Kris Kristofferson Talks About New Release

  • Kris Kristofferson and producer discusses Kristofferson’s upcoming Closer to the Bone (Sept. 29 on New West Records) and how they were trying to capture the intimacy that defined his last release This Old Road. Closer to the Bone will contain the song Good Morning John which comes from a letter Kristofferson wrote to Johnny Cash for a sobriety party. Kristofferson will perform on Nov. 1 at the Walt Disney Concert Hall in Los Angeles, and on Nov. 10 he’ll receive the BMI Icon Award during the BMI Country Awards in Nashville. (billboard.com.)
  • The New York Press has a great feature on Twang Nation favorite The Builders and The Butchers.
  • Malcolm Holcombe’s will release For the Mission Baby in the U.S. on September 29, 2009, and in the UK/Europe on October 5, 2009. The album was recorded in May ’09, produced, recorded and mixed by Ray Kennedy at Room and Board Studios in Nashville, TN.
  • In my ongoing quest to make San Francisco a hotbed of Americana/roots music I recently came across Rhubarb Whiskey. The band features Cindy Emchy on accordion and vocals and Boylamayka on dog-house bass,  guitar and mandolin and background vocals and are a blend of vaudeville, gypsy jazz and Southern-Gothic. Check ’em out. (Main Site | MySpace)

Music Review: Holly Williams – Here with Me (Mercury Nashville)

holly-williams-here-with-me-coverIt’s one thing to be Shooter Jennings or Justin Townes Earle, but being the Granddaughter of country music legend Hank Williams and the Daughter of the hard-living, hell raising outlaw and legend of sorts Hank Williams Jr., well that’s a whole other mountain to climb.

Like her half-brother Hank Williams III, Holly Williams takes the fundamentals laid down by her ancestors and burns her own brand on the work. Here With Me is much more a country record than her previous release for Universal South The Ones We Never Knew and perhaps the turn in style was a result of the automobile accident that nearly took the lives of her and her sister Hilary. Maybe, like Hank III, the primary motive for moving into the family business was the promise of a ready audience and cash.

Whatever the motive this is a great release that brings to mind the work of another blood kin of country music royalty, Rosanne Cash. Like Cash, Williams does great things with a modest vocal range and brings a sophistication to the songs (many of which she wrote) without completely smothering out the rustic charm with glossy productions and lazy paint by the numbers fluff reaching for a top charting radio hit.

Holly Williams is every bit the outlaw her destiny assumes she’ll be, she just prefers a level of uptown refinement to her country pedigree.

Official Site | MySpace | Buy

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[youtube]http://www.youtube.com/watch?v=ExpUM6nNxf0[/youtube]

John Fogerty’s The Blue Ridge Rangers Rides Again To Be Released in September

  • John Fogerty will release his new album The Blue Ridge Rangers Rides Again (Rides? Shouldn’t it be “Ride?”) a  collection of covers and originals this September 1st. The release will feature new takes on classic Country and Americana tunes originally written by or for Ray Price, Buck Owens, the Everly Brothers and John Prine. The album is Fogerty’s a 36 year conceptual follow-up to 1973’s Blue Ridge Rangers, a post-Creedence solo release of gospel and country covers. That album had him playing all instruments but on this new release he has a powerhouse backing him – including Kenny Arnoff, Herb Pederson, Jodie Kenny,  Buddy Miller and more.
  • The Americana Music Association has announced that mandolin master Sam Bush will receive the Lifetime Achievement for Instrumentalist award at the 8th Annual Americana Honors & Awards ceremony scheduled for Thurs., Sept. 17 at the historic Ryman Auditorium.

