Country Music Gains Ground In Ringtone Sales

We all know that ringtones are the new 45 rpm and it appears that country music is gaining some ground in the sales of “polyphonic,” synthesizer-like reproductions of a melody, and the much more popular “mastertone” or “realtone” format, which is excerpted from an actual recording. according to Nielsen RingScan, mastertone buys accounted for 91 percent of ringtones sold last year in the United States.But so far, the big money is not quite there:

“Ringtone royalties are minuscule in the overall scheme of things,” Todd Ellis, Licensing Manager for Sony/ATV Music Publishing said. “Compared to CD sales, they’re still rather small. But they are gaining some significant income, especially in the pop and R&B worlds. Country has been a little bit slow to catch up. The really large [Country] hits will do well, ringtone-wise, for income, but the big money is still with R&B and rap songs. Ballads don’t usually do as well as ringtones because they don’t sound as good as upbeat songs that have a real catchy chorus or a cool intro.”

Apparently being hip enough to use your phone as a lame music player does not automatically mean you have forward thinking taste in music as Rascal Flatts and Carrie Underwood lead in country music sales of mastertone rings. No thanks, I’ll stick with my Willie Nelson “On The Road Again” ringtone when you hit me, yo.

No Depression Is Dead, Long Live No Depression

No Depression magazine, the bible of alt/roots/country/Americana music and lifestyle for thirteen years is making a comeback of sorts. Nodpression.com will be relaunched in late September and will be edited by the magazine’s founding co-editor Peter Blackstock and will include regular blogs by many of the magazine’s most frequent contributors, including Blackstock and fellow founding co-editor Grant Alden.

The new site will also include record reviews and live reviews, features on emerging artists, news updates, the current web site’s popular upcoming-releases list, reader-participant discussion forums — and, perhaps most significantly, a vast and cross-referenced archive featuring almost all the content from No Depression magazine’s 75 issues published from 1995 to 2008.

In preparation for the September relaunch, the website is promoting the No Depression Founders Circle, a way for fans and supporters of the magazine to take a financial stake in the new web site’s continued existence. I think this is a good move that I wish had been taken back before the magazine folded. I for one would have paid for the coverage ND provided that I could not find gathered between a set of magazine covers.

In my opinion ND lost their way when the publishers started to think about their audience as a demographic instead of a congregation of sorts. They went from having John Prine and Johnny Cash on thre cover to featuring the then alt.rock flavor of the month The Shins. Like a politician, they attempted to move to the mainstream, toward popularity with the mainstream and their pocketbooks, at the riisk of alietnating thier hard-core and reverent followers. Someone should have told them that a vast majority of Americans distrust politicians and lawyers for just this very reason, they appear to stand for nothing but whatever will help them win at the moment. That is almost exactly the definition of shiftless. The congirigation lost faith after that and hard times became even harder.

As an added incentive for getting eyeballs, folks who sign up for the website’s mailing list at NoDepression.com will be eligible to win an Epiphone DR-100 Vintage Sunburst acoustic guitar which has been provided by Epiphone. Great email bait! I singed up this morning!

Also a new No Depression “bookazine” (to be designated No Depression #76) also will be available in print-form on the shelves of bookstores nationwide in October. The publication, a joint venture between ND and the University of Texas Press, will be issued twice annually (every fall and spring). Blackstock and Alden will serve as co-editors, with Alden also reprising his magazine role as art director. A handful of book-release events at bookstores and record stores nationwide are also in the works. I appuad this effort and look forward to it, at the same time I wonder why something like this couldn’t have been applied to the magazine in it’s former incarnation.

All of this is no surprise for anyone that read the publishers online adios to the magazine: “Plans to expand the publication’s website (www.nodepression.net) with additional content will move forward, though it will in no way replace the print edition.” Why Grant and Peter weren’t doing this in conjunction with the print version of ND all along is a mystery to me, but I say better late than never. Get over there, sign up for their emails and send them cash. The world that I cover and we all love is a better place with them in it.


Medley – Unknown Hinson – The King of Country Western Troubadours

I’m in a Unknown Hinson mood. You should be too….

[youtube]http://www.youtube.com/watch?v=4LJf9fYM8-s[/youtube]

[youtube]http://www.youtube.com/watch?v=4IL_pbFbYK0[/youtube]

[youtube]http://www.youtube.com/watch?v=QfSfK0AMWlc[/youtube]

[youtube]http://www.youtube.com/watch?v=GGsxCscY_nk[/youtube]

Congratulations to Eleven Hundred Springs

Congratulations to Dallas’ hottest honky-tonk band Eleven Hundred Springs for sweeping every category they were up for in the Dallas Observer Music Awards – Best Band, Best Album, Best Country/Roots Act and EHS lead vocalist/songwriter Matt Hillyer winning for Best Male Vocalist. I can’t say enough great things about Eleven Hundred Springs and you need to check these guys out if you love genuine country music with heart and soul.

