Country Music Is Not Dead

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If you were one of the 15.4 million viewers of last Sunday’s 48th Annual Academy of Country Music Awards show you might have been, like me, wondering “When’s the country going to start?” I’ve never been branded a purists , but I prefer my country on the Lefty Frizzell / Buck Owens / Willie Nelson side of the fence rather than the Fleetwood Mac / Jack Johnson/ Def Leppard style that’s in vogue right now

Music City continues to chase the money by burying it’s legacy as it has since nearly it’s start. Fortunately for us that honor songs over celebrity we have a safe haven, Americana music. Below are a few performers that are keeping heartfelt and real. Post your suggestions in the comments.

https://www.youtube.com/watch?v=dJt3oHYmKcQ

https://www.youtube.com/watch?v=AcJml72K1HQ

https://www.youtube.com/watch?v=BrqdhA1_C5U

Record Store Day 2013 – Americana and Roots Music Picks

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It’s that time again twangers. Yes, Record Store Day 2013 is upon us. The day when us music fans can snatch up slabs of limited pressing vinyl from our favorite artists and help local independent records store to not become bygone relics. That would stink.

This year’s RSD2013 releases offer some great selections from the roots and Americana side of the fence. Willie Nelson demos? Yes please! Waylon Jennings and Old 97s collaboration? Oh yeah!

Check the hilarious video from RSD1013 Ambassador Jack White below, where he details the shady doings of the music industry, the Masons and the NBA draft (sort of) and on April 20th head to your local independent record store to pick up one of the limited edition goodies below.

Head to the official RSD2013 site to get a complete list of releases and participating stores.

https://www.youtube.com/watch?v=etxYxIfDhXc

Chet Atkins
Black Jack EP
Format: 7″ Vinyl
Label: SUNDAZED
Release type: RSD Exclusive Release
More Info:
Previously unreleased recordings by this guitar master
Midnight, Boo Boo Stick Beat, Blackjack, Blue Moon of Kentucky

The Avett Brothers/ Randy Travis
Format: 7″ Vinyl
Label: Warner Music Nashville
More Info:
Limited edition split single. Randy Travis covers the Avett Brothers’ “February”, The Avett Brothers covers the Randy Travis song, “Three Wooden Crosses.

The Band
The Last Waltz
Format: 12″ Vinyl
Label: Rhino
More Info:
3 180 Gram LPs, Numbered RSD Edition. All original packaging with Embossing and two foils. All original inner sleeves plus 12-page booklet. Out of print for more than a decade.

Billy Bragg
No One Knows Nothing Anymore / Song of the Iceberg
Format: 7″ Vinyl
Label: Cooking Vinyl

Blitzen Trapper
Blitzen Trapper Deluxe Reissue
Format: 12″ Vinyl
Label: LidKerCow, LTD
More Info:
Blitzen Trapper’s debut album from 2003 will be available for the first time on vinyl in celebration of it’s 10th Anniversary. The record was remastered by Bruce Barielle and the lacquers were cut by Jeff Powell at Ardent Studios in Memphis, TN. A very limited edition run, the record is pressed on 180g vinyl with a free digital download of the entire record with five previously unheard bonus tracks from the original sessions.

Joe Bussard
Guitar Rag/Screwdriver Slide
DETAILS
Format: 78 rpm 10″
Label: Tompkins Square

Calexico
Spiritoso
Format: 12″ Vinyl
Label: Anti/Epitaph

Kasey Chambers and Shane Nicholson
Rattlin Bones
DETAILS
Format: 12″ Vinyl
Label: Sugar Hill

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Elizabeth Cook / Jason Isbell
Tecumseh Valley b/w Pancho & Lefty
DETAILS
Format: 7″ Vinyl
Label: 31 Tigers
Release type: RSD Exclusive Release
More Info:
“Tecumseh Valley” b/w “Pancho & Lefty”
Studio versions of both artists covering Townes Van Zandt. They originally performed these songs on Late Night with David Letterman

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Mike Cooley
Too Pretty To Work
Format: 7″ Vinyl
Label: Cooley Records
More Info:
Record Store Day 7″ featuring 2 live tracks recorded at shows in 2012.
1 – Self Destructive Zones (3:36)
2 – Get Downtown (3:12)

Bob Dylan
Wigwam
Format: 7″ Vinyl
Label: Columbia
More Info:
A – Wigwam (Unreleased Demo,) B – Thirsty Boots (Previously Unreleased) — Two previously unreleased Bob Dylan recordings from the Self Portrait sessions. Includes a demo version of “Wigwam” and the previously unreleased track “Thirsty Boots.” Taken from the forthcoming release, The Bootleg Series Vol. 10.

