Watch Out! Shakey Graves – “Dearly Departed” on Conan

Shakey Graves "Dearly Departed"

Check this rousing performance of Austin’s Shakey Graves’ “Dearly Departed” from Conan last night.

Shakey (Alejandro Rose-Garcia) is accompanied beautifully by vocalist Esmé Patterson, who has her own new album entitled “Woman to Woman.”

“Dearly Departed” can be found on Shakey Graves newest album And The War Came

Omnivore Recordings To Release Expanded 20th-Anniversary of Old 97’s debut ‘Hitchhike to Rhome,’ November 17

Old 97's debut ‘Hitchhike to Rhome.’

When discussing the pioneers and legacy of the alt.country movement Dallas’ Old 97s have to be on the short list of most influential, and enduring, roots rockers to ever till that field.

The band’s indy debut, ‘Hitchhike to Rhome,’ blasted onto the scene in 1994. Already cooked in was the roots-rock with a dash of pop ingredients that has served the band well over their 20-year career. Rhett Miller, already a solo veteran, displayed a deft hand at smart and catchy phrasing on songs like “St. Ignatius,” “If My Heart Was a Car,” and the album’s standout “Stoned,” that has made one of the most charismatic, and generous, front men going.

To celebrate the 20th anniversary of ‘Hitchhike to Rhome’ the excellent Omnivore Recordings continues their support of the Old 97s catalog (they released the ‘Too Far To Care’ reissue complete with demos (also available separately on vinyl as They Made A Monster), and the band’s sessions with Waylon Jennings) by reissuing the album as an expanded 2-CD and digital release. But wait there’s more! The album will also be released as on double vinyl LP for the first time with a limited edition first pressing on translucent orange vinyl!

From the presser:

“When band member and set co-producer Ken Bethea was revisiting the original tapes for this reissue, he discovered a treasure trove of eight extra tracks cut at the album sessions — many of which the band hadn’t even remembered recording. It seemed the perfect time to bring those previously unissued songs to light and add the tracks from their first four-song demo cassette to round out the early picture of the 97’s.

The 2-CD version of Hitchhike To Rhome contains the original album, coupled with a second disc of those 12 rare and unreleased tracks, many mixed from the original multi-tracks for the first time by longtime Old 97’s engineer Rip Rowan. The double LP features the LP on three sides with six of the recently unearthed tracks on Side 4. The download card included gives the buyer the complete 2-CD program. Both formats include rare photos, memorabilia and notes from Bethea.

Street date is November 17, 2014.

Pre-order here.

CD TRACK LIST:

Disc One
St. Ignatius
504
Drowning In The Days
Miss Molly
Dancing With Tears
4 Leaf Clover
Wish The Worst
Old 97’s Theme
Doreen
Hands Off
Mama Tried
Stoned
If My Heart Was A Car
Desperate Times
Ken’s Polka Thing
Tupelo County Jail
Disc Two
St. Ignatius (demo cassette version)
Drowning In The Days (demo cassette version)
Making Love With You (demo cassette version)

Stoned (demo cassette version)
Dancing With Tears (demo)*
Ivy (demo)*

Eyes For You*

Crying Drunk*

Victoria*

Old 97’s Theme Spgeddi*
Alright By Me*

Desperate Times*

LP TRACK LIST:
Side One
St. Ignatius
504
Drowning In The Days
Miss Molly
Dancing With Tears
Side Two
4 Leaf Clover
Wish The Worst
Old 97’s Theme
Tupelo County Jail
Doreen
Hands Off
Side Three
Mama Tried
Stoned

If My Heart Was A Car
Desperate Times
Ken’s Polka Thing
Tupelo County Jail
Side Four
Crying Drunk*

Dancing With Tears (demo)
Ivy (demo)*

Victoria*

Eyes For You*
Old 97’s Theme Spgeddi*
* Previously unissued

Review: Kacey Musgraves — The Granada Theater – Dallas, Texas [SOLD OUT]

Kacey Musgraves -- The Granada Theater - Dallas, Texas

“This is my hometown show!” Kacey Musgraves exclaimed from the stage near the start of her performance.

