Category Archives: Country Music

Buck Owens’ A Merry ‘Hee Haw’ To Be Released

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Buck Owens’ A Merry ‘Hee Haw’IT’S A BAKERSFIELD KIND OF CHRISTMAS AT OMNIVORE
Buck Owens’ A Merry ‘Hee Haw’ Christmas due in stores November 13.

Many of us are flat-out done with 2020 and are ready to turn the page on the hole damn year. Now there’s a something to make the upcoming holidays a little bit more wonderful.

The fine folks Omnivore Recordings will release Buck Owens’ A Merry ‘Hee Haw’ Christmas (out on November 13, 2020). The original title, released in 1970, combined Owens’ two Christmas albums for Capitol (Christmas With Buck Owens and His Buckaroos and Christmas Shopping) as one package. Now, in its CD and digital debut, A Merry ‘Hee Haw’ Christmas is augmented by four bonus tracks: “All I Want for Christmas Is My Daddy,” “Santa Looked a Lot Like Daddy (Daddy Looked a Lot Like Him),” and two Toys for Tots public service announcements originally issued on a 1972 Capitol promotional single.

Buck Owens was born Alvis Edgar Owens Jr. in in Sherman, Texas on August 12, 1929. He was one of the pioneers of the Bakersfield country sound, along with Merle Haggard, Susan Raye and Jean Shepard, and arguably its most consistent hit-maker. Owens co-hosted the prime-time comedy variety show Hee Haw with Roy Clark. The inductee to the Country Music Hall of Fame and Nashville Songwriters Hall of Fame operated Bakersfield’s Crystal Palace music venue, which continues to present live country music long after his passing on March 25, 2006.

Buck Owens and His Buckaroos popularity in 1960s made them a natural for the lucrative Christmas music market. Buck and his band recorded two classic Christmas albums for Capitol: First Christmas With Buck Owens and His Buckaroos in 1965, and Christmas Shopping in 1968. Not only did both albums make the Billboard Christmas Album Chart (Christmas With charted multiple times — #12 in 1965, and #23 in both 1966 and 1967, and #31 for Christmas Shopping), but they both threw off charting singles as well. “Santa Looked a Lot Like Daddy (Daddy Looked a Lot Like Him),” drawn from Christmas With, proved to be so popular a holiday favorite it charted twice, hitting #2 in 1965 and two years later, in December ’67, revisiting the charts and making it to #18. In 1968, it was the title track of the second classic Christmas offering, Christmas Shopping, which made it to #5.

Going back to the holiday well in 1970, Capitol cashed in again with a double LP distillation of the two albums called A Merry ‘Hee Haw’ Christmas, which would chart at #34. For that compilation, two songs were omitted, one from each original album, and they’ve been reinstated for Omnivore’s reissue. “All I Want For Christmas Is My Daddy” was left off the Christmas Shopping disc, while “Santa Looked a Lot Like Daddy (Daddy Looked a Lot Like Him)” was lost from the Christmas With album — a curious omission since it was the most successful Christmas single ever offered by Buck.

Grammy®-Nominated- and Award-winning producers Patrick Milligan and Cheryl Pawelski produced the CD with Estate approval. Newly remastered from the original analog master tapes by Grammy®Award-winning engineer Michael Graves, these holiday favorites sparkle and shine like never before.

When a pre-release source becomes available we’ll update this post with a link.

A Merry ‘Hee Haw’ Christmas track listing
1. Christmas Shopping
2. Christmas Time Is Near
3. The Jolly Christmas Polka
4. All I Want For Christmas Is My Daddy
5. Merry Christmas From Our House To Yours
6. Good Old Fashioned Country Christmas
7. One Of Everything You Got
8. Home On Christmas Day
9. Christmas Schottische
10. A Very Merry Christmas
11. It’s Not What You Give
12. Tomorrow Is Christmas Day
13. Santa Looked A Lot Like Daddy (Daddy Looked A Lot Like Him)
14. Blue Christmas Lights
15. Christmas Ain’t Christmas
16. Jingle Bells
17. All I Want For Christmas Dear Is You
18. Santa’s Gonna Come In A Stagecoach
19. Christmas Time’s A Comin’
20. Blue Christmas Tree
21. Here Comes Santa Claus Again
22. Christmas Morning
23. It’s Christmas Time For Everyone But Me
24. Because It’s Christmas Time
25. Toys For Tots (Version 1) [Bonus Track]
26. Toys For (Version 2) [Bonus Track]