Justin Townes Earle
Yuma
Format: 10″ Vinyl
Label: Bloodshot Records
More Info:
Previously released debut EP from Justin Townes Earle, now on vinyl for the first time. 10″ vinyl. Colored vinyl (opaque gold). Limited to 1000 copies, for RSD.
The Ghost of Virginia, You Can’t Leave, Yuma, I Don’t Care, Let the Waters Rise, A Desolate Angels Blues

Alejandro Escovedo/Chris Scruggs
78 rpm 10
Format: 10″ Vinyl
Label: Plowboy Records
More Info:
78 rpm 10″ A/B single release of two covers of Eddy Arnold standards by Alejandro Escovedo (A side) and Chris Scruggs (B side) for upcoming “You Don’t Know Me: Rediscovering Eddy Arnold” album project due in May 2013
a side : “It’s a Sin” by Alejandro Escovedo – B side: “Just A Little Lovin’ (Will Go A Long Way” by Chris Scruggs

Giant Giant Sand
Return to Tucson
DETAILS
Format: 12″ Vinyl
Label: Fire / Cargo
More Info:
limited to 1000 copies. 12″LP featuring 8 remixes by John Parish and Ali chant from tracks that featured on 2012’s ‘Tucson’ LP.
SIDE A: Lost love (John Parish + Ali Chant Remix); Undiscovered Country (John Parish Remix); Wind Blown Waltz (John Parish + Ali Chant Alternative Mix); Thing Like That (Ali Chant Extended Version) SIDE B: Carinito (Ali Chant Alternative Mix); Not The End Of The World (Ali Chant Alternative Version); Hard Morning in a Soft Blur (Chris Schultz Extended Version(; Forever & A Day (John Parish + Ali Chant Alternative Mix)

Golden Gunn (Steve Gunn + Hiss Golden Messenger)
Golden Gunn
Format: 12″ Vinyl
Label: Three Lobed / Thrill Jockey
More Info:
Golden Gunn is a collaboration between Steve Gunn and Hiss Golden Messenger. LP comes with a download code. Only 870 made.

Jackie Greene
Love Is A Shining Catastrophe/Sweet Somewhere Bound 7
DETAILS
Format: 7″ Vinyl
Label: self-released
More Info:
7″ Vinyl Single in 4/c jacket with 2 “A” Sides and 5 song digital download.

Patty Griffin
Ohio
Format: 7″ Vinyl
Label: New West
More Info:
This is a single A-side 7” pressed on heavyweight vinyl. The vinyl is black, hand-numbered 1-500, and Patty will sign Side B on 25 of the records, which will be randomly distributed. This song is from her forthcoming album, American Kid, due out 5/14/13. This will come in an all white sleeve with a stamped logo and a stickered UPC.

IMAGINATIONAL ANTHEM VOL. 6 : ORIGINS OF AMERICAN PRIMITIVE GUITAR
Format: Gatefold Vinyl Ltd 1500
Label: Tompkins Square
If American Primitive Guitar begins with John Fahey and the Takoma School, then the actual origins of this sound is found within this collection of fourteen classic solo guitar performances. Recorded between 1923 to 1930, this set is the “Rosetta Stone” of style and repertoire tapped into deeply by Fahey, Basho & Rose, among many others. Sam McGee, Riley Puckett, Bayless Rose, Sylvester Weaver, Lemuel Turner, Frank Hutchison and Davey Miller are the rural artists included in this anthology. Each one of these showcases a particular technique and sensitivity sourced from the earlier 19th century parlor guitar tradition. Several of these sides are reissued for their first time including Sylvester Weaver’s “Guitar Blues” which is the first solo finger picked guitar solo ever recorded. Stunningly remastered and annotated by Christopher King.

Iron and Wine
Next to Paradise/Dirty Ocean
Format: 7″ Vinyl
Label: Warner Bros.
Release type: RSD Exclusive Release

Sarah Jarosz
Live At The Troubadour
Label: Sugar Hill

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Tift Merritt
Markings
DETAILS
Format: 12″ Vinyl
Label: Yep Roc
Release type: RSD Exclusive Release
More Info:
4-song 12″ featuring an unreleased track, a live track and two acoustic tracks from Traveling Alone. Covered with a tactile cross-stitched/embroidered record cover.

