Brooklyn County Fair – 5/11

Guayaki Yerba Mate presents the fifth Brooklyn County Fair May 11th at Galapagos (70 North 6th Street Williamsburg, Brooklyn, NY) with headliner The Flanks as their new CD heads to the press. The Newton Gang (featuring Alan Lee Backer on lead guitar and the former members of Gowanus Corral and the WWJDs) is on the bill supporting their new EP and Yarn makes their triumphant return after touring relentlessly. Jon Itkin makes his BCF debut celebrating his latest release. The Doc Marshalls will support their CD sits as it sits at 20 on the AMA Top 40. Jamie Lyn Smith returns to the BCf with her Red Tail Hawks Band bringing her melodic mountain-style to the big city. All this will be hosted by your fabulous hillbilly hostess Lindy Loo!

Sera Cahoone – Only As the Day Is Long (Sub Pop) and Caitlin Rose- Dead Flowers EP (Theory 8)

I’m drawn to music that sounds both timeless and new. It represents to me the concept of the connection in time of the past and future all running like a river with us standing right in the middle with the muddy now caking our boots. It also assures me that there are forms of innovation happening within country and roots music that stand starkly in contrast to the Nash-pop variety (which is not always bad, but I’ll post more on that later.)

I’ve come across a couple of ladies making waves in that river of time and music by showing a palpable reverence for country music’s traditional roots while bringing a refreshing shot of indie creativity and a sense of daring into the mix.

Colorado native and Seattle resident and Sera Cahoone’s early life experiments with the sax and junior high musical path that led her to the drums where she established her bona-fides as a drummer for the now-defunct indie sadcore band Carissa’s Weird (who’s members also included Ben Bridwell and Mat Brooke now in the group Band of Horses) led to her surprising sophomore solo outing “Only as the Day Is Long.” the release is a country-noir landscape where Cahoone’s voice stretches sleepily over spare, atmospheric dobro, pedal steel, guitar, and fiddle backing. Like a slow-core book end to Neko Case’s Furnace Room Lullaby Cahoone’s themes of innocence, hope and dread are woven throughout. With titles like “The Colder the Air,” “Happy When I’m Gone,” and “Shitty Hotel” you know your not in for a sunny romp, but country and roots music has always mined a rich vein of the melancholy and Sera Cahoone has staked a rich emotional and musical claim.

As her early incarnation with the moniker Save Macaulay a teenager Nashville’s Caitlin Rose was able to deliver classic country tunes with respect and authority in her distinctively Dolly meetsEmmylou vocal style. After dropping alias and at the ripe old age of 20 this Waffle House aficionado has released a quirky and beautiful EP that was cut in two days in November 2007 at the Bombshelter studios in East Nashville.

The love of country’s history exhibited immediately with the EP’s packaging and on the first cut of the Dead Flowers EP. With ‘Shotgun Wedding” Rose sings the tune with a Smokey Mountain lilt over Bob Grant’s excellent mandolin . “Answer In One Of These Bottles” takes it’s place with another classic narrative of drinking to forget Rose then shows she has the pipes to take on the Patsy Cline classic Three Cigarettes In An Ashtray as she covers it with all it’sforelorn beauty. Docket is a quirky Kris Kristofferson -style solo-guitar number that is perfect Summer listening and a lone tambourine accompanies the whimsical Gorilla Man brings to mind ShelSilverstein play on words. Rose then tackles the classic Cosmic American Rolling Stones-come-Gram-Parson a;;ad of heroin overdose from which this stellar EP derives it’s title.

“Only as the Day Is Long” – Sera Cahoone

“Dead Flowers EP” – Caitlin Rose

James McMurtry Contest

James McMurtry and Lightning Rod Records are holding a contest for fans to create a music video to the protest song “Cheney’s Toy” off McMurtry’s new release Just Us Kids.