Americana Music Association Announces Streaming ‘Thriving Roots’ Conference

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Thriving Roots

The ongoing COVID-19 pandemic has rolled the music industry keeping musicians from coming together together to create music and keeping musicians off the road and deriving them of a much-needed revenue source. Many have tackled the technical hurdles to stream performances to connect with fans and collect online tips and perhaps move a t-shirt or a slab of vinyl.

It follows that music festivals would follow much the same path. Americana Music Association’s AmericanaFest as a face-to-face event has been scrapped for their charitable and educational branch, the Americana Music Association Foundation, will hold a ‘Thriving Roots,’ a virtual festival complete with industry-focused panels and live-streamed performances.

Set for September 16th-18th the event will include guest speakers Jackson Browne, Mavis Staples,Brandi Carlile, Yola, Emmylou Harris, Ken Burns, Taj Mahal, Mary Gauthier, Rhiannon Giddens, T Bone Burnett, Rosanne Cash, and Black Pumas. Topics slated to be covered are representation, advocacy and staying true to your art, the healing qualities of music, and the business challenges and decisions faced by a developing artist.

The full agenda for ‘Thriving Roots’ will be announced in late August.

Early bird passes for conference registration are $99 and available now.

Remembering Charlie Daniels – Americana Pioneer

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Charlie Daniels

Charlie Daniels singer, songwriter, bandleader, multi-instrumentalist, philanthropist and Country Music Hall of Fame member died Monday from hemorrhagic stroke in Nashville. He was 83 years old.

We all know about Daniels’ most famous for Grammy-winning cross-genre hit song “The Devil Went Down to Georgia,” from the 1979 Charlie Daniels Band album “Million Mile Reflections.” The song became even bigger with its inclusion on the soundtrack for the hit movie ‘Urban Cowboy,’ in which Daniels makes an onscreen appearance with his band playing along with the recorded song during the film’s dance contest scene.

Before making the leap into stardom Daniels was a Music Row session musician playing guitar, bass, mandolin and fiddle as needed for the session. often working for his friend, producer Bob Johnston whom he had befriended after meeting on the Ft. Worth club scene . Several of these Johnston-led sessions were for Bob Dylan albums during 1969 and 1970, most notably playing guitar and bass guitar on on Bob Dylan’s 1969 LP ‘Nashville Skyline’ which Danials told Billboard he almost wan’t included.

“They had built the nucleus of that studio band around him with the other two albums he had done in town, ‘Blonde On Blonde’ and ‘John Wesley Harding.’ But the guitarist they wanted [Wayne Moss] could not make the first session because he was already booked elsewhere. So Bob Johnston called me and got me to fill in for him, and Dylan liked what I was doing. I was getting ready to leave but he didn’t want me to leave and asked me to stick around and I wound up doing two more records with him in ‘Self Portrait’ and ‘New Morning.’ But it was happenstance that I was on those initial sessions for Nashville Skyline.”

Michael Ochs Archives/Getty Images

Daniels inclusion in these sessions provided other opportunities outside of Country Music.

Producer Pete Drake convinced Ringo Starr to move his ‘Beaucoups of Blues’ sessions from the U.K. to Nashville by telling Starr that within a week Drake’s musician friends could produce more than an albums worth of material. Perhaps recalling those later Beatles recording sessions Ringo reportedly thought this was an ‘impossible’ feat and might have been swayed by witnessing the quickness of the sessions, which had been common for Nashville Country music sessions for years.

Daniels recalled the sessions as “pretty typical Nashville sessions. You know, three songs in three hours. It was go in, sit down and work. Here’s the songs, here’s the chords, let’s get it done. It was not a Beatles-type leisurely session. It was work.”

