includes a 120-page companion book featuring extensive liner notes and previously unseen photographs and memorabilia. Also available will be a more concise version dubbed, The Basement Tapes Raw, featuring 38 tracks on two discs or three LPs. See the full tracklist below.
Pre-order The Basement Tapes Complete: The Bootleg Series Vol. 11(Deluxe Edition) vinyl or CD
The Basement Tapes Complete serves as the 11th installment in Dylan’s ongoing “The Bootleg Series.” The release also coincides with the release “Lost On The River: The New Basement Tapes” featuring a whos’who of roots-rockers – My Morning Jacket’s Jim James, Mumford and Sons’ Marcus Mumford, Elvis Costello,Dawes’ Taylor Goldsmith, Carolina Chocolate Drops’ Rhiannon Giddens, and shephareded by T-Bone Burnett.
The Basement Tapes Complete: The Bootleg Series Vol. 11 Tracklist:
CD 1
Disc: 1
01. Edge of the Ocean
02. My Bucket’s Got a Hole in It
03. Roll on Train
04. Mr. Blue
05. Belshazzar
06. I Forgot to Remember to Forget
07. You Win Again
08. Still in Town
09. Waltzing with Sin
10. Big River (Take 1)
11. Big River (Take 2)
12. Folsom Prison Blues
13. Bells of Rhymney
14. Spanish is the Loving Tongue
15. Under Control
16. Ol’ Roison the Beau
17. I’m Guilty of Loving You
18. Cool Water
19. The Auld Triangle
20. Po’ Lazarus
21. I’m a Fool for You (Take 1)
22. I’m a Fool for You (Take 2)
Disc: 2
01. Johnny Todd
02. Tupelo
03. Kickin’ My Dog Around
04. See You Later Allen Ginsberg (Take 1)
05. See You Later Allen Ginsberg (Take 2)
06. Tiny Montgomery
07. Big Dog
08. I’m Your Teenage Prayer
09. Four Strong Winds
10. The French Girl (Take 1)
11. The French Girl (Take 2)
12. Joshua Gone Barbados
13. I’m in the Mood
14. Baby Ain’t That Fine
15. Rock, Salt and Nails
16. A Fool Such As I
17. Song for Canada
18. People Get Ready
19. I Don’t Hurt Anymore
20. Be Careful of Stones That You Throw
21. One Man’s Loss
22. Lock Your Door
23. Baby, Won’t You be My Baby
24. Try Me Little Girl
25. I Can’t Make it Alone
26. Don’t You Try Me Now
Disc: 3
01. Young but Daily Growing
02. Bonnie Ship the Diamond
03. The Hills of Mexico
04. Down on Me
05. One for the Road
06. I’m Alright
07. Million Dollar Bash (Take 1)
08. Million Dollar Bash (Take 2)
09. Yea! Heavy and a Bottle of Bread (Take 1)
10. Yea! Heavy and a Bottle of Bread (Take 2)
11. I’m Not There
12. Please Mrs. Henry
13. Crash on the Levee (Take 1)
14. Crash on the Levee (Take 2)
15. Lo and Behold! (Take 1)
16. Lo and Behold! (Take 2)
17. You Ain’t Goin’ Nowhere (Take 1)
18. You Ain’t Goin’ Nowhere (Take 2)
19. I Shall be Released (Take 1)
20. I Shall be Released (Take 2)
21. This Wheel’s on Fire
22. Too Much of Nothing (Take 1)
23. Too Much of Nothing (Take 2)
Disc: 4
01. Tears of Rage (Take 1)
02. Tears of Rage (Take 2)
03. Tears of Rage (Take 3)
04. Quinn the Eskimo (Take 1)
05. Quinn the Eskimo (Take 2)
06. Open the Door Homer (Take 1)
07. Open the Door Homer (Take 2)
08. Open the Door Homer (Take 3)
09. Nothing Was Delivered (Take 1)
10. Nothing Was Delivered (Take 2)
11. Nothing Was Delivered (Take 3)
12. All American Boy
13. Sign on the Cross
14. Odds and Ends (Take 1)
15. Odds and Ends (Take 2)
16. Get Your Rocks Off
17. Clothes Line Saga
18. Apple Suckling Tree (Take 1)
19. Apple Suckling Tree (Take 2)
20. Don’t Ya Tell Henry
21. Bourbon Street
Disc: 5
01. Blowin’ in the Wind
02. One Too Many Mornings
03. A Satisfied Mind
04. It Ain’t Me, Babe
05. Ain’t No More Cane (Take 1)
06. Ain’t No More Cane (Take 2)
07. My Woman She’s A-Leavin’
08. Santa-Fe
09. Mary Lou, I Love You Too
10. Dress it up, Better Have it All
11. Minstrel Boy
12. Silent Weekend
13. What’s it Gonna be When it Comes Up