From the entries, McMurtry will choose the best videos and post them on his official MySpace page and website. If needed, fans can create videos using slideshow applications at RockYou.com.  Creators of each of the top five videos will receive t-shirts and autographed copies of McMurtry’s new album,  Just Us Kids (in stores now). McMurtry’s choice for the best overall video will also receive an 8 Gb Apple iPod Nano.

Some video fans have already made.

[youtube]http://www.youtube.com/watch?v=sesZ4LRia7c[/youtube]

[youtube]http://www.youtube.com/watch?v=aKUE0RTuw24[/youtube]

Warning – Episode 14 of It Burns When I Pee

It’s that time again friends, when decent folks flee to the hills and the rowdys take over town drinking,  firing their pistols in the air and bringing the finest real country podcast on the planet.

Episode 14 of It Burns When I Pee features an in-studeo interview with Dave Sisson of The Gin Palace Jesters and Three Blue Teardrops, hear some tasty tunes from The Steeldrivers, The Devil’s Own, The Misery Jackels, and Carmen Lee, and get raunchy with more Hee-Haw meets Jerry Springer-style comedy.

Go get IBWIP and lord help us all.

[youtube]http://www.youtube.com/watch?v=9OE0uABKKBs[/youtube]

Sunny Sweeney News

It’s been a while since I posted on Austin’s own Sunny Sweeney, so allow me to make ammends by letting ya’ll know Sunny has added a new song “You’re My Hotel, He’s My Home” (co-written with Adam Hood) to her set list and posted the lyrics on her MySpace blog. (via the 9513)

Go out and see Sunny when she come to a town near you.

Sunny Sweeney at Ernest Tubb’s records in Nashville

[youtube]http://www.youtube.com/watch?v=wzdCbxogO-Y[/youtube]

What Would Willie Nelson Do?

– Chet Flippo at CMT’s Nashville Skyline features thoughts on the new Wilie Nelson bio “Willie Nelson: An Epic Life” by Joe Nick Patoski. From the post:

Patsoki has ascribed his fascination with Nelson to his own decades-long quest to discover a way to write the real Texas book, the one that finally captures the giant sprawling state and its larger-than-life characters. He says he finally realized the answer lay right before him in the form of a Texas superstar he had already interviewed many times before. Willie Nelson was Texas.

– Ryan Adams has written on his blog that the Ryman Auditorium is a “shit hole in Nashville”and that he hates, HATES country music. And always has. And he “references” it when he makes music that sounds like that, the way a director would use water as a backdrop for a svcene (sic) with a shark in it.

And here I thought that sobriety would make Ryan less of a sniveling self-absorbed prick.

– Plans were announced today for this year’s 25th Annual International Country Music Conference.

“The International Country Music Conference is the premier academic event for those studying and writing about country music,” stated conference co-chair Don Cusic. “It is appropriate that ICMC is held at Nashville’s Belmont University.”

This year the conference is set for May 22 to 24, 2008.

Willie Nelson: An Epic Life – Contest

As part of the all month celebration that is Willie Nelson’s 75th birthday I got my hands on an extra copy of the just released biography on the Texas Yoda “Willie Nelson: An Epic Life” by by Joe Nick Patoski. The book will go to the first peron to correctly answer the following:

We got a winner. Congratulations Patricia! Way to know your Willie!

Can you match Willie’s duet partner with the songs below (in order)?

  1. Seven Spanish Angels
  2. Beer for My Horses
  3. Touch Me
  4. I Gotta Get Drunk
  5. To All the Girls I’ve Loved Before
  6. Old Friends
  7. Boxcar’s My Home
  8. Pancho and Lefty
  9. You Left Me a Long, Long Time Ago
  10. Bob Wills Is Still the King

The Felice Brothers / Justin Townes Earle / McCarthy Trenching – Bowery Ballroom – New York City 4/12

Sometimes, rarely but sometimes, a concert can really floor you. Just surprise you in ways you had no idea you still could be. I’m glade to say this last Saturday I attended a sold out show at New York’s Bowery Ballroom that did just that.