Starr, apparently convinced, said of the sessions, “We did the album in two nights. … I was only there three days recording. I’d learn five songs in the morning and I’d go and record five songs that night. It was really good.”

This led to the most unlikely gig in Daniels’ career, playing with Leonard Cohen.

Daniels recalled in his biography ‘Never Look At The Empty Seats.’ “When Bob Johnston brought Leonard Cohen to Nashville to record an album, I have to admit that I knew very little about him and was completely unfamiliar with his music.Leonard was a totally different kind of artist than any I had ever worked with. His music was sensitive and haunting, and the imagery of his lyrics was abstract and poetic, like a Georgia O’Keeffe painting. … When I first heard ‘Bird on the Wire,’ I didn’t know what to think. Here was a truly unique artist, and his songs were so delicate that one out-of-place guitar lick could bend it out of shape. When you worked with Leonard, you had to listen closely and get in sync with what he was trying to convey. You had to interpret it in the same musical frame he was operating in. Sometimes it only called for a well-placed note or two, sparse but meaningful. I know that sounds philosophical and stilted, but so was Leonard’s music. You needed to be in a certain frame of mind, and it was a challenging but satisfying experience.”

Daniels / Leonard

Following the release of the album, ‘Songs From A Room’ (1969), Cohen invited Daniels to join him on tour. “I was asked to be part of the backup band that would be called The Army. It was a different kind of band, mostly acoustical instruments with no drums. We needed to surround Leonard with delicate, genteel sounds. For a bang, slam, redline graduate of thirteen years of honky-tonk and rock and roll, it would be a learning experience.”

Daniels went on to help found the Southern Rock sound that then influenced bands like The Drive-By Truckers and Blackberry Smoke

Though the Americana and roots music community never really warmed up to Daniels, mainly due to his outspoken conservatism and the communities general liberal slant, in 2006 Charlie Daniels received the First Amendment Center / Americana Music Association “Spirit of Americana Free Speech Award” at the 5th Annual Americana Honors & Awards at the Ryman Auditorium ceremony.

Colter Wall’s New Album “Western Swing & Waltzes and Other Punchy Songs” Out This Summer

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Colter Wall’s Western Swing & Waltzes and Other Punchy Songs

Sometimes you just want to stretch out after a long days work and have a beer and daydream about simpler times. 24-year-old Canadian crooning cowboy Colter Wall writes and performs songs perfectly suited for such an activity. Now more songs of dusty trails and scenic Canadian locals are on the way when Wall releases his third album late this summer. “Western Swing & Waltzes and Other Punchy Songs” is slated for a August 28th release as the follow-up to his 2018 album “Songs of the Plains.”

Wall rounded up his hard-working touring band — Patrick Lyons (pedal steel, dobro, mandolin), Jake Groves (harmonica), Jason Simpson (bass), and Aaron Goodrich (drums); joined by Emily Gimble on piano and Doug Moreland on fiddle — and recorded and self-produced “Western Swing & Waltzes and Other Punchy Songs” at Adam Odor and David Percefull’s Yellow Dog Studio in Wimberley, Texas.

Ahead of the album’s release, Wall has shared a new song “Western Swing & Waltzes,” a more relatively upbeat offering than his past faire.

Pre-order “Western Swing & Waltzes and Other Punchy Songs” here.

“Western Swing & Waltzes and Other Punchy Songs” Track listing:
1. Western Swing & Waltzes
2. I Ride An Old Paint/Leavin’ Cheyenne
3. Big Iron
4. Henry and Sam
5. Diamond Joe
6. High and Mighty
7. Talkin’ Prairie Boy
8. Cowpoke
9. Rocky Mountain Rangers
10. Houlihans at the Holiday Inn

Bobbie Gentry’s “The Delta Sweete” Expanded With New Deluxe Edition Out 7/31

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How do you follow up o the biggest album of 1967? If you’re Bobbie Gentry you don’t sit on the impressive laurels born of her best-selling debut “Ode to Billie Joe”, which displaced the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band from its 15-week reign at the top of the US Billboard Top LP’s chart. You release ‘The Delta Sweete,’ a concept album based on life in contemporary Deep South.