Mumford & Sons
Live at Bull Moose
DETAILS
Format: 10″ Vinyl
Label: Glassnote
More Info:
“””I Will Wait”” “”Ghosts That We Knew”” “”Where Are You Now”” “”Awake My Soul”” — 3 or 4 songs from their bull moose instore – 10″” version”

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Willie Nelson
Crazy: The Demo Sessions
Format: 12″ Vinyl
Label: Sugar Hill
More Info:
When Willie first got to Nashville he cut some demos for Ray Price and Hal Smith’s publishing company, Pamper Music. Though these cuts were used to pitch songs to artists (including ‘Crazy’ for Patsy Cline) and producers, many weren’t released. These 1960-1966 tracks are raw, real and really good, clearly the work of an artist/songwriter headed for stardom.

Willie Nelson
Someday My Prince Will Come
Label: Legacy

Waylon

Waylon Jennings / Old 97s
Format: 7″ Vinyl
Label: Omnivore Recordings
More Info:
2 x 7″
Two tracks from Old 97s sessions with Waylon Jennings, and two additional Old 97s demo tracks. Cover art by Jon Langford of the Mekons and Waco Brothers, and famed painter of country icons.
Iron Road The Other Shoe, Visiting Hours (1996 demo), Fireflies Take 2 (1996 demo)

Gram Parsons
Gram Parsons & The Fallen Angels-Live 1973 7
Format: 7″ Vinyl
Label: SIERRA
More Info:
Originally released in 1982 as a bonus 7″ EP to Sierra Records “Live 1973” LP release of Gram Parsons with Emmylou Harris with full color sleeve.
Side One: Medley- Bony Moronie, 40 Days, Almost Grown Side Two: Conversations, Doing It in the Bus, Broken EBS Box, Hot Burrito #1

Phosphorescent
Aw Come Aw Wry
Label: Misra Records
More Info:
Previously released title from Phosphorescent, and one of the best-selling, on Misra. This will be the first time that it is available on vinyl.

CHARLIE POOLE & THE HIGHLANDERS : THE COMPLETE PARAMOUNT & BRUNSWICK RECORDINGS, 1929
Vinyl w/ Poster Ltd 1500
From 1926 to 1930 one of the most popular rural string bands on record was Charlie Poole & The North Carolina Ramblers. Through their 78 RPM discs and their various performances, Charlie Poole was second only to Gid Tanner and His Skillet Lickers. Poole’s uniquely syncopated three finger banjo picking style coupled with his Piedmont vocal inflections eventually colored and defined much of what we consider “old-time” music. The classic configuration of banjo, fiddle and guitar with vocals was encouraged by the main label that promoted Poole but he also wanted to record instrumentals featuring twin-fiddle and piano. As renaming his group The Highlanders, Poole was able to actualize this musical vision. This collection contains all of the sides that Poole made with Roy Harvey, Lucy Terry, and twin-fiddlers Lonnie Austin & Odell Smith. Remastered in beautiful sound by Christopher King and with notes written by old-time musician and scholar Kinney Rorrer.

Punch Brothers
“Ahoy!” – 33 1/3 rpm Vinyl EP
Label: Nonesuch Records
For the first time, the EP has been pressed on 10″ vinyl for Record Store Day, and includes songs by Josh Ritter (“Another New World”), Gillian Welch and David Rawlings (“Down Along the Dixie Line”), Punch Brothers (“Squirrel of Possibility”), and Mclusky (“Icarus Smicarus”), along with one traditional tune, arranged by Punch Brothers (“Moonshiner”). Originall yrecorded during the Nashville sessions for their 2012 album Who’s Feeling Young Now?,

Richard Thompson
Salford Sunday
DETAILS
Format: 7″ Vinyl
Label: New West
More Info:This is a single A-side 7” pressed on heavyweight vinyl. This song is off of the release Electric (2/5/13). The vinyl is black, hand-numbered 1-500. Richard will sign Side B on 25 of the records, which will be distributed randomly

Frank Turner
Recovery
Format: 7″ Vinyl
Label: Interscope

Various Artists
Yep Roc Hearsay / They Call It Rock
Format: 12″ Vinyl
Label: Yep Roc
Release type: RSD Exclusive Release
More Info:
2 Song 12″ on clear vinyl, 24 Yep Roc Artist performing, DVD of recording session, hand made cover

Yonder Mountain String Band
Format: 12″ Vinyl
Label: Vanguard

The Sin City Social Club Annual SXSW 2013 Bash

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Twang Nation is proud to announce sponsorship of The Sin City Social Club Annual Bash, the premier South-By-Southwest roots and Americana music showcase.