It Burns When I Pee Episode 17 – Even God Needs The Devil

Image by Keith Neltner

While working on their spiritual and format rebirth, It Burns When I Pee Episode 17 now offers new cast members, and an all around more righteous path to country music salvation. Featuring an interview with Jayke Orvis, from The .357 String Band and some cuts from their new album Fire & Hail. This episode also unleashes their new co-host Ryan “Creepy Guy” Hamm.

Blake and Ryan also talk about the Tim McGraw concert fight video, Norma Jean watch’s Two Girls and One Cup for the first time, and we play IBWIP Jeopardy. There is another famous IBWIP Giveaway’s, this time giving away an awesome Spfanzine.com T-shirt and Hank Cash CD. Jared Morningstar provides an album review of Justin Townes Earl’s new album, The Good Life.

But most importantly IBWIP graces us with jewels country music that Nashville’s conveyor belt of pop-country crap would’nt touch with a ten foot pole. There are songs from Adam Lee and The Dead Horse Sound Company, Justin Townes Earl, Plunkett, The .357 String Band, and Old Crow Medicine Show.

Escape From New York

“I lived in New York for a while. But I’m a hothead. I wasn’t well-suited for the temperament of that town.” Tom Waits

As much as I despise mainstream country radio how could I stay in a city where there was not one terrestrial country music station? Since the demise of Y-107 on 2001 there has been no country music radio station in the New York City. New York City is country music`s second-largest sales market. I mean it’s a format that would result in a frikkin ATM machine for ratings and ads! 

Truth be told my wife finished school at about the time I had enough of 8 million people that can’t walk on a sidewalk in an orderly fashion or restaurant help that yell at you when you order . Some people call it urban charm, I call it social masochism.

It’s true many things about New York set me on edge, but I will miss some of it and it me and my family will always consider it our other home. I started this blog in New York City in part because I was a displaced Texan and was forced to define myself in contrast to the dominating East Coast environment I found myself living in. I also discovered artists that showed me that country music had as much fire and passion as anything coming from rap, punk or metal camps as well as cleaning most pop and singer/songwriter clocks. As a goodbye I want to mention some of the artists, organizations and places that helped my hang onto my Southern bred sanity while in the land of the Yankees and ever present scent of urine.

The Bowery Ballroom where I caught my last New York show, a sold-out Toadies performance that was as chaotic and brilliant as any show I had seen with the band in Dallas. Joe’s Pub where I was fortunate enough to see the late, great Porter Wagoner accompanied by Marty Stuart just before their collaboration “The Wagonmaster” was released. I also was able to see Wagoner and Stuart at Madison Square Garden when they opened for the White Stripes. Carnegie Hall where I saw George Jones with Kris Kristofferson opening the show and Irving Plaza where I also saw many fine performances. Special attention sent to Rockwood Music Hall and the National Underground for keeping Americana and roots muisc alive and thriving in the East Village.

 For Southerners much comfort come from what you put in your mouth, thanks to Hill Country Barbecue (also a great place to catch a show), Daisy May’s Barbecue and Brother Jimmy’s Barbecue. For Mexican food my respect goes to Arriba Arriba and the Rodeo Bar (another great place to catch a show.)

The bands, artists and fans are way to numerous to mention and I would leave out some great folks. Suffice it to say that there are many, many real country and roots music fans in Gotham. Keep the hillbilly flag flying ’til I get back kids, ya hear?

Now I’m in Texas again and readying myself and my family for out new home in San Fransisco. If anyone knows of great places to see live music, great artists I need to check out, and eat great ‘cue or Tex-Mex in the Bay Area give me a shout.