Though she had been on her current tour for several days in Texas this as close as Musgraves had come to her hometown. Musgraves cut her honky-tonk teeth in Golden TX. which lay a little more than 96 miles West of Dallas and many friends and family had come to see her at this special homecoming to celebrate a top-selling, Grammy-winning, chart-landing big-label debut and a tour of the world to support it.

Musgraves and her family were joined by a long-ago sold-out crowd of fans that formed a line that snaked around the side of the venue hours before doors were announced to open. Good ol’ boys, tattooed young gals and middle-age couples all stood boot-to-boot to catch country music’s newest star.

Credit Musgraves or her team for picking the Granada, and it’s capacity for roughly 800, for an intimate homecoming. She had recently rolled off an opening slot for pop-goddess Katy Perry, where the audience was treated to “Fire and dancing cats” and they were “shocked that we were a country band,” but the KatyCats eventually warmed up to them.

It’s easy to see why.

Though deeply steeped in country music’s traditional forms Musgraves has done what her predecessors like Dolly Parton and The Dixie Chicks had done years before. Worked traditional country music forms, and their strengths of storytelling, to build connections blended with contemporary sounds and dialect to appeal to a wider audience. All this without diluting the original spirit. This is no small task.

The 800 plus venue faced a stage that appeared set for a set for a larger production and might very well have been as much was probably used on the bigger venues she’s recently played.

The signature “acid western” motif of dusky western sky backdrop and neon cacti were on display to add just the right amount of kitschy fun. And her band’s Nudie style matching suits festooned with Christmas lights sealed the deal.

And a big show it was. Not big in the contemporary KISS-style circus definition of the word, but big in talent and heart.

From the opener “Silver Lining,” from her Grammy-winning 4th studio release ” Same Trailer Different Park,” she had the crowd enchanted. Donning a short skirt (she warned the front row to be careful with those phone cameras) cowboy boots, checked cotton shirt and fringed rhinestone wrist cuffs, she had the room as background accompaniment with the opening verse.

Woke up on the right side of rock bottom
You’re all out of pennies, and the well it done run dry
Light ’em up and smoke ’em if you had ’em,
But you just ain’t got ’em
Ain’t we always looking for a bluer sky

And it went that way the whole hour-plus show. Musgraves and her excellent band played ” Same Trailer…” nearly in it’s entirety as well as some choice covers and new songs at the encore.

Highlights were “Blowin’ Smoke,” which had the crowd answering back with the “Hey yeah” that gives the song it’s bluesy swagger. The non album track “The Trailer Song” which she premiered earlier this year ( “You might not have lived in a trailer, but I bet you has a nosey neighbor.”) was also a highlight as well as “Merry Go ‘Round” as Musgraves asked the crowd to use their cell phone lights to create a wonderful starry effect.

The covers were inspired as Dolly Parton’s “Here You Come Again ” fit her pop leanings and the Roger Cook, John Prine penned “Dance With You,” made famous by Texas legend George Strait shows she has a keen sense of great songs.

Her reggae-flavored working of “Step Off” folded nicely into Bob Marley’s positive vibe of “3 Lil’ Birds” to the crowd’s roaring delight and her version of Nancy Sinatra and Lee Hazlewood “These Boots Are Made For Walkin” brought the show to a steamy, rocking boil.

The finale has Musgrames and the boys circled around a single mic for an accapella version of Roy Rogers “Happy Trails.”

Years of playing live and penning quality songs for the likes of Gretchen Wilson, Miranda Lambert, Martina McBride and ABC’s Nashville have honed Musgraves into a sharp songwriter with an eye for common themes told in uncommon ways. Her “aw shucks” demeanor never come off as false or forced.

Will she have the staying power of loretta, Dolly or the pre-scandal Dixie Chicks? Time will tell. But one thing for sure, Kacey Musgraves is off to a hell of a start.