Now celebrating it’s 11th Anniversary, Sin City Social Club knows how to put on a party. This is one of thier best line ups and you won’t want to miss it! And make sure to try the great food at Maria’s Taco Xpress

The Sin City Social Club Annual Bash
Maria’s Taco Xpress in Austin, Texas
Fri, March 15, 12pm – 9pm
Free! No badges or wrist bands needed. All ages.

Lineup:

12:00 * The Mercy Brothers (S. Louisiana)
12:40 * So Long Problems (Austin)
1:20 * Rod Melancon (Los Angeles)
2:00 * Chelle Rose (Nashville)
2:40 * Israel Nash Gripka (Austin)
3:20 * Deadman (Austin)
3:45 * Deadstring Brothers (Detroit)
4:25 * Shurman (Austin)
5:05 * Out of Our Tree (Feat. Tim Easton & Megan Palmer)
5:45 * Elijah Ford & The Bloom (Austin)
6:20 * Mike Stinson (Houston)
6:55 * Ian Moore & The Lossy Coils (Seattle)
7:40 * Jesse Dayton (Austin)
8:30 * Two Hoots & A Holler (Austin)

Brought to you by: Sin City Social Club * Rootsy Records * Twang Nation * Chris Kro Art Design * Lone Star Beer * Lone Star Music * Mojave Audio * Little Brother Music * Maria’s Taco Xpress

Other great SXSW Americana showcases:

Official SXSW Little Brother Showcase Tuesday, March 12 – 8:00pm until 2:00am

Guitartown/Conqueroo Block Party Kickoff – Wednesday, March 13 – 11:00am until 9:00pm

Grand Ole Austin SXSW Showcase – Thursday, March 14 – 11:00am until 9:00pm

Hillgrass Bluebilly Records presents: X-SXSW 6 Unofficial Showcase – Open to the Public – $10 Fri. 03/15 | 6:00PM

Album Review – Son Volt: Honky Tonk [Rounder Records]

son volt honky tonk

From the ashes of one of the pivotal harbingers of the late 80’s alt.country movement, Uncle Tupelo, Jay Farrar’s Son Volt has continued to carry the torch of classic country and rock music for seven albums now. Each album blending, progressing, and sometime faltering, but always staying true to course. This time around, Farrar seems content to ease off of the rock influence and focus in classic country nuance. Picking up the pedal steel in his spare time he’s uses ot deftly spanning 11 songs that display economy (clocking in at just over 36 minutes) as well as expansiveness in influence.

This incarnation of Son Volt appears well suited to provide the Honky Tonk of the album title and theme. The band sets a welcome tone with the 3/4 Waltz of “Hearts and Minds.” Brick Walls is straight from the Lefty Frizzell book of song-craft and heartache. The nightlife lament of “Wild Side” is Farrar’s subtler and more tender take on a theme Hank Thompson tackled with “Wild Side Of Life.”

“Every road is a story to tell, of dreams that have soared and dreams that have fell.” starts off the lovely Celtic-tinged “Down the Highway” that blends the road with life, or perhaps it’s all just life on the road. “Bakersfield” flirts with jukebox fair to compel a dust-bowl migrant to drop a dime to hear it. Languidly paced atmospheric and shimmery electric guitars makes Angel of the Blues’ and “Shine On” gives the album a contemporary conclusion.

Honky Tonk doesn’t slap you in the face with some aural revelation. it’s not a furious album or one trying to prove itself. It lays it out and really couldn’t care what the world thinks. That’s the beauty in it. There is no overt commercial aspirations, just love of music and a celebration of it’s timeless nature. Farrar has always been true to his vision never chasing stylistic trends to broaden his demographic appeal. He’s cultivated and harvesting country music gold throughout his career and with the excellent Honky Tonk, he sounds right at home.