The Railbenders to Play Denver’s Mile High Music Festival

  • The Nitty Gritty Dirt Band will feature music from their 42 year career to Austin’s Riverside Arena stage at 9:15 p.m. Friday, July 18. D.C. Drifters & Friends opens the show.
  • The San Jose Mecury News has a nice piece on David Andersen who plays his 15-year-old Epiphone and greets tourists from around the world in the atrium of the Country Music Hall of Fame and Museum. Earl Scruggs said of Andersen “I love your pickin,’ son.”
  • Nashville Skyline’s always excellent Chet Flippo has good things to say about  Randy Travis’ upcoming release “Around the Bend (July 15)
  • For all you with laptop country music asperations Beta Monkey Music has released “Pure Country I: Rocking Nashville” a new set of drum loops targeted to Country music musicians. The loops come in many formats, including Apple Loops, which are compatible with GarageBand and Logic. Just bring a real drummer when you hit the road, folks.
  • There still seems to be some confusion why Tim McGraw dragged Marcus Nirschl 30, a union glazer from Kent, Wash. on stage at a Washington State performance and then had him thrown out of the show. There have been allegations the man assaulted a woman who was in one of the front rows but the YouTube video of the incident is inconclusive (Q: Does McGraw allways look so bored while on stage as he does in this clip?). The ejected fan says he’s still a fan of McGraw. “I still like the guy,” Nirschl said. “The music’s still great. I just don’t know why he wanted to punch me.”
  • Our thoughts go out to Elizabeth Cook on the passing of her mother. Cook has used her MySpace Blog to share her feelings uduring these rough times.

Dale Watson Interview

Northeastern Pennsylvania’s The Weekender has an interview with Texas’ hillbilly king Dale Watson. Dale. As usual, rails on pop-country music and thinks his style of old-school honky-tonk should split from the country genre proper:

“It didn’t really focus on or strengthen the type of music that I like to keep out there,” he said. “I think country music — what was country music — has to go the route of bluegrass, which was considered part of country music, but they created their own festivals, awards and genres.”

If you prefer a more entertaining, and less sober, interview with Watson check out this one with Johnny Knoxville.

Loretta Lynn at the Songwriters Hall of Fame induction

Glitzy entertainmant industry parties in New York City are common (not that I’m invited, they do have some standards) but on the recent occasion of the Songwriters Hall of Fame induction it took “the pride of Butcher Holler, Kentucky” to give those jaded industry wonks something to talk about on the way out of the Marriott Marquis hotel in Times Square. Loretta Lynn brought down the house and left them wanting more.

Loretta Lynn Live at Ft. Worth’s Bass Hall

  • Dallasnews.com has a nice write up on the grand dame of Country Music, Loretta Lynn’s sold out show last Saturday at Ft. Worth’s Bass Hall. The night before Lo-retty had played Stubb’s in Austin’s (latter part via the 9513)
  • The New York Times covered the Alison Krauss and Robert Plant show at the WaMu Theater at Madison Square Garden. I was at this fantastic show and my review is forthcoming (I swear! Really!)
  • Jonathan Yardley at the Washington Post reviews Dana Jennings’ book about country music and his hard scrabble upbringing in rural New Hampshire “Sing Me Home.” I have read this excellent book and my review is forthcoming (I swear! Really!)
  • Stephen M. Deusner at Pitchfork.com uses Miranda Lambert’s “Crazy Ex-Girlfriend” release as a jumping off point to other great country albums over the last few years that “demand to be heard with the same open-mindedness and enthusiasm as Lambert.”

  • Barnes&Noble.com has posted a video of “One on One with Emmylou Harris”, recorded live at their Union Square store in New York. Emmylou talks about her new release “All I Intended To Be” and performs her songs off the album “Gold,” “Not Enough,” written about her dog Bonaparte after he dies, and “How She Could Sing the Wildwood Flower” which was written after seeing a PBS documentary on the Carter Family. She also tells a great story about how her babysitter was the conduit for her and Gram Parsons to meet.
  • Willie Nelson and Carl Cornelius are ready to take the wrapping off the new 30,000-square foot renovation off of the renovation of Carl’s Corner truck stop, the one with the old Tango nightclub giant musician frogs on the roof.
    The new space is now christened “Willie’s Place,” and will includes a honky tonk, restaurant, a poker room and trucker amenities, with a concert July 3. “Willie’s Place” is on IH-35 about 40 miles north of Waco “Willie’s Place at Carl’s Corner” will also process and sell biodeisel fuel.
  • Cross Canadian Ragweed frontman Cody Canada draws a line in the Red Dirt between their sound and pop country: “It just keeps getting more pop and more pop. We’re only in our 30s, but we’re kind of old-school, old-fashioned when it comes to country music. If it’s called ‘country music,’ it ought to sound like country music.”
  • And last but not least, Twang Nation HQ will be pulling up stakes from beautiful, balmy New York City for new digs in San Francisco, CA. on July 15th (with a long stretch in the homeland, Texas, in between.