Set List:
Silver Lining
Stupid
Blowin’ Smoke
I Miss You
High Time
Here You Come Again (Dolly Parton cover)
The Trailer Song
Keep It To Yourself
Back on the Map
Mama’s Broken Heart (Miranda Lambert)
No Scrubs (TLC cover)
It Is What It Is
Dance With You – (George Strait cover)

    Step Off / 3 Lil’ Birds (Bob Marley & The Wailers cover)
    Merry Go ‘Round
    My House

    Encore:
    Biscuits (new song – solo acoustic)
    Cup of Tea (new song – solo acoustic)
    These Boots Are Made For Walkin’ (Nancy Sinatra /Lee Hazlewood cover)
    Follow Your Arrow
    Happy Trails (Roy Rogers cover)

Ryan Adams covers Bryan Adams’ “Run To You” [VIDEO]

RyanAdams2

Ryan Adams has displayed some, um, irritation at being mistaken for Canadian pop-rocker Bryan Adams. He’s also been known to get bent out of shape when Bryan Adams songs are called out at his shows.

Well they’re nothing to be done about the former confusion the latter seems to have been remedied. During a Santa Barbara gig Adams (Ryan not Bryan) covered Adams (Bryan not Ryan) hit “Run To You.”

After some playful banter about tempo-changes, fitted jeans and Lynyrd Skynyrd, Adams launched into the cover with no mention of what was to come.

And like most of his covers he not only nails it, he improves the song.

Via Consequence of Sound

https://www.youtube.com/watch?v=fGL4thD5nYQ

AmericanaFest 2014 – All the roots put together

Loretta Lynn - Americana Awards

It was fitting that on the eve of AmericanaFest 15 I should run into Rob Bleetstein.

Let me explain. Bleetstein is man partially responsible for “Americana” being used as a qualifier for “music.”

As editor at the esteemed Gavin Report Bleetstein informed the radio trade publication that they were missing category of mongrel music he, and others, had been programing while employed at KFAT in Gilroy, California. The result was the first Americana radio chart being published on January 20, 1995.

So of course I asked him what Americana was.

As we joked at the seemingly endless consternation his vague creation had unleashed on geeks like me a capacity crowd streamed out of The Basement around us. They had just witnessed vets Phil Madeira and Will Kimbrough swap songs with the sassy third of the Pistol Annie’s Angaleena Presley and dazzlingly edgy newcomer Caroline Rose. More folks packed in behind them to catch he steamy roots soul/gospel of Mike Ferris & the Roseland Rhythm Revue. The music surrounding us, the fans buzzing about the days of sleepless nights to come. Endless squabbling about genre borders seems irrelevant.

Then Bleetstein mentioned he had read a Rolling Stone where Eric Clapton had given a definition when discussing his newly released project The Breeze: An Appreciation of JJ Cale. Clapton said “In Europe, we heard JJ as Americana, all the roots put together.”

All the roots put together. An imperfect definition for an imperfect form.

Let’s go with that.

Musicians, fans and industry types – figuring how they are still relevant in the cultural value chain – descended on Nashville for the Americana Music Conference, Festival and Awards to witness some of the best, nay THE best, music going. Fueled by BBQ, hot chicken, local beer, bourbon and a variety of caffeine there were endless pow-wows, parties, pre-parties, listening parties, post- parties tet-de-tets and random run-ins.

And yes I did squeeze some music in on occasion.

I say some because there was so many band across multiple venues you had to plan out your evenings in advance. I did. Then I mostly abandoned them for convenience, air conditioning and parking.

First the Awards. I never get over the thrill of walking into the Ryman Auditorium. It is a hallowed place full of ghosts and echoes and, as overwhelming as it is to sit in those church pews I can’t imagine what it’s like to perform on that stage.
But many did on that night and they did it with the passion and reverence due.

Reverence was also what Kacey Musgraves and Angaleena Presley displayed when presenting the Lifetime Achievement Award for Songwriting to legend and pioneer Loretta Lynn. Lynn accepted the award 54 years to the day that she first appeared on the Ryman stage, making her Grand Ole Opry debut. Presley introduced Lynn as “a woman who raised up six children and 70-odd hit singles but, just as importantly, raised everyone’s idea of what a country song could talk about it.” A standing ovation rightly greeted Lynn as she entered the stage in her signature flowing gown. “When they told me I was going to get this award, I said, ‘Naw, you got the wrong one. But it was right, and I was so proud.”‘

Then she sang Coal Miner’s Daughter. on The Ryman stage. Damn.

