David Allan Coe and Shooter Jennings in Harp Magazine

A great conversation by a couple of bonafide country music outlaws reminiscing about the good old days. From the piece:

JENNINGS: Nashville’s never going to change. They’re always going to be the same. They play by the rules. And it’s all still a pop thing. Nashville controlled it in the ’60s, ’70s, ’80s and ’90s. It was just the reckless people that did it their own way that broke out [into the mainstream].

COE: The greatest example of that is Charlie Rich. Charlie Rich was just coming off of Behind Closed Doors, which was the biggest fuckin’ record. And if you went up by Sony Records, they would tell you-you couldn’t walk in a building, you know. Because Charlie was in the building, they had the doors locked. Security had to check you out first before you could get in the building. Then they had the awards show. And he was supposed to read the winner of male vocalist of the year. And he just opened the envelope and read it and took his fuckin’ lighter out and set it on fire.

JENNINGS: When John Denver won.

COE: Yeah. He refused to announce this guy as male vocalist of the year. And I thought it was the greatest fuckin’ thing I ever saw in my life. And you know what? You never heard Charlie Rich’s name again ever. That’s how powerful that town is. I just think music should be good or bad, period.

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