Official Site | Buy

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Tootsie’s Orchid Lounge to celebrate 53rd Birthday

tootsies3One of the world’s most legendary honky-tonks is the Nashville’s Tootsie’s Orchid Lounge on lower braodway. Unoffocially knwon as the Ryman Adtroirum green room due to it’s proximity just across the alley from the Mother Chrurch, and the strict no alcohol policy enforced by same, Toosties’s has played host to legends writing, singing and living some of country music’s greatest songs. It’s where Willie Nelson kissed Faron Young on the mouth after the Young presented Willie with his very first writer’s royalty check for $20,000 for “Hello Walls.” The place has history as is illustrated by the walls layered with classic head shots of country music royalty. So may the bar had to install plexiglass to keep people from fooling with them.

Toosties’s will celebrate its 53rd Birthday on November 21st with a Broadway street-party hosted by Great American Country (GAC) personality Storme Warren. The annual event will be the kick-off event celebrating and honoring Country Music Hall of Fame member George Jones’ final Nashville concert, which takes place the following evening Friday, November 22nd at the Bridgestone Arena. As part of the celebration, Tootsie’s Orchid Lounge is extending their annual “Birthday Bash” to a two-day event with entertainment on the outdoor Broadway stage taking place on both Thursday and Friday nights.

“The Tootsie’s Birthday Bash has become an annual event that everyone looks forward to,” says Tootsie’s proprietor Steve Smith. “We kicked it off at the Ryman with Kris Kristofferson, Terri Clark, Mel Tillis, and Jamey Johnson a few years back.

Entertainment will be announced in the coming months.

Twang Nation Podcast Episode 11 – Steve Earle, Brett Detar, Caitlin Rose

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Two themes emerged unintentionally from this episode, Californian cities and the highway. Both are classic themes in country and Americana music and both are telling on his we got here and where we’re going as a community.

On Californian cities , the Son Volt song, “Bakersfield,” included tells the story of dust bowl immigrants to that Southern California town that resulted in a thriving Southern/plains working class culture there. After work visits to honky-tonk bars like The Blackboard gave performers like Wynn Stewart and Buck Owen’s a stage to shape the Bakersfield Sound. This sound contrasted against the Nashville Sound that was thriving in Music City and borrowed elements to rock music sweeping the nation.

Fusion and evolution is what created this music we love. But we wear our roots proudly. Blake Shelton might be right about Music Rows’
jettisoning it’s legacy to craft a business plan for sustained growth. But great culture never comes from a corporate marketing department and strip mine approach to culture is not what Americana is about. It’s about sustained growth for long-term benefits for everyone involved.

Regarding the highway, we are all on it. The internet is part of that analogy and the past, present and future of the genre is another. then there’s the literal hundreds of miles of highway that these performers travel every year. It’s a tough life they choose to bring us this great music and we owe it to them to see them live, buy their music and pick up a t-shirt. We owe it to ourselves because this financial investment in them allows them to bring us more great music.

As always. I hope you like this episode of the Twang Nation Podcast and thank you all for listening. If you do tell a friend and let me know here at this site, Google+ , Twitter or my Facebook.

Opening Song – “Mr. D.J” – by Dale Watson

1.Caitlin Rose – “I Was Cruel””- Album: “‘The Stand-In” (ATO Records)
2. Holly Williams – Song: “Let You Go”- Album: her third album “‘The Highway” (Georgiana Records)
3. Wayne “The Train” Hancock – Song: “Ride”- Album: “Ride” (Bloodshot Records)
4. The Law – Song: “Crazy and Lonesome”- Debut Album: “Dust And Aether” (TLB Records)
5. Brett Detar – Song: “A Soldier Burden” – available for the low price of an email address at brettdetar.com
6. Escondido – Song: “Bad Without You” – Album: debut The Ghost of Escondido
7. New American Farmers – Song: “Everywhere” – Album: Brand New Day
8. Son Volt – Song: “Bakersfield” – Album: Honky Tonk (Rounder Records)
9. Charlie Parr – Song: “Groundhog Day Blues” Album: Barnswallow
10. Dale Watson – Song: “Smokey Old Bar” Album: El Rancho Azul (Red House Records)
11. Steve Earle – Song: “Calico County” Album: The Low Highway (New West records)
12. Carrie Rodriguez – Song: “Devil in Mind” Album: Give Me All You Got (Ninth Street Opus records)

Kris Kristofferson & Willie Nelson Perform at Bluebird Cafe, During NSAI Ceremony [video]

I wonder is this is the kind of “Old Fart” music that Blake Shelton was referring to?