“Happy birthday to Hank Williams,” Jason Isbell said as he accepted one of the three awards in three categories he won that night for his stellar release of his newest Southeastern . “If it wasn’t for that guy, we’d be doing this in some burned-out Kmart in Murfreesboro.”

While picking up his hand-crafted trophy for song of the year “Cover Me Up” Isbell said “I wrote this song for my wife.” Referring to Amanda Shires Texas singer/songwriter who accompanied him that night on a rousing performance that brought the crowd to it’s feet. “This was probably the hardest song I ever had to write because I wrote it for her and then I played it for her. It was very difficult. Do the things that scare you. That’s the good stuff.”

I’m very happy that Isbell was able to put himself in a place that allowed him to do some of the best work he’s ever produced, and that recognition has rightly followed.

The emerging artist category was the tightest, and best, I has ever remembered it to be. Between Parker Millsap, St. Paul & The Broken Bones, Sturgill Simpson and Hurray For The Riff Raff, all whom performed live, it was a tough call. It was anyone’s game. That is until it was Simpson’s as he headed to the podium with a characteristically terse “This is for my family.” Enough said, hoss.

Country music legend and historical memorabilia collector Marty Stuart honored to Jimmie Rodgers posthumously awarding the The Father of Country Music the Presidents Award. Then he and his Fabulous Superlatives
tore through a spirited “No Hard Times” with Stuart and guitarist Kenny Vaughan giving the song a contemporary flair with blazing tandem electric guitars.

Guitarist extraordinaire Ry Cooder sat in with Buddy Miller and the band for the night’s events. His dexterity on the guitar is matched by his ability to move through, or completely around musical styles, tying them together in the process. He took time away from his supporting duties to award his longtime collaborator norteño accordion pioneer Flaco Jimenez with a Lifetime Achievement as an Instrumentalist. They then performed a lovely version of the Spanish-language traditional “Ingrato Amor.” Cooder also teamed up with Artist of the year nominee Rodney Crowell for a delicate version of careful rendition of “God I’m Missing You,” from Crowell’s latest ‘Tarpaper Sky.’

Rosanne Cash brought a sophisticated air to her performance of her “A Feather’s Not a Bird,” and a gritty-folk menace surrounded Patty Griffin as she was joined by Robert Plant to perform “Ohio.”
Emerging artist nominee Hurray For The Riff Raff performed a transfixing version of their murder ballad “Body Electric” while vocalist Alynda Lee Segarra shimmered in a Nudie-style suit. Robert Ellis showed himslef to be one of the industries most creative and astute songwriters as he performed his nominated “Only Lies.”

At the Country Music Museum and Hall Of Fame’s Ford Theatre Outlaw legend Billy Joe Shaver give a brief (but candid) interview about his life’s tribulations. He then rose to perform, with simple acoustic accompaniment,
songs rendered from those hardships. Hardships he assured us made easier early with whiskey and later with Jesus.

Then it was upstairs to a new, beautiful, portion of the Country Music Hall of Fame’s CMA Theater to catch “Honky Tonkin’: Twenty Years on Lower Broad” celebration/showcase of bands that featured Greg Garing, Paul Burch and R.B. Morris and BR549. Performers that helped reenergize Nashville’s Lower Broadway after the Opry moved out of the Ryman and to the burbs. Before performing, upright bassist “Smilin” Jay McDowell walked to the front of the stage and placed a tip jar as a tribute to the days when the band survived on such monetary generosities. Singer Chuck Mead , bedecked in his Nudie Suit best with his cherry-red Gretsch electric guitar and co-frontman Gary Bennett, toned down in jeans and western shirt, then showed hoe their tight harmonies gloriously transported all those that had been there those many years ago. Veteran Lower Broad singer and mentor John Shepherd, attending with wife and singing partner Lois Shepherd, continues tradition as he headed slowly to the stage and dropped the first dollar tip, prompting laughs and applause.