Ben Gibbard and Jay Farrar Collaborate on Jack Kerouac Inspired Album

  • Gothic-roots band Builders and the Butchers premier their first ever music video Golden and Green (and they used one of my favorite fonts, Bleeding Cowboy,  for the opener. Cool!) The song is great and the video is an odd mash-up of an early 20th century gang post-heist, the 1963 film Children of the Damned and Narnia. (Spinner)
  • Singer-songwriter Brandi Carlile‘s third album, Give Up The Ghost, will be released on Columbia Records this fall.  The album is produced by Rick Rubin. Carlile has announced the dates for her Give Up The Ghost Traveling Show beginning September 10th at The Depot in Salt Lake City, UT.   The tour will make stops at legendary venues across the country including Chicago’s House of Blues, New York’s Beacon Theatre and The Wiltern in Los Angeles.
  • Ricky Skaggs  will honor the man who introduced him to bluegrass. On Sept. 15, Skaggs will release Ricky Skaggs Solo (Songs My Dad Loved) on his own Skaggs Family Records featuring 13 tunes he was introduced to by his father, Hobert Skaggs. (Billboard)
  • Death Cab for Cutie’s Ben Gibbard and Son Volt’s Jay Farrar are collaborating on an album inspired by legendary Beat writer Jack Kerouac. (Spinner)

Music Review: Maylene and the Sons of Disaster – III (Ferret Records)

maylene_iiicoverThere are few genres as maligned as Southern Rock. The term brings to mind a drunken guy wearing a wife-beater and a trucker cap with a Confederate flag patch screaming “Freebird!” Despite stereotypes the truth is that most people that grow up in the South/Southwest are born knowing about two musical genres, Country and Rock. Given the working class environment and the musical heritages of the regions this is no surprise.

The legacy of the Allman Brothers and Lynyrd Skynyrd were revived and renewed most popularly by the DIY success of Northern Alabama’s Drive By Truckers. But other bands, like Austin, Texas’ Dixie Witch and Birmingham, Alabama’s Maylene And The Sons Of Disaster follows the Allman and Skynyrd path by way of  a more aggressive Southern metal route most famously blazed by Pantera.

Maylene And The Sons Of Disaster rose from the ashes of vocalist Dallas Taylor’s unceremonious dismissal from the Christian post-hardcore band Underoath in late 2003. Though MATSOD are designated A “a Christian southern metalcore” band on Wikipedia the Christian element is not the central focus, the music is. Like Johnny Cash and U2, MATSOD are about getting their message across in allegory delving into the ambiguities of faith rather than self-righteous cartoon ideas of good and bad. In the case of MATSOD it’s just done faster and louder.

To blur the line further between heaven and hell the band’s name is taken from  the legend of the barbarous criminal gang of Ma Barker and her fraternal offspring.

Step Up (I’m On It) offers Southern-fried bottleneck and banjo, Listen Close and No Good Son lift  licks from the Skynyrd playbook and Oh Lonely Grave begins as an updated swampy dirge, but the blasting intensity of the latter part of the piece and of  Settling Scores By Burning Bridges and Harvest Moon Hanging shows that the  combination of  Saturday night sin and Sunday morning salvation still proves a potent mix.

Official Site | MySpace | Buy

Little White Lies.mp3 |   Step Up (I’m On It).mp3

[youtube]http://www.youtube.com/watch?v=sxNu9rLKxF0[/youtube]

Brad Paisley, Alison Krauss and Union Station to Play theWhite House

  • Brad Paisley, Alison Krauss and Union Station to play Obama White House for next week’s White House Art & Innovation Events: Music Series Celebrating Country Music & Smithsonian’s National Design Awards Event.
  • The Washington Post takes a look at Nashville’s Bluegrass scene and follows the high lonesome from the Ryman Auditorium’s annual Bluegrass Nights at the Ryman to one of my personal favorite The Station Inn.
  • Juli Thanki over at the 9513.com reviews the new self-titled album by riot grrrl/roots group Those Darlins.
  • Decider Milwaukee sits down with Portland’s indy Americana band Blitzen Trapper.

Music Review – Rita Hosking – Come Sunrise (self released)

come sunriseRita Hosking might call Davis, CA home (18 km / 11 mi West of Sacramento) but the geographical and cultural influences that shape her excellent new release, Come Sunrise, could plot here anywhere between a rural West Texas roadhouse or the front porch of an Appalachian cabin.

Recorded in Austin with producer, engineer and Robert Earl Keen guitarist, Rich Brotherton and featuring some of Austin’s best musicians – Lloyd Maines on Dobro, Glenn Fukunaga on upright bass, and Danny Barnes on banjo, Warren Hood on fiddle, Brotherton plys several instruments himself and Sean Feder from Hosking’s backing band Cousin Jack on percussion and harmony vocals.

