Review – Eleven Hundred Springs – Country Jam (Palo Duro Records)

Where can a self respecting upright, clean thinking country music fan find solace in this world of soulless corporate market-tested pop-country confection? I have the remedy right here friends.

Eleven Hundred Springs is THE best country band on the road today. That’s right, you heard me, THE BEST! I defy anyone to show me a band that exhibits even half of EHS’s passion and agility.

Their blend of trad but contemporary Western swing, honky-tonk and country rock speaks to the roots while it pushes the edge, and the band’s first release in four years (and after a band shuffle) “Country Jam” showcases those skills in spades.

You can almost feel the heat, smell the Tex-Mex combination platter, and taste the ice-cold cervezas as the album opener “Texas Afternoon” stretches out with a Tejano accordion and hints of West Texas artists Jimmie Dale Gilmore and Joe Ely. It’s a song that genuinely makes you want to smile.

The first single from the record, “Every Time I Get Close To You,” heads back out to the flat lands of West Texas to harken back Lubbock’s own Buddy Holly channeling his rave-up rockabilly style that once burned up the local sock hops.

“Nobody Told You About The Love” is a beautiful banjo and pedal steel woven reflection on fatherhood and love featuring lovely backing vocals from guest Heather Myles. “Whose Heart Are You Breaking Tonight” is a Western swing number. It’s smooth shuffle provided by drummer Mark Reznicek is sure to fill up boot-scooting dance floors for years to come and “I Never Crossed Your Mind” beautiful lament of heartache and “V-8 Ford Boogie” moves back into Rockabilly’s wrong side of the tracks will a pulsing “go-cat-go” sound right out of the Carl Perkins songbook.

The songs so seamlessly from style to style it belies the incredible dexterity being quietly exhibited and Matt Hillyer’s vocals are prefect for the songs with his ability to achieve longing and carefree hell raising with equal success. His writing is tight and effortless with nary a tired cliche in sight. Thankfully there are no obvious reaches for “the hook” that lead so many songs to trite repetition. The sincerity in each tune is solid , irony be damned.

The cover art merits Texas underground cred by featuring a psychedelic painting by legendary Austin artist/actor and Spicewood, TX. resident Kerry Awn. Locals might recognize Kerry’s unique style from the great graphics he did for the legendary Armadillo World Headquarters back in the 70’s.

Like the Greats, Bob Wills, Willie Nelson, this is hillbilly poetry at its finest. Hopefully the next release from this great band won’t take as long to get out.

Texas Afternoon(mp3)

Eleven Hundred Springs – You Can’t Hide From Your Heart – Denton, Texas

[youtube]http://www.youtube.com/watch?v=ceCsNOHP8hE[/youtube]

Gibson Guitars Blog Picks the Top 5 Essential Alt.Country Albums

Dave Hunter over at the Gibson Guitar’s blog (love their acoustic guitars, but for electric I gotta side with Fender) has taken on the daunting task of choosing the “Top 5 Essential Alt-Country Albums.” No real surprises on the list, and I might have a quibble with one or two of the choices (No Lucinda Williams? No Bottle Rockets?) but it’s a nice introduction for anyone getting into the genre.

The Village Voice Covers New York Country Music

The Village Voice has a fine write up (Country Music Grows in Brooklyn) on the burgeoning Country Music scene in Brooklyn and mentions a Twang Nation favorite Hank’s Saloon, a 100 year old hell raising hillbilly bar smack dab between Carroll Gardens and Park Slope which features a trapdoor above the stage leads to an upstairs area once used as a flophouse by Native-American steelworkers. The article al

so mentions the New York Metropolitan Country Music Association which has hosted hoedowns for the last 25 years and now holds weekly line dances at the Glendale Memorial Building in Queens.

Review – Hayshaker – Black Holiday in Mexico City EP (Shut Eye Records)

Surveying a wide swath of American music in just 6 songs, Waycross, Georgia’s Hayshaker features the wedded C.C. and Laurie Rider on rhythm guitar and vocals, and vocals respectively and T.W. Lott on guitar and Frank Sikes on drums. The band belies their leanness in members by producing a massive sound sure to shake the tin roof off any roadhouse.

Their recent EP, Black Holiday in Mexico City gets things rolling with the Bakersfield-sound fueled “Laurie’s Song” with C.C. and Laurie’s harmonies reminiscent of Exene Cervenka and John Doe in X’s twangier moments. The middle part of the song breaks off into the chug-chug-chug that starts off Dolly Parton’s 9 to 5, but then kicks back into that sweet West Coast honkey-tonk beat.

In the Snow is a dark moody rocker that makes you want to bang your head to the story mental anguish. Scrap Work stretches out a country-rock landscape with yearning pedal steel and searing guitar work.