Released in February 1968, barely six months after Gentry’s debut LP, ‘The Delta Sweete’ may not have contained anything as career-defining as the song “Ode to Billie Joe,” but it represented a definite step forward in its musical ambition: A multi-faceted album, where each track blurred, dreamlike, into the next, the songs evoked the melancholy adolescent world of Gentry’s childhood in Chickasaw County while further deepening her fascination with loss, illusion and the often comic absurdity of the conventions of everyday life. Even the album’s name was pure Gentry, the “Sweete” in the title punning on both Gentry’s southern belle good looks (a pretty girl in the South might be referred to as a sweete) and the album’s musical song structure. The artwork also poetically evoked the music it contained, featuring a double exposure of a contemplative black and white image of Gentry in tight close-up, superimposed onto a color photo of a run-down shack taken on her grandparents’ farm where she grew up.

On July 31, Capitol/UMe will release an expanded edition of The ‘Delta Sweete’ on 2CD and deluxe 2LP vinyl. The expanded CD edition features a new stereo mix of the album (sourced directly from the original four-track and eight-track tapes) by Andrew Batt, the GRAMMY®-nominated producer/compiler behind The Girl From Chickasaw County, alongside the original mono mix making its debut on CD. There are a total of 10 bonus tracks to treasure, including a previously unreleased original demo, “The Way I Do,” and a special instrumental version of “Okolona River Bottom Band” featuring the great Shorty Rogers on bass trumpet. The deluxe vinyl is the first official repress of the album since 1972 and features the new stereo mix on LP1 and the 10 bonus tracks on LP2.

Listen to the unreleased “The Way I Do” below,

Pre-order “The Delta Sweete”

“A Night For Austin” Fundraiser Featuring Paul Simon, Willie Nelson, Vince Gill, Lyle Lovett and More

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Austin, Texas, the self-professed “lLive Music Capital of the World” has announced “A Night For Austin,” a television and streaming event to raise money for the community of Austin in reaction to the closures and loss due to COVID-19 shutdowns. Produced by Luck Productions. “A Night For Austin” is the brainchild of Grammy legendary singer-songwriter Paul Simon and the two hour, commercial-free telethon-style broadcast will start at 8 pm Central on June 10th at anightforaustin.com and twitch.tv/luckreunion. The program will also air locally on CBS Austin (KEYE). A Night For Austin will be powered by Brightcove, the world’s leading video technology platform.

Performances from Simon, Nelson, James Taylor, and more will intertwine with appearances from the likes of Ethan Hawke, Renée Zellweger, Woody Harrelson, and Owen Wilson; all Texans with a strong love for the city and its people. 100% of the money raised will go to a fund managed by the Austin Community Foundation to be distributed directly to MusiCares Austin, HAMM, Central Texas Food Bank, Six Square, Southern Smoke Foundation, Red River Cultural District, and People Fund. Locals will be able to watch “A Night For Austin” on CBS Austin (KEYE). Worldwide, “A Night For Austin” will be streamed on anightforaustin.com and at Luck Reunion’s Twitch channel, complete with a “virtual tip jar”—a direct link to donate throughout the evening. A full, ever-growing list of performers can be found below.

“The coronavirus has completely upended live music in Austin, which is why we must come together to support the industry that makes our city special. Austin Community Foundation is honored to work with Paul Simon to bring much-needed relief to those who rely on the music scene for their livelihood. The funds raised through A Night For Austin will go to nonprofit organizations equipped to help musicians, producers, venue owners, and others persevere through these difficult times,” said Mike Nellis, CEO of Austin Community Foundation.