14. 900 Miles from My Home
15. Wildwood Flower
16. One Kind Favor
17. She’ll be Coming Round the Mountain
18. It’s the Flight of the Bumblebee
19. Wild Wolf
20. Goin’ to Acapulco
21. Gonna Get You Now
22. If I Were A Carpenter
23. Confidential
24. All You Have to do is Dream (Take 1)
25. All You Have to do is Dream (Take 2)
Disc: 6
01. 2 Dollars and 99 Cents
02. Jelly Bean
03. Any Time
04. Down by the Station
05. Hallelujah, I’ve Just Been Moved
06. That’s the Breaks
07. Pretty Mary
08. Will the Circle be Unbroken
09. King of France
10. She’s on My Mind Again
11. Goin’ Down the Road Feeling Bad
12. On a Rainy Afternoon
13. I Can’t Come in with a Broken Heart
14. Next Time on the Highway
15. Northern Claim
16. Love is Only Mine
17. Silhouettes
18. Bring it on Home
19. Come All Ye Fair and Tender Ladies
20. The Spanish Song (Take 1)
21. The Spanish Song (Take 2)
The Basement Tapes Raw: Bootleg Series Vol. 11 Tracklist:
Disc: 1
01. Open the Door, Homer
02. Odds and Ends
03. Million Dollar Bash
04. One Too Many Mornings
05. I Don’t Hurt Anymore
06. Ain’t No More Cane
07. Crash on the Levee
08. Tears of Rage
09. Dress it up, Better Have it All
10. I’m Not There
11. Johnny Todd
12. Too Much of Nothing
13. Quinn the Eskimo
14. Get Your Rocks Off
15. Santa-Fe
16. Silent Weekend
17. Clothes Line Saga
18. Please, Mrs. Henry
19. I Shall be Released
Disc: 2
01. You Ain’t Goin’ Nowhere
02. Lo and Behold!
03. Minstrel Boy
04. Tiny Montgomery
05. All You Have to do is Dream
06. Goin’ to Acapulco
07. 900 Miles from My Home
08. One for the Road
09. I’m Alright
10. Blowin’ in the Wind
11. Apple Suckling Tree
12. Nothing Was Delivered
13. Folsom Prison Blues
14. This Wheel’s on Fire
15. Yea! Heavy and a Bottle of Bread
16. Don’t Ya Tell Henry
17. Baby, Won’t You be My Baby
18. Sign on the Cross
19. You Ain’t Goin’ Nowhere
Playing many,many live shows near their home in Brooklyn has served the roots-rock band Jumbo Brown very well.
Their song “Ain’t Nothing Wrong” ia a woozy, honky-tonk ode to the simple joys of life and good times. There is loose feel that fits perfectly on a back porch or in a crowded bar. The video for the song ain’t nothing fancy , but it does reflect perfectly that joy and communal spirit.
Of the video the band says: “We shot the video footage live, without a sync track with Rob Langevin (director) at our buddy’s birthday party, Skinny Dennis (Home venue, Willamsburg 152 Metropolitan Ave.) and Randolph Brooklyn (where the piano was located). The song’s about having a good ole time with friends, enjoying the simpler pleasures in life. Scotty D. (New Orleans native frontman) wanted to release the song before Labor Day weekend, because we all kept finding ourselves singing the song around BBQ grills, Bon fires, and rooftop singalongs.”
“Side note, the little boy in the video is a staple at their Skinny Dennis shows, as he dances, plays tambourine, and event duets vocally when the group plays crowd favorites like “Harlem River Blues” by Justin Townes Earle.”
Their new album, American Primitive, will be out December 2nd.
Check this searing performance Laura and Lydia Rogers (The Secret Sisters) from last nights Tonight Show of their contemporary murder ballad ‘Iuka.”
“Iuka” can be found on their newest release Put Your Needle Down
Carrie Ashley Hill + Jeff Berrall (Caveman) have released a lovely video for the song ‘Found You’ to accompany thier Stoned Ruin Records Lathe-Cut 7″
Tyler Bisson of Audio Geography cuts the records individually in real time on a 1940’s era lathe machine. Each 7″ is packaged in hand-screened artwork and includes digital downloads.