Two country music icons, and Highwaymen band-mates, made an appearance at one of Nashville songwriters’ hallowed grounds to give and receive respect. Kris Kristofferson & Willie Nelson each were awarded the inaugural Nashville Songwriters Association International Kris Kristofferson lifetime achievement award.

From the speech reported by The Tennessean:

“He’s unlike anybody else, because he is one of the best songwriters who ever wrote in any language. He’s absolutely a unique singer who doesn’t sound like anybody else ever…He’s probably the funniest human being I’ve ever known. Sometimes, I try to envision who God might be, and he always comes out looking like Willie.”

“I’m really proud to be giving you this,” he told Nelson. “I’m embarrassed that my face and my name is on it.”

“We can take that right off,” Nelson replied dryly, as the packed house of friends and admirers laughed. “I thought I was coming here tonight to give you an award, so I had a great speech all lined up. It couldn’t match what you just said.”

Asked if the pair were able to perform together often enough, Nelson replied. “It’s kind of rare, unfortunately, because we enjoy doing it.”

“I never see anybody else…” added Kristofferson. “But every time we get together, it’s amazing.”

This is one of those rare opportunities that remind us that giants still walk the earth. We should take every opportunity to see them when we can and give respect to them until the end of time.

Music Review: Daniel Romano – Come Cry With Me Normaltown Records]

NTR1006-DanielRomano-REDPeople often wondered why Gram Parsons, a member of a 60’s generation that cast off the past so dramatically, would choose to perform music so informed by country music clad in the garish uniform of the institution, a Nudie suit. Granted the suit was adorned in spangled by pot leaves. But still, what gives? Was he a novelty act? But then you heard “Hickory Wind” and you knew this wasn’t hippie irony. This was reverence.

Ontario-based singer/songwriter Daniel Romano stares at you from his latest release ‘Come Cry With Me” donned in a brown, Nudie-style, bespangled suit. Stetson, hipster ‘stache and sideburns. Like a retro Instagram filter set to Country Gold. Romono dares you not to ask “is this dude kidding?”

By music don’t lie. ‘Come Cry With Me” is as real as anything that’s come out as country music scene since it moved from the porch to the studio mic.

Like Chuck Ragan and Austin Lucas, Romano spent his youth in punk and hard rock msuic founding the indie-rock outfit Attack in Black. Like them his journey led him to the music he grew up listening to A music with stylistic and thematic ties to punk and hard rock. Country and folk music.

Hank (Williams and Snow) Gram, Willie, Waylon, Billy Joe, Ernest, George Jones – they would all identify Romono’s fourth solo record as spiritual and melodic kin.

Weepers like “The Middle Child” and “Two Pillow Sleeper” used to spend weeks at the top of the jukebox charts and brings to mind long-forgotten smokey bars, broken hearts and cheap beer.

But it’s not all tales of the misbegotten and downtrodden. “Chicken Bill” takes a page out of the Cash book of Boom Chicka Boom and pulls the chair out with a mysterious ending. The wry humor and double entendre soaked “When I Was Abroad” sound like a result of a Roger Miller and Shel Silverstein amphetamine-fueled songwriting session at the Playboy Mansion.

And the excellent celebration of 3/4 waltzes “Just Before The Moment” would make Lefty Frizzell smile and cause Music Row execs the night sweats.

The rebellion that shapes punk and hard rock music has led Romano to one of the most rebellious acts he could undertake in today’s cultural environment. Creating an honest-to-God country music record.

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Official Site | Buy

[soundcloud url=”https://soundcloud.com/crashave/sets/daniel-romano”]

Son Volt Announces New Album, April Tour Dates

son volt honky tonkAlt.country/Americana music pioneers Son Volt will release Honky Tonk, their highly anticipated follow-up to 2009’s American Central Dust.

According to a received press release, the 11-track album features a mix of classic honky tonk and acoustic-based songs about “heartache, heartbreak, and the road.” Sounds like a winning combination.

According to a press release, the 11-track album us described by band leader Jay Farrar thus, “Honky tonk music is about heartache, heartbreak, the road.” He reflects that as he wrote and recorded the songs so deeply steeped in tradition, “I wanted these songs to sound more contemporary and modern. There was no strict adherence to methodology of the past. You never want to be a nostalgia act.”

“I was always averse to using certain words in songs, including ‘love’ and ‘heart,’” frontman Jay Farrar explained. “But I started using them on American Central Dust, and now I guess the floodgates have opened.”