Lee Ann Womack had some shows during the event. I was lucky to catch a song swap with her, Hayes Carll, Bobby Bare Jr. and the legendary songwriter Bobby Braddock high atop the SiriusXM Outlaw theatre. Hosted by Mojo Nixon (outLAAAAAAW country) Carll and Bare shared a laugh on their collaboration “My Baby Took My Baby Away” and , later, Carll looked on with shyness and awe as Womack hushed the crowd with his “Chances Are” which she oncluded on het newest release. The real highlight though was Braddock singing his classics “He Stopped Loving Her Today,” “Golden Ring” and everyone joining in on the closer “We’re Not The Jet Set.”

But the real gold is the showcases. Stand-outs were Angel Snow (her real name, I asked) playing at a sparsely attended Americana for Movies and Shows. I only caught once song but that’s all it took to render me speechless. Alabamian Mathew Mayfield followed with his brand of rough-hewn catchy folk. The i wa shocked to see bluegrass/folk stalwart Tim O’Brien take the stage. I felt bad that there were so few people but lucky I was one of those few.

A trip to Jack White’s odd Third Man performance space was bathed in calm, blue lighting as a mounted elephant head loomed above the crowd. On the bill was Madisen Ward and the Mama Bear. The mother and son act perform seated, strumming acoustic guitars and singing deep-roots songs that reach far into blues and folks misty past. In the same space on another night Jonah Tolchin hold a folk-jam clinic that surprised many expecting the genteel folk-blues style from his latest “Clover Lane.”

Caroline Rose commanded attention of the crowd with her school-girl outfit and her manically focused folk-rock set that had them screaming for more. While trying to escape the heat of the Mercy Lounge I found myself in the cooler High Watt space watching a performance of Aaron Lee Tasjan. Exhibiting the droll but sharp humor of Todd Snider but the delicate songcraft of Townes Van Zandt the Nashville resident defied all expectations.

How could any of that fit in one neat marketing package? I feel for the marketing rep that handles any of these artists and is asked “What kind of music is it?”

All the roots put together. Let’s go with that.

https://www.youtube.com/watch?v=pUvE-GTiKiY

Bloodshot Records Announces 20th Anniversary “While No One Was Looking” Compilation – November 18, 2014

Bloodshot Records Announces 20th Anniversary  "While No One Was Looking"

Chicago’s mighty Bloodshot Records has quietly been hoisting the roots rock and alt.country flag for, well as long as those words came into mainstream use.

Hard to believe that it’s been 20 years since the intrepid indy released it’s inaugural compilation ‘A Life of Sin: A Compilation of Insurgent Chicago Country.’

The music industry has gone through some pretty rough changes in the last two decades but Bloodshot has blasted along releasing some of the best the genre has to offer.

This November 18 you’ve got one more item to add to your Christmas wish-list. ‘While No One Was Looking: Toasting 20 Years of Bloodshot Records,’ a collection of 38 reinterpretations from the label’s catalog will be released.
Blitzen Trapper, Andrew Bird and Nora O’Connor, Ben Kweller, Mike Watt, Nicki Bluhm and the Gramblers, Shakey Graves, Chuck Ragan, Superchunk, and many others cover current and former acts such as Justin Townes Earle, Ryan Adams, Neko Case, Scott H. Biram, Ha Ha Tonka, Lydia Loveless, Old 97’s, Murder By Death, Robbie Fulks, Cory Branan, and more.

Personally I’m looking forward to hearing Into It. Over It cover Neko Case’s “Deep Red Bells” and Kevin “Shinyribs” Russell covering Lydia Loveless’ “All the Time.” Yowzaa!

Pre-order (limited ed. blood-red vinyl is the way to go) and track listing are below.

