One of the most memorable show I ever attended here in New York was the CMT Crossroads featuring Rosanne Cash and Steve Earle. The pairing of artists from the country and rock/pop genre is getting harder and harder to differentiate from one another but it’s still one of the best shows on CMT. The New York Times has a nice slide-show on Crossroads featuring Joss Stone and LeAnn Rimes, Kid Rock (Bob Ritchie) and Hank Williams Jr., Bonnie Raitt and Lyle Lovett, Bon Jovi and Sugarland and Kenny (Babyface) Edmonds and Trisha Yearwood.

CMT reports that spooky author and member of the Rock Bottom Remainders band Stephen King has included new albums by Steve Earle and Lyle Lovett on his year-end list of favorite music, published in the Dec. 7 issue of Entertainment Weekly. Earle’s Washington Square Serenade topped the list, followed by Wilco’s Sky Blue Sky, Lyle Lovett and His Large Band’s It’s Not Big It’s Large, John Fogerty’s Revival and Southern Culture on the Skids’ Countrypolitan Favorites.

In its continuing quest not to completely suck CMT has a nice write up on Gruene Hall in Gruene, Texas. Gruene Hall, Texas’ oldest dance hall, was opened by Pat Molak in1974 and then featured a young unknown named George Strait and his Ace in the Hole band who played one or two shows a month there starting in 1975.

“I have many great memories of playing at Gruene Hall,” Strait says. “It was definitely one of the highlights of my early career. Pat Molak, who owns it and I still consider a friend, let us play there one Sunday afternoon for, I think, 50 cents at the door. He had never heard us and wanted to check us out before he let us do a weekend night. This led to many great nights at one of Texas’ greatest dancehalls.”

“Justice For All” is currently #1 video on last weeks CMT Pure 12 Pack video count down. If their not careful I’ll start saying nicer things about them. Oh, Bucky Covington and Toby Keith are numbers 2 and 3 respectively. Forget about the nice things. And congratulations to Dale for his recent marriage.

the risk of being not only a Chet Flippo (CMTs Nashville Skyline) fanboy but one for Ms. “crazy chick” Miranda Lambert as well. Chet’s latest post (thanks 9513) on Miranda’s rise to stardom on her own terms and some of the cool things she’s done that lends her more cred than most of her other Music City counterparts:

She learned a valuable lesson in songwriting with her first album. The title song, “Kerosene” — which really put her on the musical map — sounded very much like Steve Earle’s “I Feel Alright.” Very much like it. After that was brought to her attention, she added Earle’s name as her co-writer on the copyright. And on the royalties. She told Barry Mazor in a No Depression interview, “I didn’t purposefully plagiarize his song — but unconsciously I copied it almost exactly. I guess I’d listened to it so much that I just kind of had it in there.” Well, hell, outlaws rip each other off now and then. But then they usually own up about it — as she did — very quickly.

Cool, no? How many other Nashville Star and CMT alum would go out of their way to credit Earle (and share royalties with him) rather than dispatch a labels lawyers to pay him off? Class act! Miranda is making me proud of Texas in a way that Willie and the Chicks did.

So I finally held my nose and watched my recording of the suck fest that is the Country Music Television Awards show (you can tell right there how objective this is going to be) and it as predictable and unpleasant as July heat in Dallas.

A Dixie Chicks and Stonewall Jackson slam already. Nice Foxworthy. You’re an ass.

There was a new category, the Wide open Country Video of the Year. It seems like it was a stab at irreverence. But with Jimmy Buffet and Sheryl Crow and Sting as nominees it was more like “Let’s see what we can get by with.” The Johnny Cash video for “God Going To Cut You Down.” Jack Ingram won. Not a great start for the new category.

Everyone that won robotically thanks CMT in their speeches. I mean what are the odds that every winning artist felt truly compelled to thank a network? Tools…

There was a moment of true grace and emotion on the program, but it had nothing to do with the three-ring pyrotechnic circus of bland performances by Toby Keith and Rascal Flatts. It was when Rosanne Cash presented Kris Kristofferson the Johnny Cash Visionary Award. Kritofferson was visibly moved, gracious and his amazing life and legacy was briefly detailed before he accepted. It was a brief moment of sincerity in an otherwise facile showcase of mediocrity.

Rascal Flatts stacks the deck on the Group Video of the Year with two nominations and beats out the crowd favorite The Dixie Chicks. Just joshin.

Foxwothy is giving the last 25% of morons that don’t see Iraq as a fiasco and people who worship a sky god a sloppy one. He’s like the reverse Natalie Maines with less talent.

There, that’s all I can stand. Another year, a lot of make-up and $200 denim and precious little country music.

Oh and Kenny Chesney is a girl.