The album is said to “dwell on affairs of the heart with album’s opener, “Hearts and Minds,” a speedy Cajun waltz which assays the delicate balance between love’s steadfastness and its caprice, the plaintive “Brick Walls,” and “Barricades,” which affirms the necessity of pushing forward in the face of overwhelming despair and defeat.”

Farrar also learned a new instrument as an inspiration for the sound of the record and ” inspired an intense exploration of honky tonk music.” “In the time between Son Volt records, I started learning pedal steel guitar. I play with a local band in St. Louis now and then called Colonel Ford. So I was immersed in honky tonk music, the Bakersfield sound, in particular. And it was almost second nature when I started writing the songs for this record.”

“Honky Tonk and Farrar’s forthcoming book, Falling Cars and Junkyard Dogs (Counterpoint Press, 2013) both continue his ongoing exploration of America’s landscape through the redemptive power of its music. Yet for all its hearkening back to a classic sound, Farrar and company make Honky Tonk feel vital, fresh, and new.”

Son Volt has national tour dates for April 2013 starting at Nashville’s Mercy Lounge.

Honky Tonk will be released via Rounder Records on March 5. Check out the track list and tour dates below.

Honky Tonk Tracklist:
1. Hearts and Minds
2. Brick Walls
3. Wild Side
4. Down the Highway
5. Bakersfield
6. Livin’ On
7. Tears of Change
8. Angel of the Blues
9. Seawall
10. Barricades
11. Shine On

Son Volt Tour Dates:
April
10 – Nashville, Tenn. @ Mercy Lounge
11 – Asheville, N.C. @ The Orange Peel
12 – Atlanta, Ga. @ Terminal West
13 – Carrboro, N.C. @ Cat’s Cradle
14 – Knoxville, Tenn. @ Bijou Theatre
16 – Birmingham, Ala. @ WorkPlay Theatre
17 – New Orleans, La. @ The Parish
18 – Houston, Texas @ Continental Club
19 – Austin, Texas @ Old Settler’s Music Festival
20 – Dallas, Texas @ Sons of Herman Hall

Got news tips for Twang Nation? Email holler(at)twangnation.com

Cream of the Crop – Twang Nation Top Americana and Roots Music Picks of 2012

TNtoppicks2012It seems like I say it every year – so here goes, another bumper year for Americana releases blah blah. but it’s true!
I’ve been sitting on a list of about 50 releases all of which could easily be included in a top 10 list of the best of 2012
until the last final minute of the deadline i set for myself to keep from crapping up my holidays. i had to make a stand.
Here it is.

I finally threw the arbitrary “Top 10” structure out the window and doubled down and made it a top 20 21. The selections are lasted in arbitrary order and are not most best to least best. They all stand on their own as some of this year’s. or any year’s, finest examples of songwriting and performance excellence.

A quick word on the exclusion of mainstream heavyweights like Mumford and Sons, The Avett Brothers and their upstart competitors the Lumineers didn’t make the cut. Cards on the table, for all my rooting for mainstream acceptance of the genre I’m still a music snob. Like most other genres, I genuinely think that once a person mines the Americana field below the mainstream examples that is where they will discover the real riches lie. This is my opinion. Your mileage may vary.

Here’s a a happy, healthy and twangny 2013! thanks to all of you for reading, following,commenting. And to all the great musicians that reward us every day with riches that I personally am unworthy of.

Chris Knight – Little Victories
Malcolm Holcombe – Down the River
Darrell Scott – Long Ride Home
Corb Lund – Cabin Fever
Buddy Miller and Jim Lauderdale – Buddy and Jim
Iris Dement – Sing The Delta
Dwight Yoakam – 3 Pears
Turnpike Troubadours – Goodbye Normal Street
John Fullbright – From the Ground Up
Shovels & Rope – O’ Be Joyful
The White Buffalo – Once Upon a Time in the West
Justin Townes Earle – Nothing’s Going to Change The Way You Feel About Me Now
The Trishas – High Wide & Handsome
Gretchen peters – Hello Cruel World
Lindi Ortega – Cigarettes & Truckstops
Patterson Hood – Heat Lightning Rumbles in the Distance
Chelle Rose – Ghost of Browder Holler
Derek Hoke – Waiting All Night
Shooter Jennings – Family Man
BlackBerry Smoke – The Whippoorwill
Nick Cave / The Bootleggers / Warren Ellis – Lawless (Original Motion Picture Soundtrack)