Preorder “While No One Was Looking”

Full Album Track Listing:

Disc 1:

1. Blitzen Trapper – “To Be Young (Is to Be Sad, Is to be High)”
Originally performed by Ryan Adams on BS071 Heartbreaker (2000)

2. Chris Shiflett & The Dead Peasants – “Look the Other Way”
Originally performed by Justin Townes Earle on BS193 Nothing’s Gonna Change the Way You Feel About Me Now (2012)

3. Samantha Crain – “Cold Forgiver”
Originally performed by Ha Ha Tonka on BS207 Lessons (2013)

4. Chuck Prophet – “Dirt”
Originally performed by Andre Williams on BS185 Hoods & Shades (2012)

5. Hiss Golden Messenger – “Where I Fell”
Originally performed by Robbie Fulks on BS211 Gone Away Backward (2013)

6. Dave Davison (of Maps & Atlases) – “Things I Didn’t Say”
Previously performed by Bobby Bare, Jr.’s Young Criminals’ Starvation League on BS110 From the End of Your Leash (2004)

7. Ted Leo – “Dragging My Own Tombstone”
Originally performed by Waco Brothers on BS054 Electric Waco Chair (2000)

8. Into It. Over It. – “Deep Red Bells”
Originally performed by Neko Case on BS099 Blacklisted (2002)

9. Split Single – “My Backyard”
Originally performed by Nora O’Connor on BS116 Til the Dawn (2004)

10. Limbeck – “Sound of Running”
Originally performed by Old 97’s on BS066 Early Tracks (1995, 2000)

11. Tim Kasher – “Aspidistra”
Originally performed by The Scotland Yard Gospel Choir on BS148 The Scotland Yard Gospel Choir (2007)

12. Shakey Graves – “Happy Birthday Julie”
Originally performed by Wayne Hancock on BS080 A-Town Blues (2001)

13. Ivan & Alyosha – “My Winding Wheel”
Originally performed by Ryan Adams on BS071 Heartbreaker (2000)

14. Chuck Ragan – “Survivor Blues”
Originally performed by Cory Branan on BS195 MUTT (2012)

15. The Minus 5 – “Cherokee Grove”
Originally performed by Mark Pickerel and His Praying Hands on BS146 Cody’s Dream (2008)

16. Carolyn Mark – “Last to Know”
Previously performed by Alejandro Escovedo on BS027 More Miles Than Money (1998)

17. Daniel Romano – “Strange Birds”
Originally performed by Jon Langford & The Sadies on BS092 Mayors of the Moon (2003)

18. Charlie Parr – “Manifold”
Originally performed by Devil in a Woodpile on BS065 Division Street (2000)

19. The Reverend Peyton’s Big Damn Band – “St. Nick on the Fourth in a Fervor”
Originally performed by Ha Ha Tonka on BS145 Buckle In The Bible Belt (2007)

20. Possessed By Paul James – “I Came Around”
Originally performed by Murder By Death on BS200 Bitter Drink, Bitter Moon (2012)

Disc 2:

1. Andrew Bird and Nora O’Connor – “I’ll Trade You Money for Wine”
Originally performed by Robbie Fulks on BS211 Gone Away Backward (2013)

2. Ben Kweller – “2:00 AM”
Originally performed by The Meat Purveyors on BS091 All Relationships Are Doomed to Fail (2002)

3. Frank Turner – “The Corner”
Originally performed by Cory Branan on BS195 MUTT (2012)

4. Superchunk – “Come Pick Me Up”
Originally performed by Ryan Adams on BS071 Heartbreaker (2000)

5. KOJI – “East Jefferson”
Originally performed by Ben Weaver on BS173 Mirepoix & Smoke (2010)

6. The Great Crusades – “Fake Out Jesus” (Live)
Originally performed by The Blacks on BS 063 Just Like Home (2000)

7. Mike Watt & The Missingmen – “Up to My Neck In This”
Originally performed by Jon Langford & The Sadies on BS092 Mayors of the Moon (2003)

8. Nicki Bluhm & the Gramblers – “Oh My Sweet Carolina”
Originally performed by Ryan Adams on BS071 Heartbreaker (2000)

9. Jerry David DeCicca – “Broken Bottle”
Previously performed by Alejandro Escovedo on BS027 More Miles Than Money (1998)