What: “A Night For Austin” a two hour, commercial-free telethon-style fundraiser
When: June 10th at 8 pm Central
Where: anightforaustin.com/donate, twitch.tv, or locally on CBS Austin (KEYE)
Appearances by: Paul Simon, Edie Brickell, Vince Gill, Lyle Lovett, Shawn Colvin, John Hiatt, Jerry Douglas, Bonnie Raitt and Boz Scaggs, Ryan Bingham, Black Pumas, Ray Benson and Asleep at the Wheel, Augie Meyers with Los Texmaniacs, Flaco Jiménez with Los Texmaniacs, Patty Griffin, Alejandro Escovedo, Willie Nelson, Lukus Nelson, Gary Clark Jr., Britt Daniel (Spoon), Jimmie Vaughan and The Tilt-a-Whirl Band, David Ramirez, Charlie Sexton with Doyle Bramhall II, Terry Allen, Norah Jones, James Taylor, Ethan Hawke, Renée Zellweger, Woody Harrelson, and Owen Wilson.

Charley Crockett Announces Summer Release of “Welcome To Hard Times”

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Charley Crockett
Photo credit: Bobby Cochran

Neo-trad Texas troubadour Charley Crockett just gave us another reason to look forward to summer. He’s just announced his next studio album, “Welcome To Hard Times,” will be released July 31st on Thirty Tigers.

“Welcome To Hard Times” is produced by Mark Neill (The Black Keys, Old 97s) with songwriting contributions from Pat McLaughlin (Steve Wariner, Tanya Tucker, Delbert McClinton) and Dan Auerbach (The Black Keys), “Welcome To Hard Times” is described as a “genre-bending mix of classic country, psychedelic spaghetti western and rhythm & blues. It may draw on heritage sounds, but this aptly-named collection perfectly fits these troubled times.”

Crockett’s vision for the record seems fatalistic if hopeful, “This record is for the folks who feel like everything’s fixed. If you think you’re playing a rigged game, you’re right. If it seems like all the cards are marked in advance, they are. But you still gotta roll the dice, even when you know they’re loaded.“

Crockett released the album title track, and it’s accompanying video, co-directed by Crockett and Bobby Cochran, which premiered today with American Songwriter Magazine.(watch below) Shot on location in the Sierra Nevadas, it will feature as part of a series of videos Crockett is shooting and directing over the next month, where he will play the same character walking alone through isolated landscapes in the American wilderness. Discussing the video concept, Crockett stated, “Whether it’s out of admiration or fear, the whole world contemplates what the west means. When folks ask me what I’m really after, I guess that’s it. Just to drift through it all my days. I’m making films that visually represent this land just as my music describes it in sound.”

Crockett is no stranger to hard times. In early January 2019, while at a routine doctor’s checkup. Crockett was diagnosed with Wolff–Parkinson–White syndrome, a congenital heart condition, as well as Aortic Valve disease, and he had to immediately undergo life-saving heart surgery. Crockett believes that this experience inspired him to make the record that he truly wanted.

Crockett stated, “I look at that scar and all I can think about is the limited amount of time I’ve got left, I wanted to make an album that would try to reclaim the conversation about country music.” Crockett added, “My entering country music has been controversial, to say the least but I believe country fans have more eclectic tastes than they are given credit for. My country music is inspired by what I played in the subway car so I could eat, in the French Quarter in ragtag bands. I sat in pastures on farms across this country putting it all together into my own sound. I don’t like labels but if that ain’t country I don’t know what is.”

Crockett grew up in poverty and spent time living homeless and busking making his way from New Orleans to the subway platforms of New York City. Crockett also lost his sister to addiction and he is a twice-convicted felon and was falsely implicated in his own brother’s crimes, “I’ve gotten more than my fair share of raw deals in my thirty-six years. But I don’t let hard-luck own me.” Crockett stated, adding, “I’ve been fortunate enough to see things that a person from my background is never meant to see, and that’s worth something. It turns out that a wandering boy can learn a whole lot out there getting in trouble. Especially if he learns from his mistakes. I wouldn’t take anything back that’s happened to me. I’m not the best and I damn sure ain’t the first. But I’m different, and in music, that’s everything.”

In spite of these challenges, Crockett has remained steadfast and persistent in his music career, releasing a catalog of critically respected self-released albums including “The Valley” and “Lil G.L.’s Blue Bonanza”, which garnered critical acclaim.

