New Compilation Unheard Hank Williams Songs To Be To Be Released

Rollingstione.com posts that a compilation of unheard Hank Williams songs will be released on October 4th. The songs come from a rescued from notebooks of  lyrics and song ideas  left behind in a leather briefcase by Williams after he died in 1953 at the age of 29. These notes and fragments were then finished by the 13 artists who contributed to the disc. These artists include Americana music and rock music greats – Bob Dylan (who’s  imprint Egyptian Records is putting out the album)  Levon Helm, Alan Jackson, Lucinda Williams, Merle Haggard and, and this is where my concern arises, Jack White . Norah Jones and Sheryl Crow. What? Was Kid Rock busy?

And though William’s granddaughter Holly Williams is included where is her brother Hank Williams III? For that matter where is Bocephus?  I would have scratched the last three, who are here for sales purposes only, and added new traditionalists like Wayne Hancock and Joey Allcorn that truly reflect the spirit of ol’ Hank.

[youtube]http://www.youtube.com/watch?v=YKPHJslYNkk[/youtube]

 

 

Thankful For The Music

Okay, I got a lot of hits and responses to my post on the dismal glitter parade that was the Country Music Awards. I’m encouraged that it was almost universally positive, though some was not (when will people get that just because I don’t like Taylor Swift’s songs or music I am not opining on her as a person? How many of these people know Taylor Swift personally? Maybe she’s a horrible diva that likes bathing in champagne and looking at her charting position and cackling “Suckers!!”), But I don’t just enjoy cursing the darkness (hilariously), I like to light a candle now and again.

The relationship of country music and Music City has been fraught with tension since Judge Hay started MCing the The Grand Ole Opry on the WSM Barn Dance from the fifth-floor radio studio of the National Life & Accident Insurance Company in downtown Nashville on November 1925. Music City is in the business of business.  The product they have historically offered is, at its best, a reflection n tradition and heritage of the Amerivcan human soul, the good bad and the ugly. Trouble results when the bean counters weigh in on song creation, studio production and trends are chased, not because they are interesting branches or simpatico with the music, but just to cash in. This output is mediocre if monetarily profitable. As a fan, and not a shareholder, I find this unacceptable and a damn shame and am noy t shy to say as much.

I am currently reading the Ralph Stanley’s biography Man of Constant Sorrow and am struck by how resolute the man and his brother, Carter, was about keeping their “simple, mountain music sound” and how Ralph threatened to quite the band when the introduction of the new-fangled instrument ,the dobro, was considered as an addition to a Stanley Brothers song. Stanley was about 23 at the time. Can you imagine anyone that age starting out in music having that clear and focused of a vision of their music and not just will to allow outsiders to shape them to make as music as possible? Br. Stanley had a clear idea of their brand of “hillbilly music” and what the fans wanted it that he was willing to chuck the whole thing to save it.

I believe there are a few creators still out there today creating a brand of hillbilly music, maybe a more distant cousin of Stanly’s, but it’s no less bracing in it’s allegiance to tradition even as it breaks genre grounds in other directions.  Covering the miles, often in a car or a van instead of a bus or charted plane, they bring grateful fans a sound that just can’t be found largely on commercial country radio, and willing to hang around the place afterward toseel a CD or shirt,  press some flash, sign an autograph and take a picture or two.

Off the top of my head I offer from my home state of  Texas Dale Watson, Wayne Hancock, James Hand, Jake Penrod, Junior Brown, Hayes Carll and legends like Ray Willie Hubbard and Tommy Alverson.  In other regions there is Joey Allcorn, Elizabeth Cook, Robbie Fulks, Chuck Mead and the new school with Those Darlins, Justin Townes Earle and William Elliott Whitmore, Grant Langston, Angela Easterling, the Felice Brothers , Lindsay Fuller, Amanda Shires, and many many more are out there many night of the year doing what they love telling their stories and leaving it all out on the stage.

Like i said in the original CMA post, I criticize because i come from this music. Its part of my Texas heritage and part of my family business. I love it and , like family, am not shy to pipe up when I think it’s done wrong.

“It Burns When I Pee” – Episode #0006 – Get Your Hank On!

“It Burns When I Pee” displays their fine upbringing by dedicating their episode #0006 to an 84th year birthday tribute to the legend Hiram “Hank” King Williams (September 17, 1923 – January 1, 1953).

The episode features such great interview with Beth Birtley from the Hank Williams Museum in Montgomery, Alabama. IBWIP also plays some of Hank’s song preformed by the likes of Joey Allcorn, Hank III, Andy Norman, Hank Cash, and Jake
Penrod and by Hank the the man himself. They also feature Jared Morningstar on the show and he will be reading an essay he wrote about the late great Hank Williams.

Head over to the Section 86 store for all your “It Burns When I Pee” merch.

Hank Williams Sr.- Honky Tonk Blues

[youtube]http://www.youtube.com/watch?v=af9bbRTFPUY[/youtube]