10. The Handsome Family – “1000 Dollar Car”
Originally performed by The Bottle Rockets on BS212 The Brooklyn Side (1994, 2013)

11. Warm Soda – “All Grown Up”
Previously performed by Gore Gore Girls on BS142 Get the Gore (2007)

12. James Leg (of Black Diamond Heavies) – “Is That You in the Blue?”
Originally performed by Dex Romweber Duo on BS186 Is That You in the Blue? (2011)

13. Two Gallants – “Truck Driver”
Originally performed by Scott H. Biram on BS122 The Dirty Old One Man Band (2005)

14. Diarrhea Planet – “Dry Land”
Originally performed by Waco Brothers on BS015 Cowboy in Flames (1997)

15. Kevin “Shinyribs” Russell – “All the Time”
Originally performed by Lydia Loveless on BS214 Boy Crazy (2013)

16. The North Carolina Music Love Army (featuring Caitlin Cary, Chip Robinson, and Kenny Roby) – “Stick to the Plan”
Originally performed by Graham Parker on BS140 Don’t Tell Columbus (2007)

17. William Elliott Whitmore – “I Wish I Was the Moon”
Originally performed by Neko Case on BS099 Blacklisted (2002)

18. Samuel Fogarino (of Interpol) – “Liked It a Lot”
Originally performed by Charlie Pickett on BS 154 Bar Band Americanus (1984, 2008)

Watch Out! Ryan Adams: “Gimme Something Good” on David Letterman

Ryan Adams: "Gimme Something Good" - David Letterman

Entering his final year as host of the Late Show, it’s hard to imagine anyone taking David Letterman’s place as a mainstream supporter of roots music.

Ryan Adam and his and band The Shining stopped by to treat Dave and the audience with his latest single “Gimme Something Good” from his self-titled 14th studio album.

Once Adams the band were done with a rousing performance, Letterman reverted to fanboy mode — “Come on!”, “What do you want?”, “Oh my God is taht nice! Can you do just a little bit more?” An obliging Adams kicked into the opening chords as the credits rolled.

Can you recall Letterman requesting an encore? I can’t. Damn, I’m going to miss that man and how much he’s supported great music.

https://www.youtube.com/watch?v=vmglUwgtHxs

Listen Up! Sid Griffin – “Blue Yodel No. 12 & 35″

Photography by Philip Grey

‘Blue Yodel No. 12 &. 35′ has its boots in country music’s present and past.

The song’s bluegrass spirit evokes the best best of front-porch, foot-stomping rollicks. The song’s clever wordplay throws some of best hillbilly shade ever at the spurned (or spurner) and brings it into the present.

The title of “Blue Yodel No. 12 & 35″ may seem familiar. Griffin sheds some light on the song’s title and it’s spirit “Blue Yodel No. 12 &. 35’ refers to two of the great icons of present day guitar music. One is Jimmie Rodgers and the other is Bob Dylan. Rodgers was known for his gentleness even when being frank and Dylan is known for the frankness of his break-up songs so when you hear Blue Yodel No. 12 & 35 you hear a composition crossing their two lyrical styles, a song which is also sung in mid-point between their two musical styles. Why it came out sounding like one if these hip, young bearded bands from Brooklyn or maybe Texas I do not know! But the song swings spritely and with warm humour and I just love that.”

“Blue Yodel No. 12 & 35″ is from ‘The Trick Is To Breathe,’ the first solo album from Sid Griffin (the Coal Porters, the Long Ryders) in a decade. Known as a founder of today’s Americana/Alt-Country genre for his groundbreaking work Sid Griffin has never been far from the cutting edge. Few who could honestly claim to be a Godfather to the current roots music scene have made their mark in so many ways; bandleader, songwriter, instrumentalist, author of four books and broadcaster.

So why did it take a decade for ‘The Trick Is To Breathe’ to happen. ”I was waiting for the right combination of songs and the right place to record”, says Griffin, ‘I got the songs, I found the place just outside Nashville, and I found the right pickers. It was a heavenly experience”. Twelve tracks featuring ten new Sid originals, one cover song and a spoken word poem combine to equal what Sid describes as ”the best album of my long career”.

