Twang Nation
Country Music, Alt-Country, Roots Music and Americana Music Blog

Lucinda Williams – Town Hall, New York – New York Times

October 4th 2007 in Concerts, Legends, alt.country

The New York Times has a nice write up on the Lucinda Williams “Car Wheels on a Gravel Road” show played Tuesday night at Town Hall in New York City. This was the third of a five concert retrospective of William’s discography on in reverse chronological order. She did the same performances in Los Angeles last month. I especially like this bit from the Times:

Ms. Williams was a strong singer on Tuesday. She can radically delay a word’s delivery with her thick voice; she used that effect sparingly and beautifully. And by the middle of the show, through her phrasing she was pressing down hard on the words, drawing them out and giving them an edge of uncomfortable persistence; she enlarges them so she can live in them.

I attended the opening “World Without Tears” and the “Car Wheels on a Gravel Road” shows and will post on them soon. I wish I had the Times staff but it’s just me out here!

Related posts:

  1. Lucinda Williams – Town Hall, New York – 10/02/07
  2. Lucinda Williams Announces 30th Anniversary Tour
  3. Lucinda Williams – Radio City Music Hall (3/23)
  4. Lucinda Willimas to Play Complete Albums in Fall
  5. Lucinda Williams Talks to Rolling Stone




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NASHVILLE, October 1, 2007 – Artist Lyle Lovett will receive the Americana Music Association’s inaugural Trailblazer Award and perform at the organization’s 2007 Honors and Awards show, slated for November 1 at the historic Ryman Auditorium in Nashville, TN. To further delve into all things Lyle, the Rock and Roll Hall of Fame and Museum will also sponsor a keynote interview with Lovett the following day, Friday, November 2, during the Americana Music Association’s annual conference.

Dr. Warren Zanes, Education Advisor [...]

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It’s rare to walk out of a concert and think, “Damn I was just a witness to a piece of musical history.” On a warm, humid night last Tuesday I thought just that.

I came late to Lucinda Williams. I was introduced to Lu (as her adoringly rabid fans refer to her) in 2003 with the release World Without Tears, a mixed bag of the sublime (Righteously, Over Time) and the awkward (Sweet Side, American Dream.) This was five years after [...]

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