Omaha Nebraska’s McCarthy Trenching opened the show at about 8:15 belting out self-described songs of drinking, killing and horse songs drinking, killing and horse songs with workmanlike diligence and little room for flourish.
26-year-old singer-songwriter Justin Townes Earle then hit the stage sporting a throwback look – sequin-trimmed suit and Brylcreemed hair – to match his gloriously throwback sound. Accompanied by mandolin-banjo-harmonica player and stamp-collection enthusiast Cory Younts, Earle served up with his blend of old school honkey-tonk
(Hard Livin, Ain’t Glad I’m Leavin’) and Tennessee backwoods country (Who Am I To Say, The Ghost Of Virginia) and straight up corn-pone fun (Chitlin Cookin Time In Cheetham County, Your Biscuit’s Big Enough For Me.) All the country music history sketches that make up his new release ‘The Good Life” were on show in full force. Earle showed confidence as he stalked the stage, stomped his boots to cue chorus to bridge breaks and hoisted his acoustic guitar rifle-like Johnny Cash-style. The New York crowd whooped and hollered and the girls near the stage stood transfixed with by his rugged Southern charm. Earle left the stage with a song for his Grandpa (Absolute Angels Blues) after almost an hour and left the crowd wanting more but primed the crowd for what was to come.

The most accurate and hilarious description I’ve come across for the Felice Brothers (actually three brothers and friends) is by way of Andrew Leahey over at All Music Guide – “they’re a pack of earth-stained country boys from the wilds of the Catskill Mountains, not Ivy Leaguers who thought ransacking their parents ’60s records would a better career move than grad school.” Dead on description and doubly so live. Cards on the table, I came to the show for Justin Townes Earle and decided to hang for a few songs by these Yankee roots rockers just to see what all the fuss was about. I’m glade I did.

It appeared that many under 30-year-olds from the Felice Brothers hometown of the Hudson River Valley and the New York City area, where the Felice boys honed their craft in the subway stations, turned out to welcome them back home. Young girls in cotton dresses shouted the band members names like they had them in home room and their drunk boyfriends sang to every song at the top of their lungs like they could do it in their sleep.

The Felice Brothers are often compared to a more punked-out Band, and it’s a pretty fair comparison. Like The Band The Felice Brothers take country and roots music and turn it in on it’s history to exposes the Celtic, blues and gospel innards. Gothic Americana landscapes drenched with sepia, whiskey (on stage and in verse) and blood.

Sometimes it seemed that the band was using their instruments as weapons and songs would veer just out of control just to right itself at the last minute. Tales of broken dreams and dreamers flat broke and staring down narrowing odds (the harrowing Hey Hey Revolver), sin, redemption and Dixieland salvation (Saved (Lieber-Stolle), Mercy) and salacious limo drivers (Cincinnati Queen) and straight up murder ballads that would make Nick Cave take notice (Ruby Mae.) Sometimes the whole affair seemed like a Ken Burns soundtrack mashed up with the Pogues on a particularly heavy bender.

Guitarist and lead gravel-throated vocalist Ian, drummer and vocalist Simone and accordionist and bear of a man James Felice along with a guy named Christmas (bass) and Farley (fiddle and washboard) played music dank with tradition and yet crackling with passion and fire. I’ve always said that if you can fake authenticity you can do anything, but if there is any faking until they make it with this band then my well tuned bullshit detector was unable to pick up the trace.

There have been some leveling of derision at the Felice Brothers for supposedly cribbing their sound to the Dyan/Band basement tapes. These jibes are usually from critics that see no problem giving a pass to the likes of the Zeppelin/Pixies plagiarism that is the White Stripes. I agree with Picasso that bad artists copy and great artists steal. The Felice Bros. are casing the joint and armed to the teeth.

The Felice Brothers Bowery Ballroom 4-12-2008 – I’m Saved

[youtube]http://www.youtube.com/watch?v=x90IqdwobUc[/youtube]