‘The Trick Is To Breathe,’ will be released on September 16, 2014

Official site

Drive-By Truckers To Release Concert Film “Black Ice Vérité” + “English Oceans” Deluxe Edition on November 18th [VIDEO]

Black Ice Vérité

Last winter that the Drive-By Truckers were scheduled to play live at the 40 Watt to support their latest album “English Oceans.” Then a winter storm hit Athens, GA that had a local meteorologist staing that the storm “…truly is Armageddon…”

Sub-zero end-times proclamations were not enough to stop the Rock Show that night as the mighty Drive-By Truckers performed English Oceans in entirety that night.

On November 18th nn extended version of English Oceans will be released as a deluxe edition. In addition to the full album, the deluxe CD will contain eight live bonus tracks and the Black Ice Vérité DVD directed by Jason Thrasher, as will the LP version on white vinyl. Bonus live versions will include “Dead Drunk and Naked” from Southern Rock Opera.

As the final track on English Oceans, “Grand Canyon” brings together both the record and the band’s 40 Watt performance, as it is an emotionally overwhelming elegy for Craig Lieske. Lieske was a longtime member of DBT’s touring family, a former manager of the 40 Watt Club and a key player in the city’s experimental music scene. Lieske died suddenly of a heart attack in January 2013 following the first night of the band’s three-night homecoming stand in Athens. English Oceans is dedicated to him.

“I probably wrote it in 15 minutes,” Hood says. “It wasn’t any kind of a conscious thing. It’s the most important song of mine on the record. I wrote new songs to go with it. It recalibrated something. It became a totally different record for me than the record I thought we were going to make.”

Pre-order English Oceans Deluxe + Black Ice Vérité

CD Bonus Track Listing

1. First Air of Autumn
2. Grand Canyon
3. Made Up English Oceans
4. The Part of Him
5. Feb 14
6. Panties in Your Purse
7. Dead Drunk and Naked
8. Shit Shots Count

Tour Dates

9/12 – Louisville, KY – Iroquois Amphitheater w/ North Mississippi All-stars
9/13 – Detroit, MI – Royal Oak Theater%
9/14 – Champaign, IL – Canopy Club%
9/16 – Omaha, NE – Slowdown#
9/17 – Tulsa, OK – Cain’s Ballroom#
9/18 – Dallas, TX – Southside Music Hall#
9/19 – Memphis, TN – Minglewood Hall%
10/4 – Mt. Pleasant, SC – Holy City Hogs
10/10 – Atlanta, GA – Tabernacle$
10/11 – Birmingham, AL – Cask and Drum
10/ 17 – New York, NY – Beacon Theater$
10/ 18 – Philadelphia, PA – Electric Factory$
10/ 19 – Albany, NY – Hart Theatre at The Egg
10/21 – Pawtucket, RI – The Met
10/22 – Bethlehem, PA – Musikfest Cafe
10/23 – Columbus, OH – Newport Music Hall^
10/24 – Chicago, IL – Riviera Theater^
10/25 – Springfield, MO – Gillioz Theater^
10/28 – Fayetteville, AR – George’s Majestic Lounge^
10/29 – Oxford, MS – The Lyric Oxford^
10/30 – Nashville, TN – Ryman Auditorium^
11/1 – Charlotte, NC – The Fillmore^
11/20, 21, 22 – San Fran, CA – The Fillmore w/ Sturgill Simpson

# = Lucero
% = Lee Bains & The Glory Fires
$ = St. Paul & the Broken Bones
^ = Houndmouth

Nickel Creek Performance on Live & Direct Series

Nickel Creek Performance on Live & Direct Series

Check this intimate but vibrant performance and interview with the reunited newgrass super-group Nickel Creek, curated by 91.3fm WYEP & Produced by AltarTV.

Songs played are “21st of May” and “Destination,” both from their new album ‘A Dotted Line’ via Nonesuch Records.

Subscribe to the Live & Direct channel for more great performances.

https://www.youtube.com/watch?v=X5EsSrDiN28