Tag Archives: Americana

New James McMurtry album on April 15, 2008 – ‘Just Us Kids’

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James McMurtry is one of my favorite performers and I’m really looking forward to this release!

AUSTIN, Texas — Lightning Rod Records will release singer/songwriter James McMurtry’s new CD, titled Just Us Kids, on April 15, 2008. McMurtry’s ninth album, which features 12 new songs, is a follow-up to 2005’s critically acclaimed and award-winning project, Childish Things.

McMurtry has long been known as fine storyteller, but he has lately received nationwide attention for his role as a musical activist. On Just Us Kids, McMurtry picks up where he left off with his controversial anthem “We Can’t Make It Here.” On “Cheney’s Toy,” McMurtry once again reminds us that the war in Iraq is still going on, with veiled references to Guantanamo and Abu Ghraib and the stark image of a soldier who returned from the conflict, blind and brain damaged. The lyrics of “God Bless America” call out the corporate profiteering and cronyism of the heads of state who led the country to war. McMurtry’s songs introduce the listener to characters that exist on the fringes of society. Drug addicts, murderers, crooked politicians, and other unsavory folks all play a part on Just Us Kids.

The self-produced album shows that McMurtry has developed a skill as producer that matches his songcraft. The songs on Just Us Kids vary widely in texture and instrumentation. The Faces’ Ian McLagan’s piano playing is all over the album while Timbuk3’s pat mAcdonald’s harmonica peppers several tracks. Austin singer/songwriter John Dee Graham contributes a wailing guitar solo to “Fireline Road.” Grammy-nominated Louisiana rocker, C.C. Adcock, adds a swampy guitar part to the album opener, “Bayou Tortous.” The rhythm section is McMurtry’s longtime road band, Daren Hess and Ronnie Johnson.

Just Us Kids will be the first release for Nashville-based Lightning Rod Records, distributed by Thirty Tigers/RED. Label president Logan Rogers previously worked as director of A&R for Compadre Records on the release of McMurtry’s last two albums. “Working with James McMurtry has been a career highlight for me. He is a phenomenal artist with tremendous integrity, and I can think of no better debut release for Lightning Rod Records,” said Rogers.

Author Stephen King described Ft. Worth native McMurtry as “the truest, fiercest songwriter of his generation” in Entertainment Weekly. The son of acclaimed author Larry McMurtry (Lonesome Dove, Terms of Endearment), James grew up on a steady diet of Johnny Cash and Roy Acuff records. His first album, released in 1989, was produced by John Mellencamp and marked the beginning of a series of acclaimed projects for Columbia and Sugar Hill. In 2003, McMurtry released the universally lauded Live in Aught-Three (Compadre Records). 2005’s Childish Things garnered some of the highest critical praise of McMurtry’s career and spent six weeks at number one on R&R’s Americana Music Radio Chart in 2005 and 2006. In September 2006, Childish Things and “We Can’t Make It Here” won the Americana Music Awards for album and song of the year, respectively.

In 2007, McMurtry performed on PBS’ long running music program, “Austin City Limits,” for the second time in his career. This year, McMurtry and his band will launch a national tour in support of Just Us Kids.

PopMatters Best of Americana 2007

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Adding to their earlier list of country, pop-country  and singer-songwriter albums of 2007, PopMatters.com adds their list of 2007’s best Americana music. Or as I like to call it, the stuff that doesn’t fit the narrow country mold cast by Nashville and usually kicks that woeful genres ass. Where else could the likes of Robert Plant and Alison Krauss, Th’ Legendary Shack Shakers (who once opened for Plant on tour) and Bettye LaVette be found on the same list? Like America herself, this is a big tent. Look for Twang Nation’s list of the best of 2997 next week.

Review – Robert Plant/Alison Krauss – Raising Sand (Rounder)

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Country music has some great male/female duos – Tammy Wynette & George Jones, Dolly Parton & Porter Wagoner and now… Robert Plant and Alison Krauss? No really, let me ‘splain.

While Mssr. Plant and his partner in sonic larceny Jimmy Page spent most of their time pilfering Robert Johnson’s crossroads they never left the dirt roads to traverse the back woods and smokey mountains where Americana, country and roots music flourished. In plant’s own words “I completely missed a whole other area of amazing American music.”

The collaboration between the blonde bluegrass angel and blonde rock god was set in motion seven years ago when the two sang together at a 2004 Leadbelly tribute concert. The conduit to the to bring the project together came in the form of producer and musician T-Bone Burnett (‘O Brother, Where Are Thou’ and ‘Walk The Line’.)

The result is a moody hushed world where sepia tinted country, fringe-folk and swaggering rockabilly fuse into a surprisingly cohesive whole. Like an unlikely collaboration between Angelo Badalamenti and Sam Phillips the alchemy on these thirteen sparsely-arranged cover versions is raw and mesmerizing – Krauss sings like a shimmering Nightingale, and sets a perfect counterpoint to Plant purr and growl. In tandem, they frequently reach moments of true transcendence last heard when Plant dueted with Sandy Denny on Zappelin 4’s (or Zoso) haunting mandolin-driven folk ballad “The Battle of Evermore.”

As you might expect of a recording of this pedigree the musicians are top of the line. Burnett’s hired guns Marc Ribot (guitar), Dennis Crouch (bass), Jay Bellarose (drums) and Norman Blake (acoustic guitar) are solid but restrained. Burnett has a knack for perfecting the early country and roots high lonesomeness that conjures hard fate and hone-spun menace that can only be labeled dark Americana.

The covers are picked with care with attention to diversity and songwriting mastery. Doc Watson’s “Your Long Journey”, Tom Waits and Kathleen Brennan’s “Trampled Rose”, Gene Clark waltz “Through the Morning, Everly Brothers’ “Gone, Gone, Gone (Done Moved On)” and, most impressive, a discordant rendering of Townes Van Zandt’s “Nothing”and a Plant and Page number Please Read The Letter.”

Krauss and Plant trade solo and duet in deliriously beautiful harmony. I haven’t heard a duet release this good since Caitlin Cary and Thad Cockrell’s 2005’s release “Begonias.

http://www.youtube.com/watch?v=g5KF4dKq-6I