Without the support of a major record label deal, Crockett has established himself as a breakthrough independent artist and the master of his own success. Generating over 36 million total streams across his song catalog, growing a grassroots following from his sold-out shows across America and Europe and making debuts at Stagecoach Festival, the Grand Ole Opry, and Newport Folk Festival.

Welcome To Hard Times was recorded in Valdosta, Georgia at Mark Neil’s studio. Mark shared Charley’s vision to make “a dark gothic country record.” Neil stated, “It was a pleasure to have been involved in what I believe to be the best gulf and western country record ever made.” The album was recorded with a studio band consisting of Kullen Fox, Colin Colby, Alexis Sanchez, Mario Valdez, Nathan Fleming, Billy Horton and Mackenzie Rosser.


Preorder “Welcome To Hard Times.”

Welcome To Hard Times tracklist:
Welcome To Hard Times
Run Horse Run
Don’t Cry
Tennessee Special
Fool Somebody Else
Lily My Dear
Wreck Me
Heads You Win
Rainin’ In My Heart
Paint It Blue
Black Jack County Crain
The Man That Time Forgot
The Poplar Tree

Listen Up! Nathaniel Rateliff “Willie’s Birthday Song”

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shotgun willie

Today the honorable Texas Yoda turns 87. This is no small feat for anyone let alone a musician that has spent most of his working life on the road. In fact, he’s so indelibly tied to life on the road that one of his best known and most popular songs tells the tales of those asphalt escapades.

When the unthinkable (by most of us) happened and COVID-19 resulted in a nationwide lockdown impacting small businesses, in general, and specifically, the music industry – musicians, venues, and associated staff, for the first time in recent memory (not involving illness) Willie was off the road.

This worried me. COVID-19 has been documented a higher mortality rate in older folks, especially those with pre-existing conditions. Add to that being denied the opportunity to indulge in a profession you love (touring), and the passing of John Prine (and diagnosis of many others) and my worried mind goes to Willie.

Seeing Willie and his son Lukas MCing the recent 4/20 showcase brought me a lot of relief. Aside from some of the usual characteristics you’d expect of a Willie 87 year-old man he appeared happy and engaged as the artists lined up to sing his praises as well as some of their very fine tunes.

One of those artists was Nathaniel Ratelif who did a wonderful solo acoustic version of a new song created just for the occasion “Willie’s Birthday Song.”

Now the cut has been formally released and it sounds even better. Done in a time signature that will be familiar to any Willie fan. The video was shot in isolation, the video features performances and as it moves along stars move in and out o feature impressive array support from of long-time of Willie’s family sister Bobbie Nelson on piano, and famed harmonica player Mickey Raphael to some of the next generation Lukas and Micah Nelson, Matthew Logan Vasquez, Nikki Lane, and Courtney Marie Andrews

Rateliff finished the song on March 12th when he arrived home in Denver after postponing the And It’s Still Alright tour. Following social distancing guidelines, Rateliff assembled a talented group of family and friends for the song who filmed their performances for the Rett Rogers.

The song was clearly one done out of love and appreciation from all those involved. It ends joyously with a snippet of Willie being served a chocolate birthday cake and grinning from ear-to-ear.

“Willie’s Birthday Song” will appear on the B-side of a limited edition 7” that will be released this summer exclusively at online merch shop. The A-side will be a duet by Rateliff and Willie, which will at that time be available digitally. Proceeds will support Farm Aid, whose mission is to keep family farmers on their land, and StrongHearts Native Helpline, which confronts issues of domestic violence in the Native American community.

Go bless Willie Nelson and Happy birthday!

The Jayhawks Return With “XOXO” Out July 10

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Jayhawks - XOXO

Legendary Minneapolis pop-roots band The Jayhawks have announced their new album XOXO will release on July 10 via Sham/Thirty Tigers. Reportedly their most diverse and wide-ranging group of songs to date, XOXO marks a new era in collaboration, with songwriting and lead vocal contributions from all four longtime band members – Gary Louris, Marc Perlman, Karen Grotberg, and Tim O’Reagan. Along with the announcement, The Jayhawks have released a new video with Louris performing a stripped-down version of “Living In A Bubble”, a timely song of the current lockdown era that laments the problematic nature of our ratings, click=bait driven “news” environment.