El Camino brings Dick Dale spastic surf-guitar spiked with Pixies fury complete with Black Francis yelps and exquisite Black and Kim Deal-style harmonies “Oh my pain, is like a candy cane, you lick and you lick, and it goes away.” Classic!

Black Holiday is a swampy murder ballad punctuated with a cool jumpy guitar lick that turns fierce in the middle then suddenly shimmers like asphalt heat just to jump up and blast out at the end.

Mexico City is a hoedown stomp reflection on South of the Border wantonness. “I lost my heart, I lost my soul, to a bottle and a whore in Mexico.” The EP ends with Dirtkick, a Black-Betty-eque hot rod surge to the cliff on a whiskey fueled race to hell. The drunken phone message hidden at the end is hilarious and a little freaky.

Pack up your ’56 Plymouth Fury and hit the long lonely dusty road and let Hayshaker’s “Black Holiday in Mexico City” be your soundtrack.

Laurie’s Song (MP3)

Laurie’s Song

Missy Gossip and the Secret Keepers

Patsy Cline brought country music from the hayride into the smoky piano bars of what was adult American pop in the late 50’s and may have set their course on that trail blazed by the torch she seemed to carry in every song. Add the that list Atlanta’s Missy Gossip and the Secret Keepers. This time the sorrowful siren is Lauren Staley who not only belts out some great tunes but plays guitar to boot. Luke Long lends the reverb vibe, Carla Kootsillas is on Mandolin and Mike Schmidt’s Bass and Jimmy Martin’s Drums all laying down a heavy bottom to pile high the tears. They even lend a feeling of remorse and loneliness to Micheal Jackson’s “Beat It.”

They group is out shopping their first EP and I think it’s going to be a jewel once released. Keep you eye on these folks, they’re doing it right!

Missy Gossip and the Secret Keepers – Beat It

Missy Gossip and the Secret Keepers cover Beat It

Ryan Bingham Talks New Release/ Plays New York City

Ex bull-rider and troubadour of dusty trails and hard living Ryan Bingham discusses with PopMatters.com how his latest release, “Mescalito” (Lost Highway), came to be. Bingham also says that he is working on the follow-up to “Mescalito,” which he hopes to release early next year, and is sticking with Marc Ford as producer.

Bingham will be playing at the Mercury Lounge in New York City tonight appearing with David McMillin.

Ryan Bingham and the Dead Horses – Bread and Water

[youtube]http://www.youtube.com/watch?v=002sthqGSRs[/youtube]

Rod Stewart’s Cowboy Dreams Denied

Seems there will be at least one singer that won’t be jumping the genre fence anytime soon. Ireland on-line reports that Rod Stewart is enraged with music label bosses at J Records for not giving him the green light to record country classics release.

He says: “Everybody there (at J Records) is against that, which makes me want to do it even more. Apparently, the idea didn’t test well, whatever that means.”

I’m amazed that someone with Stewart’s pedigree still has to ask the label bosses permission to record music. Perhaps he should hire Trent Reznor as a music business consultant. Then again, after listening to his take on the pop classics I believe that Stewart’s country music longings are probably are better off being denied.

Twangfest Rides Again – St. Louis, MO

Add to the list of festivals I have yet to attend but want to Saint Louis, MO’s 4-day Twangfest (June 4-7, presented by KDHX 88.1 FM .) Twangfest is on it’s 12th year of providing fine alt.country to the lucky folks that live in the area or can make the trek. This years line up is a doozy.

Wednesday, June 4

The Schlafly Tap Room
2100 Locust Street at 21st
St. Louis, MO 63103
314.241.BEER
General admission; doors open at 7:00 PM.

Chuck Prophet
Centro-matic
The Builders & The Butchers


Thursday, June 5

The Duck Room at Blueberry Hill
6504 Delmar
St. Louis, MO 63103
314.727.0880
General admission; doors open at 7:00 PM.
Friday, June 6

The Gourds
Charles Walker & The Dynamites
Deadstring Brothers

The Pageant
6161 Delmar Blvd
St Louis, MO 63112
314.726.6161
General admission; doors open at 7:00 PM.
Saturday, June 7

Old 97’s
Hayes Carll
Miles Of Wire

Off Broadway
3511 Lemp Ave
St Louis, MO 63118
314.773.3363
General admission; doors open at 7:00 PM.

The Waco Brothers
Ha Ha Tonka
the everybodyfields
Caleb Travers

Billboard.com Review Drive By Truckers Show – May 15th Charleston, S.C.

Billboard.com has a glowing write up on the May 15th Charleston, S.C. Drive By Truckers show. A sample:

That they continue to pull it off in such hammering, consistent fashion is not only a credit to their staying power (and ability to weather waves like the departure of Jason Isbell last year), but, as they showed on a sweaty and Jack Daniels-fueled 25-song set in Charleston, proof that it still might make sense to buy completely into the notion that rock n’ roll is the literal answer to many, many things.