About the song the couple says “Jeff said to Carrie laughing, “You’re tired, I’m broken.†Later that day she sent him a text, “I found you when I knew I needed no one,†he replied, “I found you when I thought I was done,†and that is how these songs came to be.”
The couple resides in Brooklyn, where they are currently working on a full length record.
The 7″ can be purchased at stonedruin.com, Norman’s Sound & Vision in Williamsburg, Brooklyn or at their next live show in NYC Saturday, August 23rd at 7pm at Rockwood Music Hall.
The video was created by a Liam Alexander and can be seen below.
Live is hard. This is a great video that highlights that as sisters Johanna and Klara Söderberg perform ‘Master Pretender’ with their lovely, bending harmony and deft finger-picking in a live performance for an official video.
‘Master Pretender’ is from First Aid Kit latest, “Stay Gold,”out now.
Performers like Konrad Wert (Possessed By Paul James) , Scott H. Biram and Hillstomp have been spectacularly creating Depression era country, bluegrass, folk, gospel, and blues music for years by jolting the dusty form with a furious intensity and emotional directness that would make Marcus Mumford sob into his vintage hanky.
We can now add to that the Joplin, Mo. trio of Ben Miller, Doug Dicharry and Scott Leeper, collectively known as The Ben Miller Band.
Producer Vance Powell ( Wanda Jackson,Buddy Guy, Jack White) is just the right man to steward ‘Any Way, Shape or Form,’ TBMB’s debut for New West records, though the many influences that make up what the band calls “Ozark Stomp” and bring out the band’s best effort to date.
Opener “The Outsider” evokes Dock Boggs and split Lip Rayfield as Miller’s clawhammer banjo, Dicharry’s percussion and Leeper’s washtub bass kick up a foggy mountian moshpit accenting by a hot guest slide guitar break by Chad “Gravy” Graves. The spirit of John Lee Hooker is raised in the jump boogie of “You Don’t Know” with a nasty little guitar break in the middle, and in the greasy/sleazy ‘Hurry Up And Wait” which features Dicharry’s blazing washboard work. Things gear down on the melancholy “I Feel for You” which is given a a dreamy quality from the inclusion of Graves pedal steel and Dicharry’s mandoline. The inclusion of the vaudeville-jazz ditty “23 Skidoo”, a 1920’s slang phrase for getting while the getting’s good is an odd twist especially when it grows into a dramatic swell. “Burning Building” is an Appalachian-meets-garage rocker that would make Jack White give a pasty smile.
the treatment given to the traditional folk ballad “The Cuckoo.” The internal dialogue of the piece occurs in a fever dream of roots-psychedelic, stabbing guitar, musical spoons and furious percussion. “Twinkle Toes,” is a jaunty lock-down break-down sing-along featuring blistering dobro. “Life on Wheels” kicks off like a “Whiskey River” remake but quickly breaks another direction as harmonica brings to mind a whining train whistle. “No War,” is a lofty Phil Ochs-style topical folk song calling out corruption and ponders the metaphysical.
“Any Way, Shape or Form” is work of considerable scope executed into a whole of rambunctious cohesion. It leaves you wondering what else Ben Miller Band might have up their sleeves.
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One of the most heart-breaking moments of my life was seeing Glen Campbell accept his lifetime Achievement Grammy due to the already evident effects of his Alzheimers. Talking to him and his wife, Kim Woollen, afterword gave me hope. As dire as his future looked he was still in good spirits and was surrounded by people who love him.
Below is the trailer for the Glen Campbell documentary, ‘Glen Campbell: I’ll Be Me,’ which will be released on Oct. 24 in New York and Nashville.
‘I’ll Be Me’ features footage from Campbell’s Goodbye Tour mixed with stories from artists and celebrities who know and love him, including Blake Shelton, Sheryl Crow, Keith Urban, Brad Paisley, Taylor Swift, Vince Gill, Steve Martin, Bruce Springsteen, Bill Clinton, the Edge, Paul McCartney, Jimmy Webb and Jay Leno.
The documentary won the Gibson Music City/Music City Films Grand Jury Prize at the 2014 Nashville Film Festival, where it premiered. It was directed by James Keach and produced by Keach and Trevor Albert.
More information can be found at the film’s official site.