“Living In A Bubble’ lyrically is a reaction to the 24-hour news cycle and how the media can fan the flames of fear if one lets it,” says Louris. “It is also a commentary about data collection, Big Brother, and our obsession with devices, while never being truly present in the here and now. Musically it is an homage to the great Harry Nilsson, and is driven by the amazing piano playing of Karen Grotberg.”

Recorded over two weeks holed up together at the secluded Pachyderm Studios in Cannon Falls, MN, as well as at Flowers Studio, founded by their friend and Minneapolis music stalwart the late Ed Ackerson.

With XOXO The Jayhawks camaraderie is at the heart and soul of the 12 songs, bringing an injection of confidence and energy to The Jayhawks’ signature harmonies, infectious melodies, and masterful musicianship.

“It was time to open things up,” explains Louris. “The Jayhawks are a true band, one where everyone’s equal, and we wanted to make a record that really reflected that.” Elaborating on the process, Perlman says, “Some songs we molded together from scratch, but others had been fully written by one or the other of us. We didn’t worry too much about who penned what, because after all these years of playing together, everything we do just naturally comes out sounding like a Jayhawks song.”

Quarantine Hoedown Livestreams (Sarah Shook, Vandoliers, Bela Fleck, Abigail Washburn, more)

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Today’s Livestreams (Friday, March 20):

Bloodshot Records Virtual SXSW Day Part. 2PM-9PM via Facebook Live/a>. Live performances by Unkle Schmidty, Jason Hawk Harris Sarah Shook, The Waco Brothers, Rookie, Big Cedar Fever & Vandoliers!

Rhett Miller “pay-what-you-can” performance on Stageit at 9pm EDT, 6pm PDT. “Yes it’s weird, but what isn’t these days. I’m so grateful for the opportunity to continue to do the thing I love, and to be able to connect with y’all.”

American Aquarium frontman BJ Barham continues playing AA albums in their entirety. Tonight is Night Four: Wolves – 5:00 PM PDT via Stageit

Bela Fleck & Abigail Washburn Announce ‘Banjo House Lockdown’ Live Stream 7 p.m. ET Facebook Live

Happy Hour w/ Ben & Alex of The Brothers Comatose 4 PM – 5 PM PDT via Facebook Live

Joshua Fleming (Vandoliers) 8pm CST on Facebook Live.

Third Man Records hosts “Third Man Public Access,” a series of live-streamed performances from their Blue Room in Nashville, broadcast on Youtube at 1 PM ET daily. Details here.

Read More: Today’s self-isolation livestreams (BB King tribute, Colin Meloy, Baxter Dury, Ultra Fest, more) | http://www.brooklynvegan.com/todays-self-isolation-livestreams-b-b-king-tribute-baxter-dury-ultra-music-festival-more/?trackback=tsmclip

Wade Bowen’s Wade’s World “Quaranstream” straight from his man cave in New Braunfels Texas. Featuring Cody Canada – Facebook Live– 8 PM CST.

Robert’s Western World – The famous lower Broadway honky-tonk remains closed to the public, but it’s stage features some of Nashville’s finest. Joshua Hedley, Sara Gayle Meech, and Rachel Hester are just some of the RWW regulars keeping the twang alive. Facebook Live.

Livestreams (Saturday, March 21):

Mercy Bell will perform at 8pm CST/9pm EST via Facebook Live

Drop Dead Dangerous 7 PM EDT on Facebook Live.

Livestreams (Sunday, March 22):

American Aquarium frontman BJ Barham continues playing AA albums in their entirety. Tonight is Night Six: the newest release ‘Laminations’ – 5:00 PM PDT via Stageit

Sunny Sweeney – Live from Quarantine Prison Blues (Everywhere) – 7 PM – 10 PM – Facebook Live