With a vocal style somewhere between Natalie Merchant and Gillian Welch Hosking sings all 11 of her original songs with a delicacy that belies the force of her delivery. This is the kind of music I imagine a few generations ago would have easily landed on bestselling Hillbilly charts before some executive in the 40’s decided the term too degrading (and probably less market-friendly) and changed the name to Country & Western.

Now this music finds its home in the Americana genre, where skilled musicians like Hosking remind us that music that tells tales of people’s lives, with instrumentation and arrangement that also hearken from that heritage, is so wholly satisfying in a world more and more addicted to entranced and irony.

The slow burners are the real stand outs.  Simple pleasures yearn from the title track as Maines’ Dobro and Hood’s fiddle envelope you with the sonic equivalent of a down comforter, Montgomery Creek Blues is a dreamy pedal-steel laced tale of drunken revelry that ends in murder and Hiding Place (my hands-down favorite) is a sparkling ode to solitude that betrays a hint of menace from possible pursuer.

Precious Little, Little Joe and Holier Than Thou
are straight up honky-tonkers that shoudl strike shame in the heart of every Music City big label suit.

With Come Sunrise Hosking gives us a prism that isolates the distinct historic threads of country and folk music and then combines it again
into a wholly satisfying and extraordinary body of work.

Official Site | MySpace | Facebook | Buy

five_rate[youtube]http://www.youtube.com/watch?v=bmxbQwJPDMA[/youtube]

Lyle Lovett and Guy Clark Prepare New Releases

  • Lyle Lovett will combine both originals and songs “by some of my favorite Texas singer-songwriters” on his next album, which is due out Oct. 20. (Billboard)
  • And in more Texas legends news; Guy Clark’s new album, Sometimes the Song Writes You, will drop on Sept. 22 on Dualtone Music Group. Clark collaborats with Shawn Camp, Rodney Crowell, Joe Leathers, and more on the album . He also follows Steve Earle’s recent release and covers If I Needed You, written by his late friend, Townes Van Zandt. (CMT)

No Depression Releases Online Archive

  • Just in time for their return to the stage the Minneapolis-based Jayhawks Music From the North Country: The Jayhawks Anthology, their first ever compilation reflecting 20 signature songs and album tracks that span from their 1989 debut, Blue Earth, to 2003’s Rainy Day Music, is released today on American/Legacy Recordings.Reda a blogcrtics review of the album here.
  • Texas music legend George Strait will release his new album Twang (great name!) in stores and online August 11th. Out Of Sight Out Of Mind and Living For The Night were co-written by George’s son Bubba and Arkansas Dave was solely by Bubba. The title song and I Gotta Get To You is co-written by Americana legend Jim Lauderdale.
  • HearYa.com reviews Texas musician Scott H. Biram’s latest Bloodshot Records release Something’s Wrong/Lost Forever.
  • Remember that old article on the Bottle Rockets you saw in No Depression years ago? Now where do you put that darn thing? No need to fret, NoDepression.com has released their full archives online for your reading pleasure.

Music Review – Deer Tick: Born on Flag Day (Partisan Records)

The sophomore release from Providence, RI.’s John Joseph McCauley III has him filling out his sound with a full band that he employs to help him mine his inner Joe Ely and Tom Petty this sonic recesses where twangy barroom serenades are mashed up with 50’s and 60’s era pop rave-ups.

Easy starts things off with a tribal drum rocker that hearkens back to early REM. Little White Lies begins as a pedal steel tear in a beer weeper that later spikes into staccato-beat border town rollick. Smith Hill is an orchestra-backed  drinking song about heartbreak that has  McCauley howling like a wounded coyote. Song About A Man shows  McCauley at his Dylan-esqe best and Houston, TX. Is a nice shuffling road song that reflects well on its namesake.

McCauley joins the ranks of young men with old voices (Ryan Bingham, William Elliot Whitemore) and his dark gravel narratives of drunken desperation are offset by an expansive banquet of styles that keep things less bleak and more forceful and sunny. Even a graveyard is beautiful landscaping and flowers on the surface, and beyond the topiary of  arrangements on Born on Flag Day there are plenty of skeletons to be found.

Official Site | MySpace | Buy

DeerTick-LittleWhiteLies.mp3

[youtube]http://www.youtube.com/watch?v=ppYcQf9liUQ[/youtube]